Erika Bachiochi offers an original look at the development of feminism in the United States, advancing a vision of rights that rests upon our responsibilities to others. In The Rights of Women, Erika Bachiochi explores the development of feminist thought in the United States. Inspired by the writings of Mary Wollstonecraft, Bachiochi presents the intellectual history of a lost vision of women’s rights, seamlessly weaving philosophical insight, biographical portraits, and constitutional law to showcase the once predominant view that our rights properly rest upon our concrete responsibilities to God, self, family, and community. Bachiochi proposes a philosophical and legal framework for rights that builds on the communitarian tradition of feminist thought as seen in the work of Elizabeth Fox-Genovese and Jean Bethke Elshtain. Drawing on the insight of prominent figures such as Sarah Grimké, Frances Willard, Florence Kelley, Betty Friedan, Pauli Murray, Ruth Bader Ginsburg, and Mary Ann Glendon, this book is unique in its treatment of the moral roots of women’s rights in America and its critique of the movement’s current trajectory. The Rights of Women provides a synthesis of ancient wisdom and modern political insight that locates the family’s vital work at the very center of personal and political self-government. Bachiochi demonstrates that when rights are properly understood as a civil and political apparatus born of the natural duties we owe to one another, they make more visible our personal responsibilities and more viable our common life together. This smart and sophisticated application of Wollstonecraft’s thought will serve as a guide for how we might better value the culturally essential work of the home and thereby promote authentic personal and political freedom. The Rights of Women will interest students and scholars of political theory, gender and women’s studies, constitutional law, and all readers interested in women’s rights.

Deep in Our Hearts is an eloquent and powerful book that takes us into the lives of nine young women who came of age in the 1960s while committing themselves actively and passionately to the struggle for racial equality and justice. These compelling first-person accounts take us back to one of the most tumultuous periods in our nation’s history--to the early days of the Student Nonviolent Coordinating Committee (SNCC) and Students for a Democratic Society (SDS), the Albany Freedom Ride, voter registration drives and lunch counter sit-ins, Freedom Summer, the 1964 Democratic Convention, and the rise of Black Power and the women’s movement. The book delves into the hearts of the women to ask searching questions. Why did they, of all the white women growing up in their hometowns, cross the color line in the days of segregation and join the Southern Freedom Movement? What did they see, do, think, and feel in those uncertain but hopeful days? And how did their experiences shape the rest of their lives?

A groundbreaking collective biography narrating the history of emancipation through the life stories of women of African descent in the Americas.

In this richly detailed firsthand history of the contemporary Women's Liberation Movement (WLM), scholar-activist Carol Giardina argues against the prevalent belief that the movement grew out of frustrations over the male chauvinism experienced by WLM founders active in the Black Freedom Movement and the New Left. Instead, she contends, it was the ideas, resources, and skills that women gained in these movements that were the new and necessary catalysts for forging the WLM in the 1960s. Giardina uses a focused study of the WLM in Florida to tap into the common theory and history shared by a relatively small band of Women's Liberation founders across the country. Drawing on a wealth of interviews, autobiographical essays, organizational records, and published writings, Freedom for Women brings to light information that has been previously ignored in other secondary accounts about the leadership of African American women in the movement. It also explores activists' roots in other movements on the left. Comprehensive, serendipitous, and carefully formulated, Giardina's work is a vivid portrait of the people and events that shaped radical feminism.

Love of Freedom explores how black women in colonial and revolutionary New England sought not only legal emancipation from slavery but defined freedom more broadly to include spiritual, familial, and economic dimensions.

Women's equality is one of the great achievements of Western civilization. Yet most American women today do not consider themselves "feminists." Why is the term that describes one of the great chapters in the history of freedom in such disrepute? In Freedom Feminism: Its Surprising History and Why It Matters Today, Christina Hoff Sommers seeks to recover the lost history of American feminism by introducing readers to conservative feminism's forgotten heroines. More importantly, she demonstrates that a modern version of conservative feminism -- in which women are free to employ their equal status to pursue happiness in their own distinctive ways -- holds the key to a feminist renaissance. Freedom Feminism is a primer in the Values & Capitalism series intended for college students.

The contributors to this important new collection offer a vision of contemporary feminism that runs counter to and goes beyond the dominant attitudes of the feminist orthodoxy. Basing their arguments on individual rights and personal responsibility, the contributors offer surprising views on a wide range of issues that confront modern woman. Published in association with The Independent Institute.

Women, Art, Freedom offers an insightful look at the 2022 Woman, Life, Freedom uprising in Iran, sparked by the tragic murder of Jina Mahsa Amini at the hands of the “morality police” for violating hijab rules. Beyond its feminist undertones and the remarkable courage of the young protesters, what sets this uprising apart from previous ones is the abundant and diverse art it has inspired. This book, rather than merely analyzing the artworks that garnered attention on social media platforms, brings to light lesser-known grassroots artistic movements that played a crucial role within their immediate local communities. Engaging with primarily Iran-based artists, it uncovers their role in shaping guerrilla interventions and street occupations and in articulating distinct forms of peaceful civil disobedience. By drawing on a broad spectrum of historical and theoretical sources, this book further reveals the origins and inspirations of Iran’s protest art. Focusing mainly on the interconnections between the public sphere, women’s bodies, and feminist viewpoints, Women, Art, Freedom underscores the vital role of artists in championing global justice and equality.

The Revolution in Rojava captured the imagination of the Left sparking a worldwide interest in the Kurdish Freedom Movement. The Art of Freedom demonstrates that this explosive movement is firmly rooted in several decades of organized struggle. In 2018, one of the most important spokespersons for the struggle of Kurdish Freedom, Havin Guneser, held three groundbreaking seminars on the historical background and guiding ideology of the movement. Much to the chagrin of career academics, the theoretical foundation of the Kurdish Freedom Movement is far too fluid and dynamic to be neatly stuffed into an ivory-tower filing cabinet. A vital introduction to the Kurdish struggle, The Art of Freedom is the first English-language book to deliver a distillation of the ideas and sensibilities that gave rise to the most important political event of the twenty-first century. The book is broken into three sections: “Critique and Self-Critique: The rise of the Kurdish freedom movement from the rubbles of two world wars” provides an accessible explanation of the origins and theoretical foundation of the movement. “The Rebellion of the Oldest Colony: Jineology—the Science of Women” describes the undercurrents and nuance of the Kurdish women’s movement and how they have managed to create the most vibrant and successful feminist movement in the Middle East. “Democratic Confederalism and Democratic Nation: Defense of Society Against Societycide” deals with the attacks on the fabric of society and new concepts beyond national liberation to counter it. Centering on notions of “a shared homeland” and “a nation made up of nations,” these rousing ideas find deep international resonation. Havin Guneser has provided an expansive definition of freedom and democracy and a road map to help usher in a new era of struggle against capitalism, imperialism, and the State.

In a sweeping analysis of religion in the post-Civil War and twentieth-century South, Freedom's Coming puts race and culture at the center, describing southern Protestant cultures as both priestly and prophetic: as southern formal theology sanctified dominant political and social hierarchies, evangelical belief and practice subtly undermined them. The seeds of subversion, Paul Harvey argues, were embedded in the passionate individualism, exuberant expressive forms, and profound faith of believers in the region. Harvey explains how black and white religious folk within and outside of mainstream religious groups formed a southern "evangelical counterculture" of Christian interracialism that challenged the theologically grounded racism pervasive among white southerners and ultimately helped to end Jim Crow in the South. Moving from the folk theology of segregation to the women who organized the Montgomery bus boycott, from the hymn-inspired freedom songs of the 1960s to the influence of black Pentecostal preachers on Elvis Presley, Harvey deploys cultural history in fresh and innovative ways and fills a decades-old need for a comprehensive history of Protestant religion and its relationship to the central question of race in the South for the postbellum and twentieth-century period.