“Compelling...eloquent and compassionate...We learn as much about growing up in the Christian right as we do about gay life in Mel White’s heartfelt and revealing memoir.”—San Francisco Examiner Until Christmas Eve 1991, Mel White was regarded by the leaders of the religious right as one of their most talented and productive supporters. He penned the speeches of Ollie North. He was a ghostwriter for Jerry Falwell, worked with Jim Bakker, flew in Pat Robertson's private jet, walked sandy beaches with Billy Graham. What these men didn't know was that Mel White—evangelical minister, committed Christian, family man—was gay. In this remarkable book, Mel White details his twenty-five years of being counseled, exorcised, electric-shocked, prayed for, and nearly driven to suicide because his church said homosexuality was wrong. But his salvation—to be openly gay and Christian—is more than a unique coming-out story. It is a chilling exposé that goes right into the secret meetings and hidden agendas of the religious right. Told by an eyewitness and sure to anger those Mel White once knew best, Stranger at the Gate is a warning about where the politics of hate may lead America...a brave book by a good man whose words can make us richer in spirit and much wiser too.

Louise de Bernard’s long-ago past in Nazi-occupied France comes back to haunt her when a woman shows up on her doorstep demanding payback On a tranquil tree-lined street in Paris, a woman exits a taxi. She has come from Bonn, Germany, on a mission of desperation and revenge. And in a house on the Rue de Varenne, a wife and mother is about to relive the past she thought she’d left far behind. In 1944, in Nazi-occupied France, circumstances forced Jean de Bernard and his wife to put up a German officer at their isolated chateau in St. Blaize. The American-born Louise de Bernard despised Major Heinz Minden—and her husband even more for collaborating with the Germans when their tanks first rumbled through their centuries-old village. Into this seething hotbed of betrayal and brutality, Roger Savage arrives. The undercover Allied agent recruits Louise to help him destroy a lethal nerve gas the Germans are secretly manufacturing nearby. But now a high-ranking Nazi general is dead, and an entire village is about to be punished in the most merciless and horrifying way. Culminating in post-war Germany as an SS officer prepares to stand trial for wartime atrocities, Stranger at the Gates is a spine-tingling page-turner about family and sacrifice, loyalty and love, and how ordinary people can become heroes.

First published in 1966, and now available once more, this pioneering work examines the relationship between the Chinese civil and military authorities and the British trading community in Guangdong province on the eve of the Taiping Rebellion--one of the most calamitous events in Chinese history. The book explores the various factors that led to the progression of rebellion and the inevitability of revolution.

Who do you turn to, when everyone's a stranger and you stop believing what your own eyes see? Finnie Doyle and Paddy Lamb are leaving city life in Edinburgh behind them and moving to the little town of Simmerton. Paddy has landed a partnership in a local solicitors and Finnie's snagged a job as a church deacon. Their rented cottage is quaint; their new colleagues are charming, and they can't believe their luck. But witnessing the bloody aftermath of a brutal murder changes everything. They've each been keeping secrets about their pasts. And they both know their precious new start won't survive a scandal. Together, for the best of reasons, they make the worst decision of their lives. And that's only the beginning. The deep, deep valley where Simmerton sits is unlike anywhere Finn and Paddy have been before. They are not the only ones hiding in its shadow and very soon they've lost control of the game they decided to play... Praise for Catriona McPherson: 'An unnerving and suspenseful novel' Karin Slaughter 'Just the right mixture of spookiness and mystery' James Oswald 'A gripping thriller' Ian Rankin 'A Gothic feast of a novel, this is a country house book with a difference: contemporary, punchy and disturbing, but using the tricks and twists of the best of Christie' Ann Cleeves 'Go To My Grave is both a classic 'country house mystery' and a thriller. Atmospheric, with mind-bending twists, a narrator who may or may not be reliable, and an ending that will take your breath away and leave you astonished' Louise Penny ' . . . drew me in from the very first page, and I stayed up late reading it because I couldn't wait to find out what happened next. That's the definition of a good book' Charlaine Harris, #1 New York Times bestselling author 'A tale that shivers with suspense' The New York Times

This book contains the products of work carried out over four decades of research in Italy, France, and the United States, and in the intellectual territory between social movements, comparative politics, and historical sociology. Using a variety of methods ranging from statistical analysis to historical case studies to linguistic analysis, the book centers on historical catalogs of protest events and cycles of collective action. Sidney Tarrow places social movements in the broader arena of contentious politics, in relation to states, political parties, and other actors. From peasants and communists in 1960s Italy, to movements and politics in contemporary western polities, to the global justice movement in the new century, the book argues that contentious actors are neither outside of nor completely within politics, but rather they occupy the uncertain territory between total opposition and integration into policy.

A vivid memoir that captures the energy, ambition and romance of New York in the 1980s from the beloved New Yorker Canadian writer, to stand alongside his bestselling Paris to the Moon and Through the Children's Gate. When Adam Gopnik and his soon-to-be-wife, Martha Parker, left the comforts of home in Montreal for New York, the city then, much like today, was a pilgrimage site for the young and the arty and ambitious. But it was also becoming a city of greed, where both life's consolations and its necessities were increasingly going to the highest bidder. At the Stranger's Gate builds a portrait of this moment in New York through the story of their journey--from their excited arrival as aspiring artists to their eventual growth into a New York family. Gopnik transports us to their tiny basement room on the Upper East Side--the smallest apartment in Manhattan--and later to SoHo, where he captures a unicorn: an affordable New York loft. Between tender, laugh-out-loud reminiscences, including affectionate portraits of New York luminaries from Richard Avedon to Robert Hughes and Jeff Koons, Gopnik takes us into the corridors of Condé Nast, the galleries of MoMA and many places between to illuminate the fascinating world capital of creativity and aspiration that is New York, then and now.

During the summer of 1964, over one thousand people, including many college students went to Mississippi as part of a state wide effort to register African-American voters and to establish teaching centers that became known as "Freedom Schools." Participants began their training at a college campus in Ohio. Motivated by a strong sense of social justice, Tracy Sugarman, an artist and commercial illustrator from Westport, Connecticut, joined the volunteers in Ohio and set out to document the people and events of what turned out to be an historic period. Sugarman joined the freedom riders, and while somewhat older and more experienced than most of them, was an active participant throughout. Sugarman traveled to Mississippi and shared all the experiences of the workers as well as their fears and anxiety as they were greeted by anger and violence by many white Mississippians. Sugarman describes and beautifully illustrates the living conditions, day-to-day activities, and the interpersonal relationships that developed between the host families and the visitors. The author introduces us and vividly portrays many of the important people in the movement, including Bob Moses and many others, but he also focuses on the ordinary citizens and hosts. Other works have set forth the significant events that occurred during that summer, including especially the Goodman/Schwerner/Chaney murders that took place in Neshoba County and startled the American public. This first hand account focuses more on the human experiences and its meaning for participants. It is an essential source of information about what Freedom Summer did for those who took part in it and now, with the 50th anniversary of Freedom Summer, Stranger at the Gates will bring to life this momentous period for modern readers. Most of the wonderful illustrations created for the 1966 edition of Stranger at the Gates have been reproduced here, and as a special bonus, 26 illustrations that were not included in the original book are included in a gallery of Freedom Summer in brilliant drawings that bring to life, in Tracy Sugarman's powerful reportorial style, the people and places of 1964 Mississippi.

A SUNDAY TIMES BESTSELLER Stranger Than Kindness is a journey in images and words into the creative world of musician, storyteller and cultural icon Nick Cave. This highly collectable book invites the reader into the innermost core of the creative process and paves the way for an entirely new and intimate meeting with the artist, presenting Cave’s life, work and inspiration and exploring his many real and imagined universes. It features full colour reproductions of original artwork, handwritten lyrics, photographs and collected personal artefacts along with commentary and meditations from Nick Cave, Janine Barrand and Darcey Steinke. Stranger Than Kindness asks what shapes our lives and makes us who we are, and celebrates the curiosity and power of the creative spirit. The book has been developed and curated by Nick Cave in collaboration with Christina Back. The images were selected from ‘Stranger Than Kindness: The Nick Cave Exhibition’, opening at the Royal Danish Library in Copenhagen in June 2020.

Immigrants and immigration have always been central to Canadians' perception of themselves as a country and as a society. In this crisply written history, Valerie Knowles describes the different kinds of immigrants who have settled in Canada, and the immigration policies that have helped to define the character of Canadian immigrants over the centuries. Key policymakers and moulders of public opinion figure prominently in this colourful story, as does the role played by racism.This new and revised edition contains additional material which focuses on significant developments in the immigration and refugee field since 1992. Special attention is paid to Bill C86 and its significance.

On a deserted road, late at night, Scotland Yard’s Ian Rutledge encounters a frightened woman standing over a body, launching an inquiry that leads him into the lair of a stealthy killer and the dangerous recesses of his own memories in this twentieth installment of the acclaimed New York Times bestselling series. Hours after his sister’s wedding, a restless Ian Rutledge drives aimlessly, haunted by the past, and narrowly misses a motorcar stopped in the middle of a desolate road. Standing beside the vehicle is a woman with blood on her hands and a dead man at her feet. She swears she didn’t kill Stephen Wentworth. A stranger stepped out in front of their motorcar, and without warning, fired a single shot before vanishing into the night. But there is no trace of him. And the shaken woman insists it all happened so quickly, she never saw the man’s face. Although he is a witness after the fact, Rutledge persuades the Yard to give him the inquiry, since he’s on the scene. But is he seeking justice—or fleeing painful memories in London? Wentworth was well-liked, yet his bitter family paint a malevolent portrait, calling him a murderer. But who did Wentworth kill? Is his death retribution? Or has his companion lied? Wolf Pit, his village, has a notorious history: in Medieval times, the last wolf in England was killed there. When a second suspicious death occurs, the evidence suggests that a dangerous predator is on the loose, and that death is closer than Rutledge knows.