On March 17, 2009, while filming a documentary on the Chinese–North Korean border, Laura Ling and her colleague Euna Lee were violently apprehended by North Korean soldiers, charged with trespassing and "hostile acts," and imprisoned by Kim Jong Il's notoriously secretive Communist state. Kept totally apart, they endured months of interrogations and a trial before North Korea's highest court that led to a sentence of twelve years of hard labor in a North Korean prison camp. When news of the arrest reached Laura's sister, journalist Lisa Ling, she immediately began a campaign to get Laura released. Her efforts led her from the State Department to the higher echelons of the media world and eventually to the White House. Lisa takes us deep into the drama between people in the highest levels of government, including Secretary of State Hillary Clinton, former Vice President Al Gore, and eventually former President Bill Clinton, who arrived in North Korea in mid-August for a suspenseful rescue. Somewhere Inside is a timely, inspiring, and page-turning tale of survival set against the canvas of international politics. Writing with their strong, poignant voices, both sisters go beyond the headlines to reveal the unique bond that has sustained them throughout the most horrifying ordeal of their lives.

From “an exceptional storyteller,” Somewhere in the Unknown World is a collection of powerful stories of refugees who have found new lives in Minnesota’s Twin Cities, told by the award-winning author of The Latehomecomer and The Song Poet. All over this country, there are refugees. But beyond the headlines, few know who they are, how they live, or what they have lost. Although Minnesota is not known for its diversity, the state has welcomed more refugees per capita than any other, from Syria to Bosnia, Thailand to Liberia. Now, with nativism on the rise, Kao Kalia Yang—herself a Hmong refugee—has gathered stories of the stateless who today call the Twin Cities home. Here are people who found the strength and courage to rebuild after leaving all they hold dear. Awo and her mother, who escaped from Somalia, reunite with her father on the phone every Saturday, across the span of continents and decades. Tommy, born in Minneapolis to refugees from Cambodia, cannot escape the war that his parents carry inside. As Afghani flees the reach of the Taliban, he seeks at every stop what he calls a certificate of his humanity. Mr. Truong brings pho from Vietnam to Frogtown in St. Paul, reviving a crumbling block as well as his own family. In Yang’s exquisite, necessary telling, these fourteen stories for refugee journeys restore history and humanity to America's strangers and redeem its long tradition of welcome.

Film noir is more than a cinematic genre. It is an essential aspect of American culture. Along with the cowboy of the Wild West, the denizen of the film noir city is at the very center of our mythological iconography. Described as the style of an anxious victor, film noir began during the post-war period, a strange time of hope and optimism mixed with fear and even paranoia. The shadow of this rich and powerful cinematic style can now be seen in virtually every artistic medium. The spectacular success of recent neo-film noirs is only the tip of an iceberg. In the dead-on, nocturnal jazz of Charlie Parker and Miles Davis, the chilled urban landscapes of Edward Hopper, and postwar literary fiction from Nelson Algren and William S. Burroughs to pulp masters like Horace McCoy, we find an unsettling recognition of the dark hollowness beneath the surface of the American Dream. Acclaimed novelist and poet Nicholas Christopher explores the cultural identity of film noir in a seamless, elegant, and enchanting work of literary prose. Examining virtually the entire catalogue of film noir, Christopher identifies the central motif as the urban labyrinth, a place infested with psychosis, anxiety, and existential dread in which the noir hero embarks on a dangerously illuminating quest. With acute sensitivity, he shows how technical devices such as lighting, voice over, and editing tempo are deployed to create the film noir world. Somewhere in the Night guides us through the architecture of this imaginary world, be it shot in New York or Los Angeles, relating its elements to the ancient cultural archetypes that prefigure it. Finally, Christopher builds an explanation of why film noir not only lives on but is currently enjoying a renaissance. Somewhere in the Night can be appreciated as a lucid introduction to a fundamental style of American culture, and also as a guide to film noir's heyday. Ultimately, though, as the work of a bold talent adeptly manipulating poetic cadence and metaphor, it is itself a superb aesthetic artifact.

'And just like that my boy was gone.' Maisie Bean is a fighter. A survivor. Seventeen years ago, she went on a first date that went so badly it was enough to put the girl off chips. The marriage that followed was hell but it gave her two children: funny, caring Jeremy and bullish but brilliant Valerie. Just as it seems everything might finally start going right, sixteen-year-old Jeremy goes missing. The police descend and a media storm swirls, over five days of searching that hurtle towards an inevitable, terrible conclusion. Maisie is facing another fight, and this time it’s the fight of her life. But she’s a survivor. Whatever the odds, she’ll never give in. From the bestselling author of The Last Days of Rabbit Hayes comes this heart-breaking yet uproariously uplifting new novel about love, resilience and the life-changing power of hope.

Jimmy hasn't seen his father in nine years.

From 1941 to 1975, as a series of military conflicts gripped Asia and the Pacific, Australian journalism was dominated by war reporting from the region. Torney-Parlicki (history, U. of Melbourne) argues that the reporting went beyond the usual discussion of military strategy and, in an important way.

After reluctantly being ‘rationalised’ from his Foreign Office job, Kevin Crump takes up a teaching position at Cambrian University, the most improved university in South Wales.

I don't deserve to be loved, with my past. People tell me I’m beautiful, that I can be somebody now that I’ve been discovered as a model...but with my history, it’s hard to believe I’ll find anything but heartache. Until Magnus Thorne. The big guy doesn’t say a lot, but he doesn’t need to. Those smoldering eyes promise sin, while warning me away. I’m going to make him notice me if it’s the last thing I do. I’m too dangerous for her. I’m an assassin: good with a gun, a knife, a garrote—whatever I need for the dirty work I do for our government. I can’t put these bloodstained hands on a girl like Pearl. Only... she won’t take no for an answer. She thinks she’s a badass. She doesn’t know who she’s dealing with. ______________________________ "These books are a fun, guilty pleasure that will leave you wanting more from Toby!" ~Author Noelle Pierce

Simple, subtle, and drolly funny, the Pumphrey brothers’ newest picture book is a layered exploration of the foolishness of making assumptions and the virtue of curiosity. When four swamp creatures looking to cross a river come upon a log that would allow for precisely that, they can’t believe their luck. But a questionable tail adjacent to that log gives them second thoughts. Opossum believes it’s a sneaky tail and that they must pass it quietly. Squirrel thinks it’s a scary tail that can be cowed by intimidation. Rabbit decides it’s a mean tail that deserves a taste of its own medicine. As the critters exhaust approaches one by one, Mouse, the smallest of the lot, observes their folly and adjusts accordingly. But is it the mouse or the tail that will defy expectations? Pairing their iconic illustration style with a wry irreverence, the Pumphrey brothers have crafted a delightful tale that reminds us to think before we act.

1999 Best Children's Books of the Year, Bank Street College 2002 CCBC Children's Choices Somewhere in the world each day, people just like you are acting in kind, peaceful, loving ways. Perhaps they are visiting someone who is old, teaching a little sister to ride a bike, or sharing an experience with a friend from a different culture. With its poetic text and appealing, vibrant photographs, this book shows some of the simple ways in which any child or grownup can make the world a better place.