Publisher Description

This book is about the complex ways in which science and literature are mutually-informing and mutually-sustaining. It does not cast the literary and the scientific as distinct, but rather as productively in-distinct cultural practices: for the two dozen new essays collected here, the presiding concern is no longer to ask how literary writers react to scientific writers, but rather to study how literary and scientific practices are imbricated. These specially-commissioned essays from top scholars in the area range across vast territories and produce seemingly unlikely unions: between physics and rhetoric, math and Milton, Boyle and the Bible, plague and plays, among many others. In these essays so-called scientific writing turns out to traffic in metaphor, wit, imagination, and playfulness normally associated with literature provides material forms and rhetorical strategies for thinking physics, mathematics, archeology, and medicine.

Kevin Killeen addresses one of the most enigmatic of seventeenth century writers, Thomas Browne (1605-1682), whose voracious intellectual pursuits provide an unparalleled insight into how early modern scholarly culture understood the relations between its disciplines. Browne's work encompasses biblical commentary, historiography, natural history, classical philology, artistic propriety and an encyclopaedic coverage of natural philosophy. This book traces the intellectual climate in which such disparate interests could cohere, locating Browne within the cultural and political matrices of his time. While Browne is most frequently remembered for the magnificence of his prose and his temperamental poise, qualities that knit well with the picture of a detached, apolitical figure, this work argues that Browne's significance emerges most fully in the context of contemporary battles over interpretative authority, within the intricately linked fields of biblical exegesis, scientific thought, and politics. Killeen's work centres on a reassessment of the scope and importance of Browne's most elaborate text, Pseudodoxia Epidemica, his vast encyclopaedia of error with its mazy series of investigations and through this explores the multivalent nature of early-modern enquiry.

Early modern thought was haunted by the unknowable character of the fallen world. The sometimes brilliant and sometimes baffling fusion of theological and scientific ideas in the era, as well as some of its greatest literature, responds to this sense that humans encountered only an incomplete reality. Ranging from Paradise Lost to thinkers in and around the Royal Society and commentary on the Book of Job, The Unknowable in Early Modern Thought explores how the era of the scientific revolution was in part paralyzed by and in part energized by the paradox it encountered in thinking about the elusive nature of God and the unfathomable nature of the natural world. Looking at writers with scientific, literary and theological interests, from the shoemaker mystic, Jacob Boehme to John Milton, from Robert Boyle to Margaret Cavendish, and from Thomas Browne to the fiery prophet, Anna Trapnel, Kevin Killeen shows how seventeenth-century writings redeployed the rich resources of the ineffable and the apophatic—what cannot be said, except in negative terms—to think about natural philosophy and the enigmas of the natural world.

For many years, scholarship on Thomas Browne (1605-1682) saw him as tangential to his period’s thought and writing: an obscure and quaint stylist, detached from the turbulence of mid-seventeenth century England. This volume contributes to the current reevalution of Browne’s involvement in his times: identifying his political commitments, milieu, reading, and readers. The essays collected in this volume place Browne’s works in unexpected contexts – in Holland, Poland and Germany, in Restoration politics, in publishing history and medical theory. It presents new research into his reputation in the later seventeenth century, his manuscripts, medical dissertation, association with the Hartlib circle and habits of revision. Essays on familiar works place them in new light, while readings of his letters, notebooks, and lesser works broaden our understanding of Browne as a writer. The result is a fuller picture of Browne’s significance in seventeenth-century European culture. Contributors include: Eric Achermann, Hugh Adlington, Reid Barbour, Harm Beukers, Siobhán Collins, Louise Denmead, Karen Edwards, Doris Einsiedel, Kevin Killeen, Mary Ann Lund, Philip Major, Antonia Moon, Kathryn Murphy, Brent Nelson, and Claire Preston.

Doctor, linguist, scientist, natural historian, and writer of what is probably the most remarkable prose in the English language, Sir Thomas Browne was a virtuoso in learning whose many interests form a representative portrait of his age. To understand the period which we more usually refer to as the Civil War, the Restoration, or the Scientific Revolution, we need to understand parts of the intellectual and spiritual background that are often neglected and which Browne magnificently figures forth. This collection of essays about all aspects of Thomas Browne's work and thought is the first such volume to appear in 25 years. It offers the specialist and the student a wide-ranging array of essays by an international team of leading scholars in seventeenth-century literary studies who extend our understanding of this extremely influential and representative early-modern polymath by embracing recent developments in the field, including literary-scientific relations, the development of Anglican spirituality, civil networks of intellectual exchange, the rise of antiquarianism, and Browne's own legacy in modern literature.

In this book, Gavin Francis writes about the resonance for him as a medic in reading the work of early modern polymath Sir Thomas Browne. Sir Thomas Browne (1605-1682) was an English physician, wordsmith, and polymath who contributed hundreds of words to the English language (such as medical, electricity, migrant, and computer). After studying medicine in Montpellier, Padua, and Leiden, he settled in Norwich, where he practised as a doctor and wrote some of the greatest books of the seventeenth century, still read for their accessibility and eloquence. In Sir Thomas Browne: The Opium of Time, Dr Gavin Francis examines Browne's work through a variety of themes: ambiguity, curiosity, vitality, piety, humility, misogyny, mobility, and mortality. He argues that the work has lost little of its power and wisdom, and none of its beauty. Religio Medici ('Religion of the Doctor') examined the vexed question of faith in a God who, to a physician, seemed indifferent to suffering. Pseudodoxia Epidemica ('Vulgar Errors') gave free rein to an agile curiosity and sought to debunk notions then commonly believed, such as that dead kingfishers indicate the direction of the wind, or that a woman could get pregnant from sharing a bath with a man. Urne Buriall was Browne's meditation on mortality, occasioned by a find of funerary urns, while Museum Clausum ('Hidden Museum') sets out a series of thought experiments and counterfactuals, such as how history might have been different had Alexander the Great marched west instead of east. Gavin Francis draws on his own experiences as a twenty-first century writer and doctor to discover that although many centuries separate him from Browne, they share a fundamental curiosity about the world and about people.

The Oxford Handbook of English Prose 1500-1640 is the only available overview of early modern English prose writing. It considers the range and variety of the substance and types of English prose, and also analyses the forms and styles of writing adopted in the early modern period.

In the seventeenth century the ancient hope for the physical resurrection of the body and its flesh began an unexpected second life as critical theory, challenging the notion of an autonomous self and driving early modern avant-garde poetry. As an emerging empirical scientific world view and a rising Cartesian dualist ontology transformed the ancient hope for the resurrection of the flesh into the fantasy of a soul or mind living on separately from any body, literature complicated the terms of the debate. Such poets as Donne, Herbert, Vaughan, and Jonson picked up the discarded idea of the resurrection of the flesh and bent it from an apocalyptic future into the here and now to imagine the self already infused with the strange, vibrant materiality of the resurrection body. Fate of the Flesh explores what happens when seventeenth-century poets posit a resurrection body within the historical person. These poets see the resurrection body as the precondition for the social person’s identities and forms of agency and yet as deeply other to all such identities and agencies, an alien within the self that both enables and undercuts life as a social person. This perspective leads seventeenth-century poets to a compelling awareness of the unsettling materiality within the heart of the self and allows them to re-imagine agency, selfhood, and the natural world in its light. By developing a poetics that seeks a deranging materiality within the self, these poets anticipate twentieth-century “avant-garde” poetics. They frame their poems neither as simple representation nor as beautiful objects but as a form of social praxis that creates new communities of readers and writers assembled around a new experience of self-as-body mediated by poetry.

Borges once stated that he had never created a character: 'It's always me, subtly disguised'. This book focuses on the ways in which Borges uses events and experiences from his own life, in order to demonstrate how they become the principal structuring motifs of his work. It aims to show how these experiences, despite being 'heavily disguised', are crucial components of some of Borges's most canonical short stories, particularly from the famous collections Ficciones and El Aleph. Exploring the rich tapestry of symmetries, doubles and allusions and the roles played by translation and the figure of the creator, the book provides new readings of these stories, revealing their hidden personal, emotional and spiritual dimensions. These insights shed fresh light on Borges's supreme literary craftsmanship and the intimate puzzles of his fictions.