Standing in stark contrast to the conservative churchmen of Victorian Britain, the Anglican clergyman Stewart Headlam was a passionately progressive reformer, a champion of the working poor--especially women --a defender of the music hall performers his colleagues attacked as licentious, and, in short, a man of God who remained firmly and controversially engaged with the society in which he lived and worked. This book, the first significant study of Headlam since 1928, paints a rich and complex picture of this larger-than-life man of the cloth, charting the trail he blazed across the social, political, and religious landscape of late nineteenth- and early twentieth-century Britain. Dissatisfied from an early age with his family’s Evangelical faith, Headlam became an Anglican curate, but his political views were increasingly radicalized as he befriended working-class atheists and trade union leaders. John Richard Orens details Headlam’s repeated conflicts with the establishment figures of his faith over his defense of music hall ballet performers’ right to reveal their legs, his role in the early years of the Fabian Society, his anti-puritanism, and his passionate socialism. Headlam was even instrumental in having Oscar Wilde bailed out of prison following the writer’s arrest for “homosexual offenses.” With this intellectual biography, Orens places Headlam’s life, beliefs, and actions in the context of the period, contributing to the ongoing debate about the proper relationship between Christianity, on the one hand, and society, sexuality, and the arts, on the other.

An expansive and ambitious intellectual history of democratic socialism from one of the world's leading intellectual historians and social ethicists The fallout from twenty years of neoliberal economic globalism has sparked a surge of interest in the old idea of democratic socialism--a democracy in which the people control the economy and government, no group dominates any other, and every citizen is free, equal, and included. With a focus on the intertwined legacies of Christian socialism and Social Democratic politics in Britain and Germany, this book traces the story of democratic socialism from its birth in the nineteenth century through the mid-1960s. Examining the tenets on which the movement was founded and how it adapted to different cultural, religious, and economic contexts from its beginnings through the social and political traumas of the twentieth century, Gary Dorrien reminds us that Christian socialism paved the way for all liberation theologies that make the struggles of oppressed peoples the subject of redemption. He argues for a decentralized economic democracy and anti-imperial internationalism.

Theology of Work: New Perspectives emerges from the necessity to continue theological reflection on work in light of the challenges posed by our contemporary world. The contributions offer a global perspective of the meaning of work, drawing from Trinitarian theology, theology of creation, eschatology, theological anthropology, and Christology. They shed light from the perspective of faith on the integration of different work dimensions, and consider how the theology of work is called to challenge social structures in light of revelation. The volume mostly develops the theology of work from a Catholic perspective, but Protestant and Orthodox approaches are also explicitly explored. The chapters cover different theological areas, such as biblical, dogmatic, patristic, and moral theology, to provide enriching and complementary perspectives. Offering fresh and valuable theological insights on work, this book will be of particular interest to scholars of theology and religious studies.

This cultural study reveals the interdependence between British Aestheticism and late-Victorian social-reform movements. Following their mentor John Ruskin who believed in art's power to civilize the poor, cultural philanthropists promulgated a Religion of Beauty as they advocated practical schemes for tenement reform, university-settlement education, Sunday museum opening, and High Anglican revival. Although subject to novelist's ambivalent, even satirical, representations, missionary aesthetes nevertheless constituted an influential social network, imbuing fin-de-siecle artistic communities with political purpose and political lobbies with aesthetic sensibility.

Christianity is often assumed to be pro-capitalist and socially conservative – in short, necessarily aligned with the political Right. But can this be straightforwardly true of a religion founded by a figure who drew his early followers from among the poor and downtrodden and spoke against the accumulation of earthly riches? In this book, Anthony A.J. Williams shows that this assumption is far from correct by giving an introductory overview of a tradition of socialist and radical Christianity that can be traced back to the communal ownership described in the Acts of the Apostles. Focusing on modern Christian Left movements, from Christian Socialism and the social gospel to liberation theology and red-letter Christianity, Williams examines the major challenges faced by the Christian Left today, both from within Christianity itself and from the secular Left. Does the Bible and Christian theology really support collectivism and universal equality? Can Christian radicalism remain viable in an age of identity politics? This book is essential reading for anyone interested in the relationship between religion and politics.

The stanzas beginning, 'And did those feet' are among the most famous works written by the Romantic poet and artist, William Blake. Set to music by Hubert Parry in 1916 and renamed, 'Jerusalem', this hymn has become an emblem of Englishness in the past century, and is regularly invoked at sporting events, public and private ceremonies, and, of course, as part of Last Night of the Proms. Yet when Blake first engraved his lines in his epic work, Milton a Poem, he had been tried for sedition. Likewise, although Parry was commissioned to compose his music as part of the war effort by the organization Fight for Right, he soon removed permission for that group to perform his hymn and instead gave the copyright to the women's suffrage movement. 'Jerusalem', then, is a much more contested vision of England's green and pleasant land than is often assumed. This book traces the history of the poem and the music from Blake's original verses, written in Felpham, via the turmoil of the First and Second World Wars, its recording history in the late twentieth century, and its use in political controversies such as the 2016 Brexit vote. An anthem for both the left and the right, Blake's own vision of what it meant to build Jerusalem in England is both strange and familiar to many who invoke it. As such, this book explores the deep complexities of what Englishness means into the twenty-first century.

In this book, Anthony Williams investigates the history of Christian Socialist thought in Britain from the late nineteenth to mid-twentieth century. Through analysis of the writings of ten key Christian Socialists from the period, Williams reframes the ideology of Christian Socialism as a coherent and influential body of political thought - moving the study of Christian Socialism away from historical narratives and towards political ideology. The book sheds new light on a key period in British political development, in particular Williams demonstrates how the growth of the Christian Socialist movement exercised a profound impact on the formation of the British Labour party, which would go on to radically change 20th century politics in Britain.

This innovative book challenges many of the widely held assumptions about the place of religion in Victorian society and in London, the world's first great industrial and commercial metropolis. Against the background of Victorian London it explores the religiosity of Londoners as expressed through the dynamic renewal of traditional faith communities, including Judaism and the historic churches, as well as fresh expressions of religion, including the Salvation Army, Mormons, spiritualism, and the occult. It shows how laypeople, especially the rich and women were mobilised in the service of their faith, and their fellow citizens. Drawing on research in social, economic, oral, cultural, and women's history Jacob argues that religious motivations lay behind concerns that subsequently preoccupied people in the twentieth and twenty-first centuries. These include the changing place of women in society, an active concern for social justice, the sexual exploitation of women and children, and provision of education for all classes and all ages. By examining religion broadly, in its social and cultural context and looking beyond conventional approaches to religious history, Religious Vitality in Victorian London illustrates the dynamic significance of religion in society influencing even the expression of secularism.

Examining the wide-ranging implications of Ruskin's engagement with his contemporaries and followers, this collection is organized around three related themes: Ruskin's intellectual legacy and the extent to which its address to working men and women and children was realised in practice; Ruskin's followers and their sites of influence, especially those related to the formation of collections, museums, archives and galleries representing values and ideas associated with Ruskin; and the extent to which Ruskin's work constructed a world-wide network of followers, movements and social gestures that acknowledge his authority and influence. As the introduction shows, Ruskin's continuing digital presence is striking and makes a case for Ruskin's persistent presence. The collection begins with essays on Ruskin's intellectual presence in nineteenth-century thought, with some emphasis on his interest in the education of women. This section is followed by one on Ruskin's followers from the mid-nineteenth century into twentieth-century modernism that looks at a broad range of cultural activities that sought to further, repudiate, or exemplify Ruskin's work and teaching. Working-class education, the Ruskinian periodical, plays, and science fiction are all considered along with the Bloomsbury Group's engagement with Ruskin's thought and writing. Essays on Ruskin abroad-in America, Australia, and India round out the collection.

Religious life and public life are both passionately performed, but often understood to exclude one another. This book's array of voices investigates the publics hailed by religious performances and the challenges they offer to theories of the democratic public sphere.