Candace Bailey’s exploration of the intertwining worlds of music and gender shows how young southern women pushed the boundaries of respectability to leave their unique mark on a patriarchal society. Before 1861, a strictly defined code of behavior allowed a southern woman to identify herself as a “lady” through her accomplishments in music, drawing, and writing, among other factors. Music permeated the lives of southern women, and they learned appropriate participation through instruction at home and at female training institutions. A belle’s primary venue was the parlor, where she could demonstrate her usefulness in the domestic circle by providing comfort and serving to enhance social gatherings through her musical performances, often by playing the piano or singing. The southern lady performed in public only on the rarest of occasions, though she might attend public performances by women. An especially talented lady who composed music for a broader audience would do so anonymously so that her reputation would remain unsullied. The tumultuous Civil War years provided an opportunity for southern women to envision and attempt new ways to make themselves useful to the broader, public society. While continuing their domestic responsibilities and taking on new ones, young women also tested the boundaries of propriety in a variety of ways. In a broad break with the past, musical ladies began giving public performances to raise money for the war effort, some women published patriotic Confederate music under their own names, supporting their cause and claiming public ownership for their creations. Bailey explores these women’s lives and analyzes their music. Through their move from private to public performance and publication, southern ladies not only expanded concepts of social acceptability but also gained a valued sense of purpose. Music and the Southern Belle places these remarkable women in their social context, providing compelling insight into southern culture and the intricate ties between a lady’s identity and the world of music. Augmented by incisive analysis of musical compositions and vibrant profiles of composers, this volume is the first of its kind, making it an essential read for devotees of Civil War and southern history, gender studies, and music.

Ola Belle Reed (1916-2002) was one of the all-time greatest performers of Appalachian music. Ola Belle Reed and Southern Mountain Music on the Mason-Dixon Line combines Reed's 1960s recordings, some of the earliest she ever made and available here for the very first time, with modern-day field recordings of her descendants and those she inspired within her Appalachian community. This deluxe edition highlights Reed's deep repertoire--folk ballads, minstrel songs, country standards and originals--and traces the impact her music made and is still making today. The two-CD set is accompanied by a luxurious publication tracing Reed's influence and the folklorists who have tracked it: Henry Glassie, who first heard Alex and Ola Belle play in 1966 at the back of the Campbell's Corner general store, and Clifford R. Murphy, who, four decades later, recorded Reed's modern successors in Maryland, Delaware and Pennsylvania.

Who is always perfectly put together and never at a loss for words? Who is professional, courteous, and harder working than anyone else? Whose Christmas cards arrive the day after Thanksgiving, year after year? Y'all know she's got to be a Southern Belle. A Southern Belle takes care of herself and makes sure people treat her right. She always gets her way, even if her man thinks it was his idea. (That's a win for you both.) But you don't have to be raised in the South to be the same fun-loving package of looks, charm, and determination that makes a Belle a Belle. That's what this little book is for! Take it from Phaedra Parks, the smart, confident, and always poised star of The Real Housewives of Atlanta. Life as a Belle is simply better--for you and for the people around you.--From publisher description.

Women of Discriminating Taste examines the role of historically white sororities in the shaping of white womanhood in the twentieth century. As national women’s organizations, sororities have long held power on college campuses and in American life. Yet the groups also have always been conservative in nature and inherently discriminatory, selecting new members on the basis of social class, religion, race, or physical attractiveness. In the early twentieth century, sororities filled a niche on campuses as they purported to prepare college women for “ladyhood.” Sorority training led members to comport themselves as hyperfeminine, heterosocially inclined, traditionally minded women following a model largely premised on the mythical image of the southern lady. Although many sororities were founded at non-southern schools and also maintained membership strongholds in many non-southern states, the groups adhered to a decidedly southern aesthetic—a modernized version of Lost Cause ideology—in their social training to deploy a conservative agenda. Margaret L. Freeman researched sorority archives, sorority-related materials in student organizations, as well as dean of women’s, student affairs, and president’s office records collections for historical data that show how white southerners repeatedly called upon the image of the southern lady to support southern racial hierarchies. Her research also demonstrates how this image could be easily exported for similar uses in other areas of the United States that shared white southerners’ concerns over changing social demographics and racial discord. By revealing national sororities as significant players in the grassroots conservative movement of the twentieth century, Freeman illuminates the history of contemporary sororities’ difficult campus relationships and their continuing legacy of discriminatory behavior and conservative rhetoric.

In A City Called Heaven, Robert M. Marovich follows gospel music from early hymns and camp meetings through its growth into the sanctified soundtrack of the city's mainline black Protestant churches. Marovich mines print media, ephemera, and hours of interviews with artists, ministers, and historians--as well as relatives and friends of gospel pioneers--to recover forgotten singers, musicians, songwriters, and industry leaders. He also examines the entrepreneurial spirit that fueled gospel music's rise to popularity and granted social mobility to a number of its practitioners. As Marovich shows, the music expressed a yearning for freedom from earthly pains, racial prejudice, and life's hardships. Yet it also helped give voice to a people--and lift a nation. A City Called Heaven celebrates a sound too mighty and too joyous for even church walls to hold.

The young son of a ship's captain finds a way to end the curse of a ghost ship whose daring Confederate captain had once given him a lucky ball.

Their feuding fathers never could have predicted this… He came to claim the Dawson Family Ranch… But was Daisy Dawson’s heart part of the deal? Harrison McCord was sure he was the rightful owner of the Dawson Family Ranch. And delivering Daisy Dawson’s baby on the side of the road was a mere diversion. Still, when Daisy found out his intentions, instead of pushing him away, she invited him in, figuring he’d start to see her in a whole new light. But what if she started seeing him that way, as well? From Harlequin Special Edition: Believe in love. Overcome obstacles. Find happiness. Discover more true-to-life stories in the Dawson Family Ranch series by Melissa Senate: Book 1: For the Twins’ Sake Book 2: Wyoming Special Delivery Book 3: A Family for a Week

Complete step-by-step instructions, patterns, and embroidery notes for creating a basic doll and a wardrobe of 9 charming mid-19th-century costumes that include a tailored riding habit, a lovely afternoon dress for tea, a satin ball gown, a lovely wedding dress, and 5 other outfits. Dollcrafters can paint individual faces to achieve the looks and personality desired, by arching eyebrows, adding spectacles, altering hair colors and styles with yarn, and more.

Settle back for a wild ride through a Southern lesbian's life of soul-searching, rule-breaking, and truth-telling. This belle's kind of coming out was not what her traditional Mississippi family expected. How does she recover from family estrangement in the midst of her career as a psychotherapist? How does she find lasting love and a family-of-choice? From her last boyfriend suggesting she become a lesbian, to coming out to the church ladies at her mama's funeral, these true stories will touch your heart, give you hope, and make you laugh out loud. Based on Elizabeth McCain's award-winning one-woman play, A Lesbian Belle Tells..., this memoir provides story medicine for your soul. It is filled with Southern charm and drama, as well as triumph over tragedy, as only a lesbian belle can tell.

The American South before the Civil War was the site of an unprecedented social experiment in women's education. The South offered women an education explicitly designed to be equivalent to that of men, while maintaining and nurturing the gender conventions epitomized by the ideal of the Southern belle. This groundbreaking work provides us with an intimate picture of the entire social experience of antebellum women's colleges and seminaries in the South, analyzing the impact of these colleges upon the cultural construction of femininity among white Southern women, and their legacy for higher education. Christie Farnham investigates the contradiction involved in using a male-defined curricula to educate females, and explores how educators denied these incongruities. She also examines the impact of slavery on faculty and students. The emotional life of students is revealed through correspondence, journals, and scrapbooks, highlighting the role of sororities and romantic friendships among female pupils. Farnham ends with an analysis of how the end of the Civil War resulted in a failure to keep up with the advances that had been achieved in women's education. The most comprehensive history of this brief and unique period of reform to date, The Education of the Southern Belle is must reading for anyone interested in women's studies, Southern history, the history of American education, and female friendship.