Six narrations by slave women about their lives during and after their years in bondage, honoring the nobility and strength of African-American women of that era.

Six narrations by slave women about their lives during and after their years in bondage, honoring the nobility and strength of African-American women of that era.

Authentic recollections of hardship, frustration, and hope — from Mary Prince's groundbreaking account of a lone woman's tribulations and courage, to Annie Burton's eulogy of black motherhood.

The ten works collected in this volume demonstrate how a diverse group of writers challenged the conscience of a nation and laid the foundations of the African American literary tradition by expressing their in anger, pain, sorrow, and courage. Included in the volume: Narrative of the Most Remarkable Particulars in the Life of James Albert Ukawsaw Gronniosaw; Interesting Narrative of the Life of Olaudah Equiano; The Confessions of Nat Turner; Narrative of the Life of Frederick Douglass; Narrative of William W. Brown; Narrative of the Life and Adventures of Henry Bibb; Narrative of Sojouner Truth; Ellen and William Craft's Running a Thousand Miles for Freedom; Harriet Jacobs' Incidents in the Life of a Slave Girl and Narrative of the Life of J. D.Green. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

In these classic memoirs, three indomitable women share their stories of surviving slavery and fighting for the freedom of others. Behind the Scenes: Born into slavery, Elizabeth Keckley used her talents as a seamstress to buy her freedom and eventually became Mary Todd Lincoln’s dressmaker. Keckley and the first lady formed a close friendship as they endured tragedies together, including the deaths of their sons and the assassination of President Lincoln. Keckley’s autobiography is an intimate portrait of life inside the White House as well as the stirring story of one woman’s fight to rise above the horrors of enslavement. Incidents in the Life of a Slave Girl: From the age of six, Linda Brent grows up serving a gentle mistress who teaches her to read and write. But when she tragically dies, Linda’s lecherous new master makes her life a living hell. Unable to join her two young children in their escape to the North, Linda hides in the attic above her grandmother’s house. For seven years, she waits for the opportunity to reunite with her son and daughter in the land of freedom. But when the chance finally comes, Linda discovers she has yet more pain to endure. Based on the true story of Harriet Jacobs’s escape from the South, this is one of American literature’s most powerful indictments of the evils of slavery. The Narrative of Sojourner Truth: After escaping enslavement, Sojourner Truth sued for her son’s release—the first time in American history that a black woman brought a white man to court and won. From then on, she made it her life’s mission to free all those who were considered less than equal. A major force in the abolitionist and women’s rights movements, Truth inspired generations with her legendary “Ain’t I a Woman?” speech. She also personally met with President Lincoln in 1864. Her stirring memoir is a powerful testament to the resilience of the human spirit.

Four autobiographical narratives written by African-American women from 1853 to 1902.

Firsthand accounts of escapes from slavery in the American South include narratives by Frederick Douglass, Sojourner Truth, and Harriet Tubman as well as lesser-known travelers of the Underground Railroad.

This book concentrates on six neo-slave narratives written by late 20th and early 21st century black American women: Octavia Butler’s Kindred, Phyllis Alesia Perry’s Stigmata and A Sunday in June, Gayl Jones’ Corregidora, Joan California Cooper’s Family, and Athena Lark’s Avenue of Palms. It explores the process of re(-)membering of the black female characters in these novels, and shows how these authors manage to both write the transgenerational trauma of slavery and write through it, enabling black American women’s voices to be heard. This analysis of famous classics, as well as less-known books, demonstrates how black American women’s traumatic memory of slavery is inscribed in a transgenerational black female body. Conjuring up questions of narratology and intertextuality, it highlights how working-through takes the form of a narrativization of this traumatic memory by diverse means. This book also reflects upon the links between the collective and personal psyches by laying emphasis on the ineluctable intertwining of national history and individual destiny.

The groundbreaking, bestselling history of slavery, with a new foreword by Pulitzer Prize–winning historian Annette Gordon-Reed With the publication of the 1619 Project and the national reckoning over racial inequality, the story of slavery has gripped America’s imagination—and conscience—once again. No group of people better understood the power of slavery’s legacies than the last generation of American people who had lived as slaves. Little-known before the first publication of Remembering Slavery over two decades ago, their memories were recorded on paper, and in some cases on primitive recording devices, by WPA workers in the 1930s. A major publishing event, Remembering Slavery captured these extraordinary voices in a single volume for the first time, presenting them as an unprecedented, first-person history of slavery in America. Remembering Slavery received the kind of commercial attention seldom accorded projects of this nature—nationwide reviews as well as extensive coverage on prime-time television, including Good Morning America, Nightline, CBS Sunday Morning, and CNN. Reviewers called the book “chilling . . . [and] riveting” (Publishers Weekly) and “something, truly, truly new” (The Village Voice). With a new foreword by Pulitzer Prize–winning scholar Annette Gordon-Reed, this new edition of Remembering Slavery is an essential text for anyone seeking to understand one of the most basic and essential chapters in our collective history.

Fictionalized account of slave life in Kentucky.