A scholarly study of Sir Robert Cotton as antiquary and politician. It examines his antiquarian writings, the building of his library, his relations with European scholars, his place at court, in parliament, and in the literary society of Renaissance London.

This volume provides a wide-ranging account of the development and importance of private libraries and book ownership through the seventeenth century, based upon many kinds of evidence, including examination of thousands of books, and a list of over 1,300 known owners from diverse backgrounds. It considers questions of evolution, contents and size, and motives for book ownership, during a century when growing markets for both new and second-hand books meant that books would be found, in varying numbers, in the homes of all kinds of people from the humble to the wealthy. Book ownership by women, and by non-professional households, is explicitly explored. Other topics include the balance of motivation between books for use, or for display; the relationship between libraries and museums; and cultures of collecting. While presenting a wealth of information in this field, conveniently brought together, this volume also advances methodologies for book history, and makes extensive use of material evidence such as bookbindings. It challenges received wisdom around priorities for studying private libraries, and the terminology which is appropriate to use. In addition, the list of owners, detailed in the Appendix, make this book a work of permanent reference, alongside its value in advancing book history.

This book challenges the general assumption that William Shakespeare was the sole author of Hamlet. It is maintained that the plot line and the characters were drawn up by someone else. This someone is thought to have been a person of high rank, a feudal prince, in the Elizabethan society. Being a nobleman whose constant presence at Court was expected, he must have been familiar with life, gossip and intrigues of the Court. Furthermore, he had knowledge about the Danish court and Elsinore, probably imparted to him by envoys who had visited Elsinore. The scene of the play is Elsinore, but it mirrors the English court. In Elsinore is revisited we walk in the footsteps of the Queens envoys to see if we can discover how and why the site of Elsinore entered into the play and we meet men like Ramelius alias Polonius, but also Rosencrantz and Guildenstern who all entered the portrait gallery of famous characters in world literature. The purpose of Revisiting Elsinore has been to find a key to unveil the secret co-author of Hamlet. This has been done partly by a renewed reading of some primary and secondary sources, partly by discovery of an hitherto overlooked or neglected primary source.

First published in 1982, Northampton is a modern study of Henry Howard, Earl of Northampton, privy councillor to James I. Dr. Peck convincingly challenges the traditional eminence grise who stirred factional strife at court, undermined relations between king and parliament, and stopped at nothing, including murder, to secure his family’s advancement. Drawing extensively on Northampton’s papers, Dr. Peck offers a more balanced assessment of this important Jacobean courtier who shaped policy and pursued administrative reform as avidly as he sought his own patronage and profit. Unlike traditional biographies, this study is organized topically in order to examine larger issues of policy making and administration in the Jacobean period. This book will be of interest to specialists in Stuart studies, to historians of England, to social scientists concerned with development of early bureaucracy, and all those with a more general interest in Tudor Stuart history.

Edward VI was the son of Henry VIII and his second wife, Jane Seymour. He ruled for only six years (1547-1553) and died at the age of sixteen. But these were years of fundamental importance in the history of the English state, and in particular of the English church. This new biography reveals for the first time that, despite his youth, Edward had a significant personal impact. Jennifer Loach draws a fresh portrait of the boy king as a highly precocious, well educated, intellectually confident, and remarkably decisive youth, with clear views on the future of the English church. Loach also offers a new understanding of Edward’s health, arguing that the cause of his death was a severe infection of the lungs rather than tuberculosis, the commonly accepted diagnosis. The author views Edward not as a sickly child but as a healthy and vigorous boy, devoted to hunting and tournaments like any young aristocrat of the day. This book tells the story of the monarch and of his time. It supplies the dramatic context in which the short reign of Edward VI was played out—the momentous religious changes, factional fights, and popular risings. And it offers vivid details on Edward’s increasing absorption in politics, his consciousness of his role as supreme head of the English church, his determination to lay the foundation for a Protestant regime, and how his failure in this ambition brought England to the brink of civil war.

In this major reassessment of his subject, Richard Rowland restores Thomas Heywood-playwright, miscellanist and translator-to his rightful place in early modern theatre history. Rowland contextualizes and historicizes this important contemporary of Shakespeare, locating him on the geographic and cultural map of London through the business Heywood conducts in his writing. Arguing that Heywood's theatrical output deserves the same attention and study that has been directed towards Shakespeare, Jonson, and more recently Middleton, this book looks at three periods of Heywood's creativity: the end of the Elizabethan era and the beginning of the Jacobean, the mid 1620s, and the mid to late 1630s. By locating the works of those years precisely in the political and cultural conflicts to which they respond, Rowland initiates a major reassessment of the remarkable achievements of this playwright. Rowland also pays attention to Heywood in performance, seeing this writer as a jobbing playwright working in an industry that depended on making writing work. Finally, the author explores how Heywood participated in the civic life of London in his writings beyond the playhouse. Here Rowland examines pamphlets, translations, and the sequence of lord mayor's pageants that Heywood produced as the political crisis deepened. Offering close readings of Heywood that establish the range, quality and theatrical significance of the writing, Thomas Heywood's Theatre, 1599-1639 fits a fascinating piece into the emerging picture of the 'complete' early modern English theatre.

Publisher Description

This book presents a comprehensive account of what is known about the four poems commonly ascribed to the Gawain poet.