Since the Progressive Era, baseball has been promoted as an institution encapsulating the best of American values and capable of bridging the chasms of twentieth century American culture--urban versus rural, industry versus agriculture, individual versus community, immigrant versus native, white versus color. Among the more enthusiastic of the game's proponents have been American filmmakers, and baseball films present perhaps the purest depiction of baseball's vision of an idealized America. This critical study treats baseball cinema as a film genre and explores the functions of baseball ideology as it is represented in that genre. It focuses on how Hollywood's presentation of baseball has served not only to promote dominant values, but also to bridge cultural conflicts. Commentary on 85 films deals with issues of race, community, gambling, players, women, and owners. Instructors considering this book for use in a course may request an examination copy here.

This work focuses on the baseball movie genre in the years following World War II, beginning with the 1948 biopic The Babe Ruth Story and ending with the 1962 Mickey Mantle-Roger Maris vehicle Safe at Home!, when the consensus was that conflict should be limited in American society by emphasizing economic growth and a strong stand against Communism. This study of selected films indicates, however, that this strategy was not entirely effective; while offering a certain amount of nostalgia, these films could not provide shelter from the storm gathering in postwar America which challenged conventional ideas of race, gender and class and broke in the 1960s.

Is the face of American baseball throughout the world that of goodwill ambassador or ugly American? Has baseball crafted its own image or instead been at the mercy of broader forces shaping our society and the globe? The Empire Strikes Out gives us the sweeping story of how baseball and America are intertwined in the export of “the American way.” From the Civil War to George W. Bush and the Iraq War, we see baseball's role in developing the American empire, first at home and then beyond our shores. And from Albert Spalding and baseball's first World Tour to Bud Selig and the World Baseball Classic, we witness the globalization of America's national pastime and baseball's role in spreading the American dream. Besides describing baseball's frequent and often surprising connections to America's presence around the world, Elias assesses the effects of this relationship both on our foreign policies and on the sport itself and asks whether baseball can play a positive role or rather only reinforce America's dominance around the globe. Like Franklin Foer in How Soccer Explains the World, Elias is driven by compelling stories, unusual events, and unique individuals. His seamless integration of original research and compelling analysis makes this a baseball book that's about more than just sports.

This anthology gathers selected papers from the 2007 and 2008 meetings of the Cooperstown Symposium on Baseball and American Culture, the long-running academic conference held annually at the National Baseball Hall of Fame. Essays included employ the national pastime to comment on issues transcending the playing field, and are divided into six sections: "Cultural Perspectives on the Game," "Literary Baseball," "Baseball at the Movies," "Minority Standard Bearers," "New Leagues," and "The Business of Baseball."

In Mallparks, Michael T. Friedman observes that as cathedrals represented power relations in medieval towns and skyscrapers epitomized those within industrial cities, sports stadiums exemplify urban American consumption at the turn of the twenty-first century. Grounded in Henri Lefebvre and George Ritzer's spatial theories in their analyses of consumption spaces, Mallparks examines how the designers of this generation of baseball stadiums follow the principles of theme park and shopping mall design to create highly effective and efficient consumption sites. In his exploration of these contemporary cathedrals of sport and consumption, Friedman discusses the history of stadium design, the amenities and aesthetics of stadium spaces, and the intentions and conceptions of architects, team officials, and civic leaders. He grounds his analysis in case studies of Oriole Park at Camden Yards in Baltimore; Fenway Park in Boston; Dodger Stadium in Los Angeles; Nationals Park in Washington, DC; Target Field in Minneapolis; and Truist Park in Atlanta.

Widely acknowledged as the preeminent gathering of baseball scholars, the annual Cooperstown Symposium on Baseball and American Culture has made significant contributions to baseball research. This collection of 15 new essays selected from the 2015 and the 2016 symposia examines topics whose importance extend beyond the ballpark. Presented in six parts, the essays explore Biography: From Mythology to Authenticity, Gender and Generations, Race and Ethnicity on the Base Paths, Ballparks Abandoned and Envisioned, Baseball Cinema, and Business, Law and the Game.

This provocative three-volume encyclopedia is a valuable resource for readers seeking an understanding of how movies have both reflected and helped engender America's political, economic, and social history. Movies in American History: An Encyclopedia is a reference text focused on the relationship between American society and movies and filmmaking in the United States from the late 19th century through the present. Beyond discussing many important American films ranging from Birth of a Nation to Star Wars to the Harry Potter film series, the essays included in the volumes explore sensitive issues in cinema related to race, class, and gender, authored by international scholars who provide unique perspectives on American cinema and history. Written by a diverse group of distinguished scholars with backgrounds in history, film studies, culture studies, science, religion, and politics, this reference guide will appeal to readers new to cinema studies as well as film experts. Each encyclopedic entry provides data about the film, an explanation of the film's cultural significance and influence, information about significant individuals involved with that work, and resources for further study.

America loves sports. This book examines and details the proof of this fascination seen throughout American society—in our literature, film, and music; our clothing and food; and the iconography of the nation. This momentous four-volume work examines and details the cultural aspects of sport and how sport pervasively reflects—and affects—myriad aspects of American society from the early 1900s to the present day. Written in a straightforward, readable manner, the entries cover both historical and contemporary aspects of sport and American culture. Unlike purely historical encyclopedias on sports, the contributions within these volumes cover related subject matter such as poetry, novels, music, films, plays, television shows, art and artists, mythologies, artifacts, and people. While this encyclopedia set is ideal for general readers who need information on the diverse aspects of sport in American culture for research purposes or are merely reading for enjoyment, the detailed nature of the entries will also prove useful as an initial source for scholars of sport and American culture. Each entry provides a number of both print and online resources for further investigation of the topic.

Kevin Costner: America's Teacher examines the role of Costner in educational settings domestically and abroad. Costner’s career over the past 35 years has seen ups and downs: his movies grossed 2 billion dollars in ticket sales worldwide and he has he won/been nominated for several Academy Awards but he also experienced critical and box office failures. Through the films in his oeuvre, Costner has been teaching audiences around the world about the United States--its history, people and culture. Some viewers and scholars recognize this as positive, others as problematic. This book serves as a place for teachers and scholars to explore ways in which Costner may be tapped for research and teaching purposes at all levels of education. It is organized around three large themes: Costner’s baseball films and their connection to Americana; Costner’s films through the more critical lenses of gender and new western scholarship; and Costner’s teaching of teachers, the pedagogical possibilities of his work.

The Historical Dictionary of American Cinema provides broad coverage of the people, films, companies, techniques, themes, and genres that have made American cinema such a vital part of world cinema. This is done through a chronology, an introductory essay, a bibliography, and over 500 cross-referenced dictionary entries. This book is an excellent access point for students, researchers, and anyone wanting to know more about the history of American Cinema.