Interviews with Ang Lee (Crouching Tiger, Hidden Dragon) and other Chinese directors about their work & the ways it has impacted both on the film industry in China as well as on the world scene.

Interviews with Ang Lee (Crouching Tiger, Hidden Dragon) and other Chinese directors about their work & the ways it has impacted both on the film industry in China as well as on the world scene.

When looking at a photograph, too often a conversation starts–and, unfortunately, ends–with a statement such as, “I like it.” The logical next question, “Why?”, often goes unasked and unanswered. As photographers, we frequently have difficulty speaking about images because, frankly, we don’t know how to think about them. And if we don’t know how to think about a photograph and its “visual language”– how an image is constructed, how it works, and why it works–then, when we’re behind the camera, are we really making images that best communicate our vision, our original intent? Vision–crucial as it is–is not the ultimate goal of photography; expression is the goal. And to best express ourselves, it is necessary to learn and use the grammar and vocabulary of the visual language. Photographically Speaking is about learning photography’s visual language to better speak to why and how a photograph succeeds, and in turn to consciously use that visual language in the creation of our own photographs, making us stronger photographers who are able to fully express and communicate our vision. By breaking up the visual language into two main components–“elements” make up its vocabulary, and “decisions” are its grammar–David duChemin transforms what has traditionally been esoteric and difficult subject matter into an accessible and practical discussion that photographers can immediately use to improve their craft. Elements are the “words” of the image, what we place within the frame–lines, curves, light, color, contrast. Decisions are the choices we make in assembling those elements to best express and communicate our vision–the use of framing, perspective, point of view, balance, focus, exposure. All content within the frame has meaning, and duChemin establishes that photographers must consciously and deliberately choose the elements that go within their frame and make the decisions about how that frame is constructed and presented. In the second half of the book, duChemin applies this methodology to his own craft, as he explores the visual language in 20 of his own images, discussing how the intentional choices of elements and decisions that went into their creation contribute to their success.

No detailed description available for "Mute Poetry, Speaking Pictures".

Speaking with Pictures offers a path-breaking exploration of visual narratives in folk art. It foregrounds folk art’s engagement with modernity by re-looking at its figurative modes and the ways in which they are embedded in mythic thought. The book discusses folk art as a contemporary phenomenon which is a part of a complex visual culture where the ‘essence’ of tradition is best captured in a ‘new’ form or medium. Each chapter picks up a theme that moves between the local and the global, thereby attempting to problematise the stereotypical view of folk artists as carriers of ‘timeless tradition’. The volume provides an ethnographic account of innovations through a detailed analysis of the scroll painting tradition of the patuas of West Bengal and the Pardhan-Gond style of Madhya Pradesh, highlighting some recent attempts at inter-medium exchange in storytelling. The book will interest those in visual and popular culture in anthropology, sociology, literary criticism and folklore. It will also be of immense value to art historians, museologists, curators and NGOs working in media and communication, apart from those with a general interest in folk art.

This volume takes as its focus the paradoxical double-bind of textuality and visuality in the culture of the high and late Middle Ages and early modernity. In a series of case studies contributors explore the historical and theoretical implications of the idea that texts and images alike 'speak to the eye'. Some scholars have proclaimed the coming of a 'visual turn' to explain the boom in conferences, books, and even specialized journals that take as their topic the theoretical or historical study of visual culture. The notion of visual culture may seem self-evident, not merely from our own twenty-first-century perspective but also when applied to earlier periods of western European history. However, the nature and status of the visual media, as well as the ways in which these were received, experienced, and appropriated, underwent several major changes betweenthe twelfth and the seventeenth centuries. Contemporary sources describe and define the experience of reading texts and images as involving a mixture of visual and aural impulses that address both the inner eye and the outer senses. This volume sets out explicitly to investigate the specific, sensuous nature of this experience. It also addresses the question of whether, and if so to what extent and in which ways, this 'reading experience' was engendered.

Images flash across the screen. Photographs appear on walls, on cans, on the sides of buses, in magazines, books, newspapers, computers. We are bombarded with thousands of photographs each day: they are perhaps our major source of information, inspiration, and irritation. But what if you had to choose a single image out of that avalanche - one photograph that you couldn't stop thinking about, that changed your ideas, your aesthetics, your perception of reality? Seventy of the most interesting people of our era - both famous and unknown - were asked to choose that one image for Talking Pictures. The results are startling, profound, funny, and deeply revealing about our psychology and our times. From glossy fashion photography to devastating portraits of the Holocaust, from family snapshots to the shimmering artwork of master photographers such as Irving Penn, Andre Kertesz, and Imogen Cunningham, from Life magazine photo essays to a five-hundred-times magnification of the adhesive on a Post-it, the range of images in Talking Pictures reveals not only the strength of individual obsession and the power of history and imagination, but, more importantly, the peculiar truths about ourselves and our times that can be seen only in photographs.

Not many people can say their career has placed them center stage at as many historical happenings as Christy Bowe can. Bowe has photographed four presidents throughout their administrations, has captured the horrors of 9/11, and photographed three historical impeachments as well. Today, she is founder of ImageCatcher News Services, and her work can be found in prominent publications such as The New York Times and Rolling Stone. Now she aims her lens at the 46th President of the United States of America, Joe Biden. After being kicked out of Catholic school as a child, Bowe found her passion in capturing human moments in the biggest events. As 'Eyes That Speak' shares snapshots of significant moments in Bowe's career, she recounts the hardships and lessons that came from each, and their influence on her style and her photography. Her passion and warmth come through as she narrates the interactions and personal experiences that have altered her as a human and shaped her philosophy as a photographer. Christy Bowe is a passionate, determined photojournalist who never lost the fire that got her kicked out of Catholic school. 'Eyes That Speak' is a loving retelling of not just her experience as a photojournalist but of the kindness and compassion rampant in even the most competitive and high staked working environment. Her book is a reminder that humans are kinder than we know.

"A must-read" (Eve Rodsky​), We're Speaking provides inspirational lessons about life, work, and overcoming adversity--drawn from Kamala Harris's norm-shattering ascent to Vice President of the United States.​ Kamala Harris is one of our country's most awe-inspiring political figures, dawning on a new age as the first--but not last--Black and Asian-American female Vice President. Having spent her entire career smashing glass ceilings and influencing the next generation of young women, Harris has completely redefined what it means to be a woman in politics. In We're Speaking, Palepu connects illuminating stories from Harris's unique biography with tactical advice that will teach you to: Own the power of your multitudes Act on and embrace your ambition Develop your unique voice and style Find your North Star to guide your decisions Best of all, We're Speaking will leave you feeling empowered to follow in Harris's footsteps -- shattering glass ceilings of your own as you live the life of your dreams!

EXPERIENCE POEMS AND PICTURES combines original poetry, pictures of artwork by diverse teens and adults from the United States and Sri Lanka, with prompts for viewing and writing about artwork and exploring poetry to create new art. The poems, written from a faith perspective, address topics of family, friendships, life, death and hope. The artwork includes paintings in multiple mediums, quilting, and manipulated photos on a range of topics in a range of styles. Appealing to students of all ages, the book can become a mentor text for teachers wanting to publish student writing and art.