Fleeing post-World War II Germany, an aristocratic young man and his Nazi officer father are spirited away to the Brazilian jungle to help create a new, occult-obsessed, German Reich…but love, ambition, and vengeance interfere. In the waning days of World War II, fourteen-year-old Axel, his family, and their servants are cold and hungry in Pappendorf Castle. Baron Dietrich von Pappendorf, Axel’s father, is away, having spent much of the war traveling the world in search of an ancient, pre-Babel language that his occult-obsessed, Nazi masters believed would solidify Aryans as the master race. But when the baron returns to the family castle, it’s not in triumph. Axel and his family must flee Germany and embrace a life of luxurious exile in the Brazilian jungle. The von Pappendorfs take up residence in a gilded cage carved from the hallucinogenic wilds of Amazonia and originally built for Hitler. Protected from Nazi hunters, the baron prepares for the Fourth Reich while Axel is guided by a shaman into the wisdom of the jungle. It’s there the young man discovers ancient truths linking an Israelite king to a river known as Solimeos. Axel is also passionately in love with his father’s mistress: beautiful, Polish-Jewish Luba. He becomes torn between his love for his father, his desire for Luba, and the growing realization that he and his family can never atone for the past. Utterly original, highly entertaining, and sometimes shocking, Rhoda Lerman’s Solimeos—a provocative parable about the sins of the father visited upon the son—is a powerful and elegantly written story of family, fanaticism, and fate.

From the award-winning author of God’s Ear: A “wildly funny, achingly spiritual, profoundly Jewish and feminist” satire of religion and gender politics (The New York Times Book Review). Call Me Ishtar is the outrageous manifesto of a goddess determined to right the wrongs of the three-thousand-year-old patriarchy. She is Ishtar: Mother Goddess, Queen of Heaven, Angel of Death, and Whore of Babylon, and, returning to earth in this most recent incarnation, suburban housewife and sexual subversive. Gallivanting through upstate New York, Ishtar breaks into a Hostess factory to taint its products, catapults a rock band to stardom via satanic rituals, and rises from the coffin at her own funeral—all to overthrow the worship of phallic gods and resume her former glory in this “bouncy, tongue-in-cheek mythmash of The White Goddess and The Feminine Mystique” (Kirkus Reviews). “[Lerman’s] is a unique voice—wildly funny, achingly spiritual, profoundly Jewish and feminist at the same time.” —The New York Times Book Review

Immigrants have always adopted America's ideological principles and striven to become "American". But now there is a war against the whole notion of assimilation; newcomers are encouraged to maintain their own separate cultural identity. In the tradition of Arthur Schlesinger's "The Disuniting of America", this commonsense manifesto promotes renewing the assimilation ethic in America.

The novel that Gloria Steinem called “the feminist Jekyll-and-Hyde of our time―and we recognize the monster in ourselves while we’re laughing.” Outrageous and outrageously funny, The Girl That He Marries is the story of Stephanie―nearly thirty and still single, a bright and attractive young woman with an unerring instinct for unmarriageable men and a nagging fear she’s going to grow old alone. Enter Richard: urbane, ambitious, and eminently marriageable. The adored son of an adoring mother, Richard has been adroitly manipulating people all his life. He’s especially adroit at the game of love. Before she knows it, Stephanie is hooked on Richard. But before Richard knows it, Stephanie has figured out the rules―and very soon is beating him at his own artful game. In the process, she twists herself into the girl he would marry―and becomes a very different woman. The trouble is, as Stephanie finds out too late, when you play the mating game, you risk getting stuck with the prize. “[A] hilarious romance a la Kafka.” —The New York Times Book Review

Crucible of the Incurable concerns how people face life with amyotrophic lateral sclerosis (ALS). Anthony Stavrianakis spent a year in clinics and with people living with the illness in the United States. He examines the multiple meanings of care in a context of a chronic, degenerative, one-hundred percent fatal, neuromuscular illness, whose most common duration is between two and five years. How do people diagnosed with ALS continue to "live as well as possible, for as long as possible" in accordance with the normative work at the heart of outpatient ALS care? Crucible of the Incurable shows how those touched by the situation of a person living with ALS bear this problem and this task. Given the sense of certitude around the diagnosis, given past experiences of those aware of its usual progression, and given the uncertainty of the disease's cause and its progression for each specific person; how then do people orient themselves to the experience of life with this illness, how to support those who are confronted with it, and how to provide aid or solace.

A personal, literary account of a year in the life of Newfoundland's dogs with emphasis on human/dog bonding.

In a fantasy world, tenth century Ireland and twentieth century Ireland co-exist uneasily.

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Far from celebrity media spotlight, ordinary individuals, many older and less advantaged, suffer the disabling pain of Parkinson's disease (PD), an illness whose progressive symptoms often mimic old age and cause mobility impairment, communication barriers, and social isolation. At the heart of With Shaking Hands is the account of elder Americans in rural Iowa who have been diagnosed with PD. With a focus on the impact of chronic illness on an aging population, Samantha Solimeo combines clear and accessible prose with qualitative and quantitative research to demonstrate how PD accelerates, mediates, and obscures patterns of aging. She explores how ideas of what to expect in older age influence and direct interpretations of one's body. This sensitive and groundbreaking work unites theories of disease with modern conceptions of the body in biological and social terms. PD, like other chronic disorders, presents a special case of embodiment which challenge our thinking about how such diseases should be researched and how they are experienced.