In the late 1960s, Patsy Channing, a stunningly beautiful young woman, was suspended from the venerable Mississippi State College for Women for breach of conduct. The resulting scandal reached all the way to the Columbus courthouse, and the press ate it up. But Patsy’s story starts long before that, living with a preoccupied and troubled mother in Memphis, Tennessee. As Patsy grows up, she buries the memories of her unspeakable childhood trauma and is determined to have a normal life. Music becomes her ticket out and a vehicle for the one thing she covets most—a chance to be crowned Miss America. In Confessions of a Southern Beauty Queen, Julie Hines Mabus provides a peek into that world—a world struggling through the civil rights movement, reeling from the death of JFK, and cutting loose with the musical innovations from Memphis and Detroit. Patsy develops a close friendship with a guitarist at Stax Recording Studio, giving her firsthand exposure to the early Memphis Soul Sound created by such greats as Otis Redding, Isaac Hayes, and Sam & Dave. Confessions of a Southern Beauty Queen opens and closes with the end of Patsy’s time at Mississippi State College for Women on that fateful spring morning in 1968 when she entered the Columbus courthouse. Patsy’s story, marked with tragedy and triumph, mirrors that of a growing and evolving South, where change never comes easy.

A vibrantly illustrated exploration of the creative, inclusive, and inspiring movement happening in today’s Southern interior design The American South is a place steeped in history and tradition. We think of sweet tea, thick drawls, and even thicker summer air. It is also a place with a fraught history, complicated social norms, and dated perspectives. Yet among the makers and artists of the South, there is a powerful movement afoot. Alyssa Rosenheck shines a much-needed spotlight on a burgeoning community of people who are taking what’s beloved, inherent, and honored in the South and making it their own. The New Southern Style tours more than 30 homes and includes interviews with the designers, artists, and creative entrepreneurs who are reinventing Southern design and culture. This beautifully illustrated book is sure to inspire the home and soul.

After an attempted murder at a supposedly haunted plantation, the ladies of Violetta's beauty salon unravel secrets that link a high school student, a centuries-old crime, and the roots to a very dark mystery.

On the cusp of the American Civil War, as tensions rise and unrest prevail, there is a one-of-a-kind aerial map created by a balloonist that could change everything. Lieutenant David McPherson is on a top-secret mission to retrieve the map from Johanna Lee, the beautiful niece of General Robert E. Lee. As each state secedes into the Confederacy, Johanna embarks on a whirlwind adventure from her family's plantation to the streets of New Orleans. In this fast-paced adventure and romance across the Southern States, she encounters pirates and spies, voodoo queens, and handsome men everywhere she turns. But who can she trust when every man she meets wants the map and will lie and cheat to get it?

From the South's pageant queens to the importance of beauty parlors to African American communities, it is easy to see the ways beauty is enmeshed in southern culture. But as Blain Roberts shows in this incisive work, the pursuit of beauty in the South was linked to the tumultuous racial divides of the region, where the Jim Crow-era cosmetics industry came of age selling the idea of makeup that emphasized whiteness, and where, in the 1950s and 1960s, black-owned beauty shops served as crucial sites of resistance for civil rights activists. In these times of strained relations in the South, beauty became a signifier of power and affluence while it reinforced racial strife. Roberts examines a range of beauty products, practices, and rituals--cosmetics, hairdressing, clothing, and beauty contests--in settings that range from tobacco farms of the Great Depression to 1950s and 1960s college campuses. In so doing, she uncovers the role of female beauty in the economic and cultural modernization of the South. By showing how battles over beauty came to a head during the civil rights movement, Roberts sheds new light on the tactics southerners used to resist and achieve desegregation.

In the late 1960s, Patsy Channing, a stunningly beautiful young woman, was suspended from the venerable Mississippi State College for Women for breach of conduct. The resulting scandal reached all the way to the Columbus courthouse, and the press ate it up. But Patsy’s story starts long before that, living with a preoccupied and troubled mother in Memphis, Tennessee. As Patsy grows up, she buries the memories of her unspeakable childhood trauma and is determined to have a normal life. Music becomes her ticket out and a vehicle for the one thing she covets most—a chance to be crowned Miss America. In Confessions of a Southern Beauty Queen, Julie Hines Mabus provides a peek into that world—a world struggling through the civil rights movement, reeling from the death of JFK, and cutting loose with the musical innovations from Memphis and Detroit. Patsy develops a close friendship with a guitarist at Stax Recording Studio, giving her firsthand exposure to the early Memphis Soul Sound created by such greats as Otis Redding, Isaac Hayes, and Sam & Dave. Confessions of a Southern Beauty Queen opens and closes with the end of Patsy’s time at Mississippi State College for Women on that fateful spring morning in 1968 when she entered the Columbus courthouse. Patsy’s story, marked with tragedy and triumph, mirrors that of a growing and evolving South, where change never comes easy.

Color photographs numbered 1-365. "This book is one year's worth of beauty seen, found, and discovered in and around Athens, Georgia, and on field trips to other nearby places. This book is a collaboration between Rinne Allen, Kristen Bach, and Rebecca Wood, who all work together to create the online journal, Beauty Everyday [www.beautyeveryday.com]"--P. [417].

Who is always perfectly put together and never at a loss for words? Who is professional, courteous, and harder working than anyone else? Whose Christmas cards arrive the day after Thanksgiving, year after year? Y'all know she's got to be a Southern Belle. A Southern Belle takes care of herself and makes sure people treat her right. She always gets her way, even if her man thinks it was his idea. (That's a win for you both.) But you don't have to be raised in the South to be the same fun-loving package of looks, charm, and determination that makes a Belle a Belle. That's what this little book is for! Take it from Phaedra Parks, the smart, confident, and always poised star of The Real Housewives of Atlanta. Life as a Belle is simply better--for you and for the people around you.--From publisher description.

Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.