In his sharply crafted, unnerving first collection of speculative fiction shorts, Courttia Newland envisages an alternate future as lived by the African diaspora. Robots used as human proxies in a war become driven by all-too-human desires; Kill Parties roam the streets of a post-apocalyptic world; a matriarchal race of mer creatures depends on inter-breeding with mortals to survive; mysterious seeds appear in cities across the world, growing into the likeness of people in their vicinity. Through transfigured bodies and impossible encounters, Newland brings a sharp, fresh eye to age-old themes of the human capacity for greed, ambition and self-destruction, but ultimately of our strength and resilience.

SHORTLISTED FOR THE ARTHUR C. CLARKE AWARD 2022 LONGLISTED FOR THE GORDON BURN PRIZE A monumental speculative fiction story of love, loyalty, politics and conscience set in parallel Londons The Ark was built to save the lives of the many, but rapidly became a refuge for the elite, the entrance closed without warning. Years later, Markriss Denny is one of the select few granted entry. He carries with him a closely guarded secret: the ability of his spirit to leave his body and transcend the known world. But once in, he learns of another who carries the same power, and their existence could spell catastrophe for humanity. Denny is forced into a desperate race to understand his abilities, and in doing so uncovers the truth about the Ark, himself and the people he thought he once knew.

Long-awaited biography of an African American avant-garde composer Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels. In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual community in Southern California. Exploring her transformation from Alice McLeod, Detroit church pianist and bebopper, to guru Swami Turiya Sangitananda, Monument Eternal illuminates her music and, in turn, reveals the exceptional fluidity of American religious practices in the second half of the twentieth century. Most of all, this book celebrates the hybrid music of an exceptional, boundary-crossing African-American artist.

"Uju Asika has written a necessary book for our times."—Chika Unigwe, author of On Black Sisters' Street You can't avoid it, because it's everywhere. In the looks Black kids get in certain spaces, the manner in which some people speak to them, the stuff that goes over their heads. Stuff that makes them cry even when they don't know why. How do you bring up your kids to be kind and happy when there is so much out there trying to break them down? Bringing Up Race is an important book, for all families whatever their race or ethnicity. It's for everyone who wants to instil a sense of open-minded inclusivity in their kids, and those who want to discuss difference instead of shying away from tough questions. Uju Asika draws on often shocking personal stories of prejudice along with opinions of experts, influencers, and fellow parents to give prescriptive advice in this invaluable guide. Bringing Up Race explores: When children start noticing ethnic differences (hint: much earlier than you think) What to do if your child says something racist (try not to freak out) How to have open, honest, age-appropriate conversations about race How children and parents can handle racial bullying How to recognize and challenge everyday racism, aka microaggressions Bringing Up Race is a call to arms for all parents as our society works to combat white supremacy and dismantle the systemic racism that has existed for hundreds of years.

One of The Telegraph's Best Music Books 2011 We live in a pop age gone loco for retro and crazy for commemoration. Band re-formations and reunion tours, expanded reissues of classic albums and outtake-crammed box sets, remakes and sequels, tribute albums and mash-ups . . . But what happens when we run out of past? Are we heading toward a sort of culturalecological catastrophe where the archival stream of pop history has been exhausted? Simon Reynolds, one of the finest music writers of his generation, argues that we have indeed reached a tipping point, and that although earlier eras had their own obsessions with antiquity—the Renaissance with its admiration for Roman and Greek classicism, the Gothic movement's invocations of medievalism—never has there been a society so obsessed with the cultural artifacts of its own immediate past. Retromania is the first book to examine the retro industry and ask the question: Is this retromania a death knell for any originality and distinctiveness of our own?

Beverley Cottrell had a dream life: a prestigious job, a beautiful husband and new baby boy. But then, one winter afternoon, when her son was barely a few weeks old, Malakay was kidnapped from a parked car. Despite a media campaign, a full police investigation and the offer of a reward, he was never found. Two decades later, Beverley starts to believe that she has finally pieced her life together - until a young man starts to appear wherever she goes. One dark evening the stalker gets past her security door and calls through her letterbox. He tells her not to be scared. He tells her that he is Malakay, her son.

This book interrogates the meeting point between Afrofuturism and Black Sound Studies. Whereas Afrofuturism is often understood primarily in relation to science fiction and speculative fiction, it can also be examined from a sonic perspective. The sounds of Afrofuturism are deeply embedded in the speculative – demonstrated in mythmaking – in frameworks for songs and compositions, in the personas of the artists, and in how the sounds are produced. In highlighting the place of music within the lived experiences of African Americans, the author analyses how the perspectives of Black Sound Studies complement and overlap with the discussion of sonic Afrofuturism. Focusing upon blackness, technology, and sound, this unique text offers key insights in how music partakes in imagining and constructing the future. This innovative volume will appeal to students and scholars of sound studies, musicology and African American studies.

One of the Best Books of the Year: NPR, GQ, Billboard, JazzTimes In jazz parlance, “playing changes” refers to an improviser’s resourceful path through a chord progression. In this definitive guide to the jazz of our time, leading critic Nate Chinen boldly expands on that idea, taking us through the key changes, concepts, events, and people that have shaped jazz since the turn of the century—from Wayne Shorter and Henry Threadgill to Kamasi Washington and Esperanza Spalding; from the phrase “America’s classical music” to an explosion of new ideas and approaches; from claims of jazz’s demise to the living, breathing scene that exerts influence on mass culture, hip-hop, and R&B. Grounded in authority and brimming with style, packed with essential album lists and listening recommendations, Playing Changes takes the measure of this exhilarating moment—and the shimmering possibilities to come.

When his dad dies under police arrest after a pub brawl, Cory goes to live with his cousin, Sean. By their late teens the cousins, though close, have chosen different paths. Sean is trying to improve his life through education, whereas Cory has already become involved in petty crime - burglary and dealing E. However, everything changes when Cory stabs a man called Roger after a rave, putting him in hospital. This has grave repercussions for Cory - Roger was supposed to be taking part in an armed robbery with Levi, a notorious crack dealer. Levi now expects Cory to take his place. But Cory breaks his leg during a football match and Sean, unable to find a replacement for his cousin, and desperate to help him, agrees to join in on the robbery himself. However, having entered a world of (apparently) easy money and hard drugs, Sean finds it increasingly hard to return to his previous life as The Scholar......