After reluctantly being ‘rationalised’ from his Foreign Office job, Kevin Crump takes up a teaching position at Cambrian University, the most improved university in South Wales.

Hungarian cinema began in cafes, and short films were projected at the Velence coffee-house in Budapest in the late 1890s. By 1912, a distinct film culture had formed in Hungary, which - unlike the imported American popular entertainment cinema - throughout its history has shown a commitment to the idea of film as art. This new book is a detailed historical, critical and appreciative account of the Hungarian cinema from its early days to the transforming 1990s, and provides an extended analysis of some 50 directors and their key films. It describes the ways in which the industry has developed, largely with the assistance of the state, especially since the Second World War, and shows how the Hungarian cinema has achieved an international success out of all proportion to its size, and despite the potential obstructions of language and culture. The author concludes with a survey of recent filmmaking activities, and a look towards the future in rapidly changing Eastern Europe. This book will appeal to all those interested in Hungarian and Eastern European film and history.

This report describes current thinking on anticipated trends in logistics systems.

Gaudiopolis (The City of Joy) was a pedagogical experiment that operated in a post–World War II orphanage in Budapest. This book tells the story of this children’s republic that sought to heal the wounds of wartime trauma, address prejudice and expose the children to a firsthand experience of democracy. The children were educated in freely voicing their opinions, questioning authority, and debating ideas. The account begins with the saving of hundreds of Jewish children during the Siege of Budapest by the Lutheran minister Gábor Sztehlo together with the International Red Cross. After describing the everyday life and practices of self-rule in the orphanage that emerged from this rescue operation, the book tells how the operation of the independent children’s home was stifled after the communist takeover and how Gaudiopolis was disbanded in 1950. The book then discusses how this attempt of democratization was erased from collective memory. The erasure began with the banning of a film inspired by Gaudiopolis. The Communist Party financed Somewhere in Europe in 1947 as propaganda about the construction of a new society, but the film’s director conveyed a message of democracy and tolerance instead of adhering to the tenets of socialist realism. The book breaks the subsequent silence on “The City of Joy,” which lasted until the fall of the Iron Curtain and beyond.

In this volume, the authors examine the mutual relationship of the East and Europe within the Eurasian geopolitical space. They investigate how people to the East of Europe understand themselves vis-à-vis Europe, how they have processed European influences, and how states in the East compete with the West. The East is a strong rhetorical metaphor efficiently colouring something as non-European, or not-essentially-European. Studies in this volume examine the linguistic techniques that are used in erecting social and political boundaries, and how they are eventually demolished. The main focus is on turning points of time and transitional periods where the stability of status quo and maintenance of traditional values have been questioned, both in history and at present. All analysis is strictly based on original language sources, which are interpreted with thorough social, cultural and historical expertise. The main conceptual tool used for analysis is the binarity of boundaries. Binarity, or the use of boundary creating dichotomies, is constantly used in public discussion and political strategies to structure geopolitical space, create imperial power plays, and competing centre-periphery formations. The empirically strong social and cultural expertise of the authors, and their multidisciplinary use of geopolitical theory in conjunction with new linguistically inspired analytical tools create a highly original perspective on the Eurasian political space. The book is a significant contribution to studies on Europe and its neighbourhood.