Examining the role of Athenian social memory in understanding the political climate in fourth-century Athens

The contributions of this volume discuss the interfaces between memory and emotions in ancient literature, social life, and philosophy. They explore the ways in which memories intersect with emotions in the epics of Homer and Virgil, the importance of memory for the emotions scripts employed by public speakers to enhance the persuasiveness of their arguments, and ‘cultural memory’ in Philostratus’ Heroicus. Contributions that focus on aspects of ancient societies and politics investigate memory and emotions in the Bacchic-Orphic gold leaves, the importance of memories on inscriptions commemorating private and public emotions, and the ways in which emotive memories enhanced the monumentalizing project of Herodes Atticus in Greece. The essays emphasizing philosophical approaches to memory and emotions discuss Aristotle’s biological treatises and Augustine’s deployment of nostalgia and autobiographical narrative in the wider frame of his didactic programme. Modern approaches to embodied cognition are also employed to shed light on how memories attached to our bodily experiences can enhance the interpretation of Roman literature.

This volume focuses on the representation of the recent past in classical Athenian oratory and investigates the ability of the orators to interpret it according to their interests; the inability of the Athenians to make an objective assessment of it; and the unwillingness of the citizens to hear the truth, make self-criticism and take responsibility for bad results. Twenty-eight scholars have written chapters to this end, dealing with a wide range of themes, in terms both of contents and of chronology, from the fifth to the fourth century B.C. Each contributor has written a chapter that analyzes one or more historical events mentioned or alluded in the corpus of the Attic orators and covers the three species of Attic oratory. Chapters that treat other issues collectively are also included. The common feature of each contribution is an outline of the recent events that took place and influenced the citizens and/or the city of Athens and its juxtaposition with their rhetorical treatment by the orators either by comparing the rhetorical texts with the historical sources and/or by examining the rhetorical means through which the speakers model the recent past. This book aims at advanced students and professional scholars. This volume focuses on the representation of the recent past in classical Athenian oratory and investigates: the ability of the orators to interpret it according to their interests; the inability of the Athenians to make an objective assessment of persons and events of the recent past and their unwillingness to hear the truth, make self-criticism and take responsibility for bad results.

This volume addresses the topics of collective memory and collective identity in relation to Deuteronomy and the Deuteronomistic History. The articles gathered here portray the fascinating relationship between memory and identity, and between history within Deuteronomy and the Deuteronomistic historiography as well as its proximate context. They present fresh and illuminating perspectives that, it is hoped, will inspire future research.

In classical Athens, a funeral speech was delivered for dead combatants almost every year, the most famous being that by Pericles in 430 BC. In 1981, Nicole Loraux transformed our understanding of this genre. Her The Invention of Athens showed how it reminded the Athenians who they were as a people. Loraux demonstrated how each speech helped them to maintain the same self-identity for two centuries. But The Invention of Athens was far from complete. This volume brings together top-ranked experts to finish Loraux's book. It answers the important questions about the numerous surviving funeral speeches that she ignored. It also undertakes a comparison of the funeral oration with other genres that is missing in her famous book. What emerges is a speech that had a much greater political impact than Loraux thought. This volume puts the study of war in Athenian culture on a completely new footing.

Investigates the construction of democratic ideology in Classical Athens through a study of the social memory of Athens' mythical pastProposes a novel approach to Athenian democratic ideology that opens new frontiers of investigation in ancient history and the social sciencesThe introduction clearly sets out the aims and methodology of the book and its place within the scholarship in ancient history and the social sciencesFour case studies illuminate the impact of Athenian democratic institutions on ideology, myth, and the use of social memoryOffers a long-awaited new interpretation of the Athenian funeral oration for the war deadOffers clear overviews of Athenian democratic institutions (e.g., Assembly, Council, lawcourts) based on the most recent scholarshipProvides up-to-date overviews of several values in Greek thought (e.g., charis, hybris, eugeneia)The debate on Athenian democratic ideology has long been polarised around two extremes. A Marxist tradition views ideology as a cover-up for Athens' internal divisions. Another tradition, sometimes referred to as culturalist, interprets it neutrally as the fixed set of ideas shared by the members of the Athenian community. Matteo Barbato addresses this dichotomy by providing a unitary approach to Athenian democratic ideology. Analysing four different myths from the perspective of the New Institutionalism, he demonstrates that Athenian democratic ideology was a fluid set of ideas, values and beliefs shared by the Athenians as a result of a constant ideological practice influenced by the institutions of the democracy. He shows that this process entailed the active participation of both the mass and the elite and enabled the Athenians to produce multiple and compatible ideas about their community and its mythical past.

Greek Memories aims to identify and examine the central concepts underlying the theories and practices of memory in the Greek world, from the archaic period to Late Antiquity, across all the main literary genres, and to trace some fundamental changes in these theories and practices. It explores the interaction and development of different 'disciplinary' approaches to memory in Ancient Greece, which will enable a fuller and deeper understanding of the whole phenomenon, and of its specific manifestations. This collection of papers contributes to enriching the current scholarly discussion by refocusing it on the question of how various theories and practices of memory, recollection, and forgetting play themselves out in specific texts and authors from Ancient Greece, within a wide chronological span (from the Homeric poems to Plotinus), and across a broad range of genres and disciplines (epic and lyric poetry, tragedy, comedy, historiography, philosophy and scientific prose treatises).

In democratic Athens, mass citizen audiences - whether in the lawcourts, or in the political Assembly and Council, or when gathered for formal civic occasions - frequently heard politicians and litigants discussing the city's past, and manipulating it for persuasive ends. The Rhetoric of the Past in Demosthenes and Aeschines explores how these dynamics worked in practice, taking two prominent mid-fourth-century politicians (and bitter adversaries) as focal points. While most recent scholarly treatments of how the Athenians recalled their past concentrate on collective processes, this work looks instead at the rhetorical strategies devised by individual orators, examining what it meant for Demosthenes or Aeschines to present particular 'historical' examples, arguments, and illustrations in particular contexts. It argues that discussing the Athenian past - and therefore discussing a core aspect of Athenian identity itself - offered Demosthenes and Aeschines, among others, an effective and versatile means both of building and highlighting their own credibility, authority, and commitment to the democracy and its values, and of competing with their rivals, whose own versions and handling of the past they could challenge and undermine as a symbolic attack on those rivals' wider competence. Recourse to versions of the past also offered orators a way of reflecting on a troubled contemporary geopolitical landscape in which Athens first confronted the enterprising Philip II of Macedon and then coped with Macedonian hegemony. The work covers the full range of Demosthenes' and Aeschines' surviving public speeches, and the extended opening chapter includes synoptic surveys of key individual topics which feed into the main discussion.

This new series aims to provide state of the art guides to research in Classical Studies (across the fields of Language and Literature, Ancient History, Archaeology, and Ancient Philosophy and Science) that explore the key themes and ideas shaping previous scholarship on individual authors, genres, and topics. Each volume is authored by a prominent scholar in the respective field and offers a critical reappraisal of research conducted in recent decades that illuminates the state of contemporary scholarship. With its paperback volumes, the series is perfectly designed to offer students and scholars reliable, stimulating guides to what really matters in important fields of classical research today, as well as suggestions for future lines of study.