Memories of the newsrooms of the "New York American" and the "Morning Telegraph" of the 1920s, recalling some of the personalities the author encountered.

The Manhattan skyline is one of the great wonders of the modern world. But how and why did it form? Much has been written about the city's architecture and its general history, but little work has explored the economic forces that created the skyline. In Building the Skyline, Jason Barr chronicles the economic history of the Manhattan skyline. In the process, he debunks some widely held misconceptions about the city's history. Starting with Manhattan's natural and geological history, Barr moves on to how these formations influenced early land use and the development of neighborhoods, including the dense tenement neighborhoods of Five Points and the Lower East Side, and how these early decisions eventually impacted the location of skyscrapers built during the Skyscraper Revolution at the end of the 19th century. Barr then explores the economic history of skyscrapers and the skyline, investigating the reasons for their heights, frequencies, locations, and shapes. He discusses why skyscrapers emerged downtown and why they appeared three miles to the north in midtown-but not in between the two areas. Contrary to popular belief, this was not due to the depths of Manhattan's bedrock, nor the presence of Grand Central Station. Rather, midtown's emergence was a response to the economic and demographic forces that were taking place north of 14th Street after the Civil War. Building the Skyline also presents the first rigorous investigation of the causes of the building boom during the Roaring Twenties. Contrary to conventional wisdom, the boom was largely a rational response to the economic growth of the nation and city. The last chapter investigates the value of Manhattan Island and the relationship between skyscrapers and land prices. Finally, an Epilogue offers policy recommendations for a resilient and robust future skyline.

A tale of two cities, both called 'New York'. The first is a real city, an urban agglomeration of millions. The second is a mythic city, so rich in memory and association and sense of place that to people everywhere it has come to seem real: the New York of films such as 42nd Street, Rear Window, King Kong, Dead End, The Naked City, Ghostbusters, Annie Hall, Taxi Driver, and Do the Right Thing. The dream city of the movies - created by more than a century of films, since the very dawn of the medium itself - may hold the secret to the glamour of its real counterpart. Here are the cocktail parties and power lunches, the subway chases and opening nights, the playground rumbles and observation-deck romances. Here is an invented Gotham, a place designed specifically for action, drama, and adventure, a city of bright avenues and mysterious sidestreets, of soaring towers and intimate corners, where remarkable people do exciting, amusing, romantic, scary things. Sanders takes the reader from the tenement to the penthouse, from New York to Hollywood and back again, from 1896 to the present, all the while showing how the real and mythic cities reflected, changed, and taught each other.

One of today's foremost art historians and critics presents a strikingly original view of architecture and the city through the twin lenses of cultural theory and psychoanalysis. In engaging a subject that has been of continuing interest to Damisch over the last 30 years, he develops a unique way of looking at the city and its architecture, the landscape and its spaces.

The story of eighty-two days on an island hell

Skyline is a vibrant novel set in contemporary times in a run-down block of flats in Long Street, central Cape Town. Through this novel, narrated by an adolescent girl, the book explores the lives of African refugees who come to South Africa seeking a new life and better place, having fled wars and poverty in their own countries. The narrator and her sister befriend a warm and caring refugee from Mozambique called Bernard. They help him battle the terrible sadness and loneliness his country's civil war has inflicted upon him. He in turn, along with others from Zimbabwe, Sudan and Congo, introduces the sisters to the music, wisdom and energy of Africa. There is sadness in this story, for it gives a hard look at the emotional carnage caused by war. But there is also hope and humour and friendship.

"ESSENTIAL READING FOR FANS OF JANE JACOBS, JOSEPH MITCHELL, PATTI SMITH, LUC SANTE AND CHEAP PIEROGI."--VANITY FAIR An unflinching chronicle of gentrification in the twenty-first century and a love letter to lost New York by the creator of the popular and incendiary blog Vanishing New York. For generations, New York City has been a mecca for artists, writers, and other hopefuls longing to be part of its rich cultural exchange and unique social fabric. But today, modern gentrification is transforming the city from an exceptional, iconoclastic metropolis into a suburbanized luxury zone with a price tag only the one percent can afford. A Jane Jacobs for the digital age, blogger and cultural commentator Jeremiah Moss has emerged as one of the most outspoken and celebrated critics of this dramatic shift. In Vanishing New York, he reports on the city’s development in the twenty-first century, a period of "hyper-gentrification" that has resulted in the shocking transformation of beloved neighborhoods and the loss of treasured unofficial landmarks. In prose that the Village Voice has called a "mixture of snark, sorrow, poeticism, and lyric wit," Moss leads us on a colorful guided tour of the most changed parts of town—from the Lower East Side and Chelsea to Harlem and Williamsburg—lovingly eulogizing iconic institutions as they’re replaced with soulless upscale boutiques, luxury condo towers, and suburban chains. Propelled by Moss’ hard-hitting, cantankerous style, Vanishing New York is a staggering examination of contemporary "urban renewal" and its repercussions—not only for New Yorkers, but for all of America and the world.

With the completion of the world's first skyscraper in Chicago in 1885, the modern city skyline was born. A result of American technology and ingenuity, the 180-foot steel-framed Home Insurance Building rose above the city, and Americans have been reaching higher ever since. From Boston, steeped in history, to Las Vegas, a modern mirage in the desert, to Honolulu, America's paradise, each city has its own story. 'Skylines' takes us cross country and back in time to witness the steady growth of our great nation-city by city. For even the most well-seasoned air traveller, a city emerging from beneath the clouds is a compelling sight. Though the perspective is different for those arriving in cars, trains, on bicycles, or on foot, the first view of a city is always memorable. Throughout history, cartographers and explorers, photographer and artists have produced meticulous panoramas of urban areas-from the decks of ships, aloft in hot-air balloons, or perched on the side of a high hill. This sumptuous volume showcases the skylines of 48 great American cities with the spectacular panoramic photographs of Blakeway World-wide Panoramas.James Blakeway and Chris Gjevre have travelled the world photographing cities and other major attractions, waiting for the perfect time to take to the skies and capture each subject at its best. Complementing these images are historical photographs and bird's-eye-view maps reflecting each city's distinct character. The book completes its spectacular tour with a well-travelled historian guiding the reader through each city, offering atmospheric written portraits to accompany the antique photos and stunning Blakeway panoramas.

Keown tracks the ups and downs of a California "melting pot" high-school basketball team and their dedicated, idealistic rookie coach.