This volume showcases recent exploration of the portrait of Daughter Zion as “she” appears in biblical Hebrew poetry. Using Carleen Mandolfo’s Daughter Zion Talks Back to the Prophets (Society of Biblical Literature, 2007) as a point of departure, the contributors to this volume explore the image of Daughter Zion in its many dimensions in various texts in the Hebrew Bible. Approaches used range from poetic, rhetorical, and linguistic to sociological and ideological. To bring the conversation full circle, Carleen Mandolfo engages in a dialogic response with her interlocutors. The contributors are Mark J. Boda, Mary L. Conway, Stephen L. Cook, Carol J. Dempsey, LeAnn Snow Flesher, Michael H. Floyd, Barbara Green, John F. Hobbins, Mignon R. Jacobs, Brittany Kim, Cheryl A. Kirk-Duggan, Christl M. Maier, Carleen Mandolfo, Jill Middlemas, Kim Lan Nguyen, and Lena-Sofia Tiemeyer.

In the subsistence agricultural social context of the Hebrew Bible, children were necessary for communal survival. In such an economy, children's labor contributes to the family's livelihood from a young age, rather than simply preparing the child for future adult work. Ethnographic research shows that this interdependent family life contrasts significantly with that of privileged modern Westerners, for whom children are dependents. This text seeks to look beyond the dominant cultural constructions of childhood in the modern West and the moral rhetoric that accompanies them so as to uncover what biblical texts intend to communicate when they utilize children as literary tropes in their own social, cultural, and historical context.

Covering a landscape of literary, theological and cultural creativity, the authors explore the variety of interpretations inspired by Lamentations. The book explores a examples ranging from the Dead Sea Scrolls; Yehudah Halevy; John Calvin; and composer, Thomas Tallis; through to the interpretations of Marc Chagall; contemporary novelist, Cynthia Ozick; and Zimbabwean junk sculpture. It deploys "reception exegesis", a new genre of commentary that creatively blends reception history and biblical exegesis. --From publisher's description.

Personal tragedy and communal catastrophe up to the present day are universal human experiences that call forth lament. Lament singers--from the most ancient civilizations to traditional oral poets to the biblical psalmists and poets of Lamentations to popular singers across the globe--have always raised the cry of human suffering, giving voice to the voiceless, illuminating injustice, or pleading for divine help. This volume gathers an international collection of essays on biblical lament and Lamentations, illuminating their genres, artistry, purposes, and significant place in the history and theologies of ancient Israel. It also explores lament across cultures, both those influenced by biblical traditions and those not, as the practices of composition, performance, and interpretation of life's suffering continue to shed light on our knowledge of biblical lament. --From publisher's description.

Evangelical and feminist approaches to Old Testament interpretation often seem to be at odds with each other. The authors of this volume argue to the contrary: feminist and evangelical interpreters of the Old Testament can enter into a constructive dialogue that will be fruitful to both parties. They seek to illustrate this with reference to a number of texts and issues relevant to feminist Old Testament interpretation from an explicitly evangelical point of view. In so doing they raise issues that need to be addressed by both evangelical and feminist interpreters of the Old Testament, and present an invitation to faithful and fruitful reading of these portions of Scripture.

This book examines the relationship between divine in/activity and human agency in the five books of the Megilloth—the books of Ruth, Song of Songs, Ecclesiastes, Lamentations, and Esther. As works of literature dating to the early Second Temple period (ca. 6th–3rd centuries BCE), these books and the implicit interpretation of these particular themes reflect the diverse cultural and theological dynamics of the time. Megan Fullerton Strollo contends that the themes themselves as well as the correlation between them should be interpreted as implicit theology insofar as they represent reflective interpretation of earlier theological traditions. With regard to divine in/activity, she argues that the Megilloth presents a certain level of skepticism or critical analysis of the Deity. From doubt to protest, the books of the Megilloth grapple with received traditions of divine providence and present experiences of absence, abandonment, and distance. As a correlative to divine in/activity, human agency is presented as consequential. In addition, the portrayal of human agency serves as a theological response insofar as the books advance the theme through specific references to and reevaluations of earlier theocentric traditions.

This monograph seeks to determine the geographical provenance of Isaiah 40-55. It reassesses past research pertaining to Babylonian influence and reexamines the claims that all or parts of Isaiah 40-55 reflect the concerns of the exilic community in Babylon. It further challenges the prevalent view that the return of the exiles is of central concern in Isaiah 40-55, and instead proposes that Jerusalem and her imminent restoration is its focal point. It interprets Isaiah 40-55 as a polyvalent text that allows multiple and often contradictory views regarding Jerusalem’s current suffering. The monograph investigates these views, understood to represent the opinons of different segments of the target audience of Isaiah 40-55, with the aim of determining their geographical and theological locations.

The book of Isaiah is without doubt one of the most important books in the Hebrew Bible/Old Testament, as evidenced by its pride of place in both Jewish and Christian traditions as well as in art and music. Most people, scholars and laity alike, are familiar with the words of Isaiah accompanied by the magnificent tones of Handel's 'Messiah'. Isaiah is also one of the most complex books due to its variety and plurality, and it has accordingly been the focus of scholarly debate for the last 2000 years. Divided into eight sections, The Oxford Handbook of Isaiah constitutes a collection of essays on one of the longest books in the Bible. They cover different aspects regarding the formation, interpretations, and reception of the book of Isaiah, and also offer up-to-date information in an attractive and easily accessible format. The result does not represent a unified standpoint; rather the individual contributions mirror the wide and varied spectrum of scholarly engagement with the book. The authors of the essays likewise represent a broad range of scholarly traditions from diverse continents and religious affiliations, accompanied by comprehensive recommendations for further reading.

Over the centuries, the prophetic book of Zechariah has suffered from accusations of obscurity and has frustrated readers seeking to unlock its treasures. This work by Mark Boda provides insightful commentary on Zechariah, with great sensitivity to its historical, literary, and theological dimensions. Including a fresh translation of Zechariah from the original Hebrew, Boda delivers deep and thorough reflection on a too-often-neglected book of the Old Testament.