Cho Norie, twenty-seven and originally from Taiwan, is working an office job in Tokyo. While her colleagues worry about the economy, life-insurance policies, marriage, and children, she is forced to keep her unconventional life hidden--including her sexuality and the violent attack that prompted her move to Japan. There is also her unusual fascination with death: she knows from personal experience how devastating death can be, but for her it is also creative fuel. Solo Dance depicts the painful coming of age of a gay person in Taiwan and corporate Japan. This striking debut is an intimate and powerful account of a search for hope after trauma.

Explores the literary and cultural significance of the unruly solo dancer in the ancient Greek world.

The backdoor of ORyans Pub opened, and Jack slipped out into the blackened evening. Unrelenting fingers of the frozen night air wrapped themselves around his body while painful visions of Meg haunted him like razors slicing through his veins. Too many times he had been down this road. Meg Greystone longed to leave the city of Beaverton, where all hope diminished. When she accepted a position with Mahto Ranger Station in northern Idaho, little did she realize the enormous challenges her new choice would bring. With a cold heart of stone, would she allow this journey to help her discover Gods grace, healing, and purpose?

“Ancient Greek dance” traditionally evokes images of stately choruses or lively Dionysiac revels – communal acts of performance. This is the first book to look beyond the chorus to the diverse and complex representation of solo dancers in Archaic and Classical Greek literature. It argues that dancing alone signifies transgression and vulnerability in the Greek cultural imagination, as isolation from the chorus marks the separation of the individual from a range of communal social structures. It also demonstrates that the solo dancer is a powerful figure for literary exploration and experimentation, highlighting the importance of the singular dancing body in the articulation of poetic, narrative, and generic interests across Greek literature. Taking a comparative approach and engaging with current work in dance and performance studies, this book reveals the profound literary and cultural importance of the unruly solo dancer in the ancient Greek world.

Sarah must ask for help before the upcoming recital or this dance could be her last.

The core of this book is an encyclopedia of Javanese terms for individual dance positions and movements, with detailed drawings by Marjolijn Groustra. This is preceded by a discussion of the significance and function of the art of dancing in Javane complemented by lengthy excerpts from treatises written by Javanese specialists, and by a survey of the different genres and choreographies of traditional Javanese dance. The historical dimension is provided by an early-twentieth-century manuscript on Javanese dance from the Mangkunegaran.

"Calypsonians have long been the 'voice of the people', delivering the complaints, criticisms and even the solutions to political leaders. In its earliest manifestations, calypso music emerged in response to a cultural climate that demanded creative modes of expression that could both resist and record political and historical changes taking place in Trinidad and Tobago. Since the 1920s and 1930s, calypsonians typically have composed songs that chronicle their observations and opinions on current events focusing on specific occurrences, from local scandals to current affairs while also examining broader trends. Not only has calypso served as an unofficial record of historical events, it emerged as a cultural weapon that yielded tremendous sway within the general audiences of the Caribbean region. This collection includes contributions from calypsonians, critics, novelists and poets alike, all engaged in representing Caribbean culture in its myriad forms. It represents an array of convergences across critical perspectives, political and social agendas, generations and national boundaries. The work of numerous calypsonians and other singers are explored, including Sparrow; Kitchener; Chalkdust; Denise Belfon; and writers such as Samuel Selvon, V.S. Naipaul, Jean Rhys, Errol John, Paul Marshall, Earl Lovelace and Lashkmi Persaud. The comparative analyses provide an interdisciplinary approach to Cultural Studies making the volume essential reading for students, scholars and calypso enthusiasts. "