A tale of two cities -- both called "New York." The first is a real city, an urban agglomeration of millions. The second is a mythic city, so rich in memory and association and sense of place that to people everywhere it has come to "seem real: the New York of such films such as "42nd Street, "Rear Window, "King Kong, "Dead End, "The Naked City, "Ghostbusters, "Annie Hall, "Taxi Driver, and" Do the Right Thing -- a magical city of the imagination that is as complex, dynamic, and familiar as its namesake of stone and steel. As James Sanders shows in this deeply original work, the dream city of the movies -- created by more than a century of films, from the very dawn of the medium itself -- may hold the secret to the allure and excitement of the actual place. Here are the cocktail parties and power lunches, the subway chases and opening nights, the playground rumbles and rooftop romances. Here is an invented Gotham, a place designed specifically for action, drama, and adventure, a city of bright avenues and mysterious side streets, of soaring towers and intimate corners, where remarkable people do exciting, amusing, romantic, scary things. Sanders takes us from the tenement to the penthouse, from New York to Hollywood and back again, from 1896 to the present, all the while showing how the real and mythic cities reflected, changed, and taught each other. Lavishly illustrated with scores of rare and unusual production images culled from Sanders's decade-long research in studio archives and private collections around the country, "Celluloid Skyline offers a new way to see not only America's greatest metropolis, but cities the world over.

Lavishly illustrated with scores of rare and unusual images culled from the author's decades-long research in film studio archives and private collections around the world, this magnificent work reveals how the New York of the movies was created and nourished both in Hollywood and on the streets of the great city itself. 330 photos.

Going beyond the process of adaptation, Geraghty is more interested in the films themselves and how they draw on our sense of recall. While a film reflects its literary source, it also invites comparisons to our memories and associations with other versions of the original. For example, a viewer may watch the 2005 big-screen production of Pride and Prejudice and remember Austen's novel as well as the BBC's 1995 television movie. Adaptations also rely on the conventions of genre, editing, acting, and sound to engage our recall--elements that many movie critics tend to forget when focusing solely on faithfulness to the written word.

Scenes from the City: Filmmaking in New York is a celebration of the rise of New York-shot films, particularly after the Mayor's Office of Film, Theatre and Broadcasting was formed in 1966. This revised and expanded edition, edited by James Sanders, includes a new decade of filmmaking in NYC, a section on women filmmakers and rare, behind-the-scenes shots directly from studio archives. It also explores the recent growth of the City's television industry with more episodic series being produced in New York City now than ever before. Today's the City's entertainment industry employs 130,000 New Yorkers and contributes more than $7 billion to the local economy each year.

From nineteenth-century paintings of fires raging through New York City to scenes of Manhattan engulfed by a gigantic wave in the 1998 movie Deep Impact, images of the city’s end have been prolific and diverse. Why have Americans repeatedly imagined New York’s destruction? What do the fantasies of annihilation played out in virtually every form of literature and art mean? This book is the first to investigate two centuries of imagined cataclysms visited upon New York, and to provide a critical historical perspective to our understanding of the events of September 11, 2001. Max Page examines the destruction fantasies created by American writers and imagemakers at various stages of New York’s development. Seen in every medium from newspapers and films to novels, paintings, and computer software, such images, though disturbing, have been continuously popular. Page demonstrates with vivid examples and illustrations how each era’s destruction genre has reflected the city’s economic, political, racial, or physical tensions, and he also shows how the images have become forces in their own right, shaping Americans’ perceptions of New York and of cities in general.

Examines how pre-modernist conceptions and social organizations of pleasure have impacted post-WWII film

Vertical will make you look at the world around you anew: this is a revolution in understanding your place in the world. Today we live in a world that can no longer be read as a two-dimensional map, but must now be understood as a series of vertical strata that reach from the satellites that encircle our planet to the tunnels deep within the ground. In Vertical, Stephen Graham rewrites the city at every level: how the geography of inequality, politics, and identity is determined in terms of above and below. Starting at the edge of earth's atmosphere and, in a series of riveting studies, descending through each layer, Graham explores the world of drones, the city from the viewpoint of an aerial bomber, the design of sidewalks and the hidden depths of underground bunkers.

WHO SAYS SECULAR PEOPLE CANT BE SPIRITUAL? What do cities mean to you? Excitement? Dreams and goals? Glamor? Escape? Danger? Romance? Artistically planned parks, zoos and museums? Shopping? Ohmygod skyscrapers and bridges? Gershwins Rhapsody in Blue? From Aristotle to Ayn Rand, writers have analyzed and gloried in cities as the greatest expression of Man the rational builder and inventor. Architecture, especially, makes the city the temple of Rational Man. Frederick Cookinham is a New York City tour guide, specializing in New Yorks colonial and Revolutionary history and in AYN RANDS NEW YORK. In THE AGE OF RAND Cookinham taught you to see the landscape through history glasses. Now learn to see cities through temple glasses. See the spiritual in the secular! Be uplifted by the sight of Mans achievements. Make the city your temple to Mans mind, and dont be afraid to get all Ayn Rand about it. Appreciate better the deeper meanings behind the concrete (and steel!) facts of where you live. Analysis and insight on Ayn Rands life and work, embedded in a guide to New Yorks architecture and public art, wrapped in a paean to cities: how they work and what they mean to us. Victor Niederhoffer, NYC Junto

Offers an inside look into the process of successfully developing thoughtful, innovative digital media. Using websites as case studies, each chapter introduces a different style of web project--from formalist play to social activisim to data visualization--and then includes the artists or entrepreneurs' reflections on the particular challenges and outcomes of developing that web project. Combining practical skills for web authoring with critical perspectives on the web, this book is ideal for courses in new media design, art, communication, critical studies, media and technology, or popular digital/internet culture.

For the first time in the history of the planet, more than half the population - 3.3 billion people - are now living in cities. Two hundred years ago only 3 per cent of the world's population were urbanites, a figure that had remained fairly stable (give or take the occasional plague) for about 1000 years. By 2030, 60 per cent of us will be urban dwellers. City is the ultimate handbook for the archetypal city and contains main sections on 'History', 'Customs and Language', 'Districts', 'Transport', 'Money', 'Work', 'Tourist Sites', 'Shops and markets', 'Nightlife', etc., and mini-essays on anything and everything from Babel, Tenochtitlán and Ellis Island to Beijing, Mumbai and New York, and from boulevards, suburbs, shanty towns and favelas, to skylines, urban legends and the sacred. Drawing on a wide range of examples from cities across the world and throughout history, it explores the reasons why people first built cities and why urban populations are growing larger every year. City is illustrated throughout with a range of photographs, maps and other illustrations.