One Story a Day for is a series of 365 stories in 12 books that touch on a wide variety of topics intended for slightly older children than the Early Readers set. The stories, written by Canadian authors, are inspired by life lessons, fables from around the world, nature, science, and history. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.

A Story A Day includes exactly 365 stories, fables and myths have been beautifully retold. Much loved classics, legends from faraway places, and famous chracters make this a collection to cherish. Each page is lavishly illustrated. Includes traditional favourites such as The Hare and the Tortoise, Cinderella and The Little Mermaid.

The magic and wonder of winter’s first snowfall is perfectly captured in Ezra Jack Keat’s Caldecott Medal-winning picture book. Young readers can enjoy this celebrated classic as a full-sized board book, perfect for read-alouds of all kinds and a great gift for the holiday season. In 1962, a little boy named Peter put on his snowsuit and stepped out of his house and into the hearts of millions of readers. Universal in its appeal, this story beautifully depicts a child's wonder at a new world, and the hope of capturing and keeping that wonder forever. This big, sturdy edition will bring even more young readers to the story of Peter and his adventures in the snow. Ezra Jack Keats was also the creator of such classics as Goggles, A Letter to Amy, Pet Show!, Peter’s Chair, and A Whistle for Willie. (This book is also available in Spanish, as Un dia de nieve.) Praise for The Snowy Day: “Keats made Peter’s world so inviting that it beckons us. Perhaps the busyness of daily life in the 21st century makes us appreciate Peter even more—a kid who has the luxury of a whole day to just be outside, surrounded by snow that’s begging to be enjoyed.” —The Atlantic "Ezra Jack Keats's classic The Snowy Day, winner of the 1963 Caldecott Medal, pays homage to the wonder and pure pleasure a child experiences when the world is blanketed in snow."—Publisher's Weekly

“One of the 50 Best Nonfiction Books of the Last 25 Years”—Slate On New Year’s Day 2013, two-time Pulitzer Prize winner Gene Weingarten asked three strangers to, literally, pluck a day, month, and year from a hat. That day—chosen completely at random—turned out to be Sunday, December 28, 1986, by any conventional measure a most ordinary day. Weingarten spent the next six years proving that there is no such thing. That Sunday between Christmas and New Year’s turned out to be filled with comedy, tragedy, implausible irony, cosmic comeuppances, kindness, cruelty, heroism, cowardice, genius, idiocy, prejudice, selflessness, coincidence, and startling moments of human connection, along with evocative foreshadowing of momentous events yet to come. Lives were lost. Lives were saved. Lives were altered in overwhelming ways. Many of these events never made it into the news; they were private dramas in the lives of private people. They were utterly compelling. One Day asks and answers the question of whether there is even such a thing as “ordinary” when we are talking about how we all lurch and stumble our way through the daily, daunting challenge of being human.

One Story a Day for Beginners is a series of 365 little stories in 12 books that touch on a wide variety of topics. The series is designed to foster children's total development—linguistic, intellectual, social, and cultural—through the joy of reading.

Are you a short fiction writer wondering what opportunities are open to you? Are you a long-form fiction writer wondering if short fiction is worth the investment of your time? Short fiction is enjoying a resurgence and provides both independently and traditionally published authors opportunities for creating income and connecting with readers. Matty Dalrymple and Mark Leslie Lefebvre will show you where those opportunities lie and how to take advantage of them. CREATING INCOME Traditional Publishing Market Anthologies & Collections Mechanics of Indy Anthologies Standalone e-books e-book Collections Serials Foreign Language Markets Audio Patron Support Getting Unstuck CONNECTING WITH READERS Offering Your Story for Free Reader Funnel Reader Magnet Video Author Readings Market Research Flash Fiction and Micro-Fiction Chapbooks Bonus Material Custom Story Location-based Apps When the Reader Is an Agent BEST PRACTICES Editing and Proofreading Cover Design Links and QR Codes Being an Active Member of the Community Create Once, Publish Everywhere Matty Dalrymple is the author of the Ann Kinnear Suspense Novels and Suspense Shorts and the Lizzy Ballard Thrillers. She writes, speaks, consults, and podcasts on independent publishing as The Indy Author™. Mark Leslie Lefebvre (as Mark Leslie) has authored numerous horror short stories and edited horror anthologies. He writes, speaks, consults, and podcasts on topics related to writing, publishing, and bookselling. He was the founder of Kobo Writing Life and is the Director of Business Development at Draft2Digital.

NOW A NETFLIX SERIES • NEW YORK TIMES BESTSELLER • TWO PEOPLE. ONE DAY. TWENTY YEARS. • What starts as a fleeting connection between two strangers soon becomes a deep bond that spans decades. • "[An] instant classic. . . . One of the most ...emotionally riveting love stories you’ll ever encounter." —People It’s 1988 and Dexter Mayhew and Emma Morley have only just met. But after only one day together, they cannot stop thinking about one another. Over twenty years, snapshots of that relationship are revealed on the same day—July 15th—of each year. They face squabbles and fights, hopes and missed opportunities, laughter and tears. Dex and Em must come to grips with the nature of love and life itself. As the years go by, the true meaning of this one crucial day is revealed. "[A] surprisingly deep romance...so thoroughly satisfying." —Entertainment Weekly

Theme Is What Your Story Is Really AboutTheme-the mysterious cousin of plot and character. Too often viewed as abstract rather than actionable, theme is frequently misunderstood and left to chance. Some writers even insist theme should not be purposefully implemented. This is unfortunate, because in many ways theme is story. Theme is the heart, the meaning, the point. Nothing that important should be overlooked. Powerful themes are never incidental. They emerge from the conjunction of strong plots and resonant character arcs. This means you can learn to plan and implement theme. In doing so, you will deepen your ability to write not only stories that entertain, but also stories that stay with readers long after the end.Writing Your Story's Theme will teach you:?How to create theme from plot and character.?Why every supporting character and subplot should enhance the theme.?How to prevent theme from seeming preachy or "on the nose."?What to consider in identifying the best theme for any given story.?And much more!Conscious mastery of theme will elevate every story you write and allow you to craft fiction of depth and meaning.Take Control of Your Story Via a Powerful Implementation of Theme

"In this day-by-day guide through the process of outlining and writing the first draft of your novel in 90 days, [the author] will show you: How to structure your novel without losing connection to your voice; Why you are uniquely qualified to write your story; The dilemma at the heart of your story; How your fears are a portal into your characters; The connection between your life themes and story themes; Why you kept getting stuck, and how to break through."--Back cover.

In his sharply crafted, unnerving first collection of speculative fiction shorts, Courttia Newland envisages an alternate future as lived by the African diaspora. Robots used as human proxies in a war become driven by all-too-human desires; Kill Parties roam the streets of a post-apocalyptic world; a matriarchal race of mer creatures depends on inter-breeding with mortals to survive; mysterious seeds appear in cities across the world, growing into the likeness of people in their vicinity. Through transfigured bodies and impossible encounters, Newland brings a sharp, fresh eye to age-old themes of the human capacity for greed, ambition and self-destruction, but ultimately of our strength and resilience.