A vivid memoir that captures the energy, ambition and romance of New York in the 1980s from the beloved New Yorker Canadian writer, to stand alongside his bestselling Paris to the Moon and Through the Children's Gate. When Adam Gopnik and his soon-to-be-wife, Martha Parker, left the comforts of home in Montreal for New York, the city then, much like today, was a pilgrimage site for the young and the arty and ambitious. But it was also becoming a city of greed, where both life's consolations and its necessities were increasingly going to the highest bidder. At the Stranger's Gate builds a portrait of this moment in New York through the story of their journey--from their excited arrival as aspiring artists to their eventual growth into a New York family. Gopnik transports us to their tiny basement room on the Upper East Side--the smallest apartment in Manhattan--and later to SoHo, where he captures a unicorn: an affordable New York loft. Between tender, laugh-out-loud reminiscences, including affectionate portraits of New York luminaries from Richard Avedon to Robert Hughes and Jeff Koons, Gopnik takes us into the corridors of Condé Nast, the galleries of MoMA and many places between to illuminate the fascinating world capital of creativity and aspiration that is New York, then and now.

'A dazzling talent' Malcolm Gladwell When Adam Gopnik and his soon-to-be-wife, Martha, left the comforts of home in Montreal for New York, the city then, much like today, was a pilgrimage site for the young, the arty, and the ambitious. But it was also becoming a city of greed, where both life's consolations and its necessities were increasingly going to the highest bidder. At the Strangers' Gate builds a portrait of this particular moment in New York through the story of this couple's journey--from their excited arrival as aspiring artists to their eventual growth into a New York family. Gopnik transports us to his tiny basement room on the Upper East Side, and later to SoHo, where he captures a unicorn: an affordable New York loft. He takes us through his professional meanderings, from graduate student-cum-library-clerk to the corridors of Conde Nast and the galleries of MoMA. Between tender and humorous reminiscences, including affectionate portraits of Richard Avedon, Robert Hughes, and Jeff Koons, among many others, Gopnik discusses the ethics of ambition, the economy of creative capital, and the peculiar anthropology of art and aspiration in New York, then and now.

This book contains the products of work carried out over four decades of research in Italy, France, and the United States, and in the intellectual territory between social movements, comparative politics, and historical sociology. Using a variety of methods ranging from statistical analysis to historical case studies to linguistic analysis, the book centers on historical catalogs of protest events and cycles of collective action. Sidney Tarrow places social movements in the broader arena of contentious politics, in relation to states, political parties, and other actors. From peasants and communists in 1960s Italy, to movements and politics in contemporary western polities, to the global justice movement in the new century, the book argues that contentious actors are neither outside of nor completely within politics, but rather they occupy the uncertain territory between total opposition and integration into policy.

First published in 1966, and now available once more, this pioneering work examines the relationship between the Chinese civil and military authorities and the British trading community in Guangdong province on the eve of the Taiping Rebellion--one of the most calamitous events in Chinese history. The book explores the various factors that led to the progression of rebellion and the inevitability of revolution.

Who do you turn to, when everyone's a stranger and you stop believing what your own eyes see? Finnie Doyle and Paddy Lamb are leaving city life in Edinburgh behind them and moving to the little town of Simmerton. Paddy has landed a partnership in a local solicitors and Finnie's snagged a job as a church deacon. Their rented cottage is quaint; their new colleagues are charming, and they can't believe their luck. But witnessing the bloody aftermath of a brutal murder changes everything. They've each been keeping secrets about their pasts. And they both know their precious new start won't survive a scandal. Together, for the best of reasons, they make the worst decision of their lives. And that's only the beginning. The deep, deep valley where Simmerton sits is unlike anywhere Finn and Paddy have been before. They are not the only ones hiding in its shadow and very soon they've lost control of the game they decided to play... Praise for Catriona McPherson: 'An unnerving and suspenseful novel' Karin Slaughter 'Just the right mixture of spookiness and mystery' James Oswald 'A gripping thriller' Ian Rankin 'A Gothic feast of a novel, this is a country house book with a difference: contemporary, punchy and disturbing, but using the tricks and twists of the best of Christie' Ann Cleeves 'Go To My Grave is both a classic 'country house mystery' and a thriller. Atmospheric, with mind-bending twists, a narrator who may or may not be reliable, and an ending that will take your breath away and leave you astonished' Louise Penny ' . . . drew me in from the very first page, and I stayed up late reading it because I couldn't wait to find out what happened next. That's the definition of a good book' Charlaine Harris, #1 New York Times bestselling author 'A tale that shivers with suspense' The New York Times

These essays look at U.S. immigration and the nexus between urban realities and immigrant destinies. They argue that immigration today is fundamentaly urban and that immigrants are flocking to places where low-skilled workers are in trouble.

Not long after Adam Gopnik returned to New York at the end of 2000 with his wife and two small children, they witnessed one of the great and tragic events of the city’s history. In his sketches and glimpses of people and places, Gopnik builds a portrait of our altered New York: the changes in manners, the way children are raised, our plans for and accounts of ourselves, and how life moves forward after tragedy. Rich with Gopnik’s signature charm, wit, and joie de vivre, here is the most under-examined corner of the romance of New York: our struggle to turn the glamorous metropolis that seduces us into the home we cannot imagine leaving.

During the summer of 1964, over one thousand people, including many college students went to Mississippi as part of a state wide effort to register African-American voters and to establish teaching centers that became known as "Freedom Schools." Participants began their training at a college campus in Ohio. Motivated by a strong sense of social justice, Tracy Sugarman, an artist and commercial illustrator from Westport, Connecticut, joined the volunteers in Ohio and set out to document the people and events of what turned out to be an historic period. Sugarman joined the freedom riders, and while somewhat older and more experienced than most of them, was an active participant throughout. Sugarman traveled to Mississippi and shared all the experiences of the workers as well as their fears and anxiety as they were greeted by anger and violence by many white Mississippians. Sugarman describes and beautifully illustrates the living conditions, day-to-day activities, and the interpersonal relationships that developed between the host families and the visitors. The author introduces us and vividly portrays many of the important people in the movement, including Bob Moses and many others, but he also focuses on the ordinary citizens and hosts. Other works have set forth the significant events that occurred during that summer, including especially the Goodman/Schwerner/Chaney murders that took place in Neshoba County and startled the American public. This first hand account focuses more on the human experiences and its meaning for participants. It is an essential source of information about what Freedom Summer did for those who took part in it and now, with the 50th anniversary of Freedom Summer, Stranger at the Gates will bring to life this momentous period for modern readers. Most of the wonderful illustrations created for the 1966 edition of Stranger at the Gates have been reproduced here, and as a special bonus, 26 illustrations that were not included in the original book are included in a gallery of Freedom Summer in brilliant drawings that bring to life, in Tracy Sugarman's powerful reportorial style, the people and places of 1964 Mississippi.

On growing up in the American South of the 1960s—an all-American white boy—son of a long line of Methodist preachers, in the midst of the civil rights revolution, and discovering the culpability of silence within the church. By the Pulitzer Prize-winning journalist and columnist for The Birmingham News. "My dad was a Methodist preacher and his dad was a Methodist preacher," writes John Archibald. "It goes all the way back on both sides of my family. When I am at my best, I think it comes from that sermon place." Everything Archibald knows and believes about life is "refracted through the stained glass of the Southern church. It had everything to do with people. And fairness. And compassion." In Shaking the Gates of Hell, Archibald asks: Can a good person remain silent in the face of discrimination and horror, and still be a good person? Archibald had seen his father, the Rev. Robert L. Archibald, Jr., the son and grandson of Methodist preachers, as a moral authority, a moderate and a moderating force during the racial turbulence of the '60s, a loving and dependable parent, a forgiving and attentive minister, a man many Alabamians came to see as a saint. But was that enough? Even though Archibald grew up in Alabama in the heart of the civil rights movement, he could recall few words about racial rights or wrongs from his father's pulpit at a time the South seethed, and this began to haunt him. In this moving and powerful book, Archibald writes of his complex search, and of the conspiracy of silence his father faced in the South, in the Methodist Church and in the greater Christian church. Those who spoke too loudly were punished, or banished, or worse. Archibald's father was warned to guard his words on issues of race to protect his family, and he did. He spoke to his flock in the safety of parable, and trusted in the goodness of others, even when they earned none of it, rising through the ranks of the Methodist Church, and teaching his family lessons in kindness and humanity, and devotion to nature and the Earth. Archibald writes of this difficult, at times uncomfortable, reckoning with his past in this unadorned, affecting book of growth and evolution.

Louise de Bernard’s long-ago past in Nazi-occupied France comes back to haunt her when a woman shows up on her doorstep demanding payback On a tranquil tree-lined street in Paris, a woman exits a taxi. She has come from Bonn, Germany, on a mission of desperation and revenge. And in a house on the Rue de Varenne, a wife and mother is about to relive the past she thought she’d left far behind. In 1944, in Nazi-occupied France, circumstances forced Jean de Bernard and his wife to put up a German officer at their isolated chateau in St. Blaize. The American-born Louise de Bernard despised Major Heinz Minden—and her husband even more for collaborating with the Germans when their tanks first rumbled through their centuries-old village. Into this seething hotbed of betrayal and brutality, Roger Savage arrives. The undercover Allied agent recruits Louise to help him destroy a lethal nerve gas the Germans are secretly manufacturing nearby. But now a high-ranking Nazi general is dead, and an entire village is about to be punished in the most merciless and horrifying way. Culminating in post-war Germany as an SS officer prepares to stand trial for wartime atrocities, Stranger at the Gates is a spine-tingling page-turner about family and sacrifice, loyalty and love, and how ordinary people can become heroes.