In this book an attempt has been made to compare the two legendary writers by comparing the eastern way of thinking with the western way. Shakespeare is amongst the writers Sri Aurobindo holds in high esteem. Sri Aurobindo’s admiration for the great dramatist resulted in obvious Shakespearean influences on him. He adopts for his plays Elizabethan model of drama perfected by Shakespeare’s genius. Shakespeare’s influence is traceable also in Sri Aurobindo’s sonnets. It is said that Sri Aurobindo had Shakespearean literature on his bed-side when he left his mortal remains. Both the great writers were not satisfied by merely holding mirror to the nature but due to their greater and deeper life power, they recreated the human life in its beauty and completeness. Therefore, there is an obvious need to compare and contrast Shakeapeare and Sri Aurobindo so as to bring out affinities that may be there between their creative ideal and vision as well as their poetic and dramatic art, along with the former’s influence on the later. In this book an attempt has been made to fulfill the need and to contribute, in some measure to the appreciation of Sri Aurobindo’s poetry and plays. It also briefly touches upon Indian response to Shakespeare. It focuses mainly on Sri Aurobindo’s numerous insights and critical observations on him. To sum up writings of the two such outstanding writers, who represent two very different ways of thinking. On one hand Shakespeare potrays lot of blood shed, gory tales and a wild kind of poetic justice in his writings, but on the other hand Sri Aurobindo truely follows Indian ethos of non violence or ‘Ahimsa’. The author underlines the stark similarities and differences in both the writer’s exploring their plays and sonnets. The structure of plays and sonnets may be same of both the greatest minds but ethos and personna ingrained in their writings is quite different.

Insights & critical observations in the light of Sri Aurobindo into the work of the great Bard.

This Book, It Is Hoped, Will Create In The Readers Not Only An Interest In Sri Aurobindo`S Literary Work, But Also An Awareness About His Message Of Integralism And Its Continued Relevance For All Times.

This book covers some of the crucial issues of sustainability in agriculture, which are presented in five sections viz., Concepts and Status, Sustainable Technologies in Crop Production & Management, Sustainability of Crops in Agro-ecosystems, Agro-forestry, and Spatial Informatics in Sustainable Agriculture. The sub-themes covered in the papers are: land use planning, sustainable livelihood, shifting cultivation, wetlands, weed management, technologies in crop production, traditional knowledge and management of agriculture, sustainability of crops in different agro-ecosystems, methods and policies, digital opportunities; use of remote sensing and GIS in agro-ecological zoning and agricultural resources information technology. The Contributions by scientists, planners, technocrats, researchers and practitioners, address both the conceptual and policy related issues with important empirical research findings.

Essays Collected In This Anthology Offer Glimpses Of Indian Response To Shakespeare, The Myriad Minded Genius Of The World. Shakespeare Has Influenced The Indian Readers, Researchers, Translators, Directors And Actors Very Deeply. The Indian Scholars With Various Cultural And Linguistic Backgrounds Have Tried To Appropriate The Beauty And Meaning Of Shakespeareana In Their Own Way Like The Five Blind Men In The Buddha'S Story Trying To Understand The Elephant And Shown The Way To The Future Scholars Of India To Pursue Fruitfully.Among The Contributors To This Volume Are Both The Senior And The Younger Scholars Of India Like R.S. Pathak, Mohit K. Ray, Shweta Khanna, Basavaraj Naikar, Rama Kundu, O.P. Budholia, Sudhir Dixit, Sahdeo Chougule, B.G. Tandon, Nivedita Mukerjee, Shabiba Khan And Narasimha Ramayya, Who Have Dealt With Various Aspects Of Shakespearean Drama In The Indian Context.

About the Book: In this book, Mr. P. D. Deshpande shows how the protagonists of Shakespeare's tragedies ultimately fall prey to the ‘Crooked Eclipses’ of a rapidly moving chain of events, which are mostly brought upon by their own actions, guided by the peculiar complexity of their mind and their absurdities. At the same time, he shows how the greatness, sublimity and also imperfection of human life shines through the characters like Hamlet, King Lear, Macbeth, Othello, etc. About the Author: Mr. P. D. Deshpande is a renowned writer and poet in Marathi language. He has 16 (sixteen) published books to his credit which have been appreciated by the common readers as well as critics. He has devoted almost all his life to bring the works of William Shakespeare in Marathi language for the common readers and that has made him to translate in 'Free Verse' form all the sonnets of Shakespeare, and his plays like The Tempest, Hamlet, Coriolanus, Macbeth etc. in Marathi language. He has also written many articles about Shakespeare's life and plays in renowned periodicals. His magnum opus is a novel about Shakespeare's life in two volumes, written after meticulous research.

Contributed artices; covers the 20th century period

India’s Shakespeare: Translation, Interpretation and Performance is ideal for English literature, performance, translation studies. This collection of essays examines the diverse aspects of Shakespeare's interaction with India, since two hundred years ago when the British first introduced him here. While the study of Shakespeare was an imperial imposition, the performance of Shakespeare was not. Shakespeare, translated and adapted on the commercial stage during the late nineteenth century was widely successful; and remains to this day, the most published and performed western author in India. The important role Shakespeare has played in allowing cultures to speak with each other forms the center of this volume with contributions examining presence of Shakespeare in both colonial and post-colonial India. The essays discuss the several contexts in which Shakespeare was read, taught, translated, performed, and absorbed into the cultural fabric of India. The introduction details the history of this induction, its shifts and developments and its corresponding critical discourse in India and the west. This collection of essays, emerging from first hand experience, is presented from a variety of critical positions, performative, textual, historicist, feminist and post-colonialist, as befits the range of the subject.