Dive into this no-holds-barred group autobiography of the critically acclaimed feminist punk-rock group, The Lunachicks—featuring never-before-seen materials from the band's private archive. Fallopian Rhapsody: The Story of the Lunachicks is a coming-of-age tale about a band of NYC teenagers who forged a sisterhood, found salvation, and fervently crashed the gates of punk rock during the '90s, accidentally becoming feminist icons along the way. More than that, this is a story about the enduring friendship among the book's three central voices: Theo Kogan, Sydney Silver, and Gina Volpe. They formed the Lunachicks at LaGuardia High School (of "Fame" fame) in the late '80s and had a record deal with Blast First Records as teenagers, whisked into the studio by Kim Gordon and Thurston Moore. Over the course of thirteen-ish years, the Lunachicks brought their brand of outrageous hard-rockin' rebelliousness around the world countless times, simultaneously scaring conservative onlookers and rescuing the souls of wayward freaks, queers, and outcasts.Their unforgettable costume-critiques of pop culture were as loud as their "Marsha[ll]" amps, their ferocious tenacity as lasting as their pre-internet mythology. They toured with bands like the Go-Go's, Marilyn Manson, No Doubt, Rancid, and The Offspring; played the Reading Festival with Nirvana; and rocked the main stage at the Warped tour twice. Yet beneath all the makeup, wigs, and hilarious outfits were three women struggling to grow into adulthood under the most unorthodox of conditions. Together onstage they were invincible B-movie superheroes who kicked heaps of ass—but apart, not so much. Depression, addiction, and identity crises loomed overhead, not to mention the barrage of sexist nonsense they faced from the music industry. Filled with never-before-seen photos, illustrations, and ephemera from the band's private archive, and featuring contributions from Lunachicks drummer Chip English, founding member Sindi B., and former bandmate Becky Wreck, Fallopian Rhapsody is a bawdy, gripping, warts-and-all account of how these city kids relied on their cosmic creative connection to overcome internal strife and external killjoys, all the while empowering legions of fans to shoot for the moon. For readers of Carrie Brownstein's Hunger Makes Me a Modern Girl, Kim Gordon's Girl in a Band, and Chrissie Hynde's Reckless, Fallopian Rhapsody is the literary equivalent of diving headfirst into a moshpit and slowly but surely venturing up to the front of the stage.

It's Christmas Day and Sindi has been invited to her friend's stunning new apartment for dinner. She finds herself in the elevator with a handsome man in a blue cotton suit. Their impromptu kiss under the mistletoe ignites unanticipated desire. Edward - urbane, successful and effortlessly charming - is determined to win Sindi over. But Sindi, a spirited, independent woman, is focused on rebuilding her life after a disastrous break-up. Edward is the last thing she needs. Or so she thinks. When Edward turns up at her office, Sindi has no choice but to work for him on a big and important project. And it's not long before they are sharing much more than a kiss beneath the mistletoe... A steamy romance set in the beautiful city of Cape Town, The Elevator Kiss is a tale of love between an ambitious young woman and her irresistible man.

When Hairy decides to snoop inside a delivery van, he's in for a chaotic adventure. Has Hairy ever caused such havoc? 'Stop this shemozzle, this hullabaloo! Scarper, skedaddle, BE OFF WITH YOU – SHOO!' When Hairy Maclary decides to snoop inside a parked delivery van, he's in for a madcap adventure. After a rattling, roaring ride, and finding himself far from home, he desperately tries to get back to the Dairy – creating havoc and incurring the wrath of shopkeepers, schoolteachers and passers-by along the way. Has Hairy ever caused such mayhem? Thank goodness for Miss Plum, who once again steps in to save the day!

In this comprehensive overview of Man’s relationship with his planet’s nearest neighbor, David Harland opens with a review of the robotic probes, namely the Rangers which returned television before crashing into the Moon, the Surveyors which 'soft landed' in order to investigate the nature of the surface, and the Lunar Orbiters which mapped prospective Apollo landing sites. He then outlines the historic landing by Apollo 11 and the final three missions of comprehensive geological investigations. He concludes with a review of the robotic spacecraft that made remote-sensing observations of the Moon. This Commemorative Edition includes a foreword by one of the original astronauts as well as an extra section reviewing the prospect of renewed exploration there. New graphics and images are also included.

'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.

A Story A Day includes exactly 365 stories, fables and myths have been beautifully retold. Much loved classics, legends from faraway places, and famous chracters make this a collection to cherish. Each page is lavishly illustrated. Includes traditional favourites such as The Hare and the Tortoise, Cinderella and The Little Mermaid.

Family secrets run deep for Grace, a young girl growing up in Cape Town during the 1980s, spilling over into adulthood, and threatening to ruin the respectable life she has built for herself. When an old childhood friend reappears, Grace’s memories of her childhood come rushing back, and she is confronted, once again, with the loss that has shaped her. She has to face up to the truth or continue to live a lie - but the choice is not straightforward. Grace is an intimate portrayal of violence, both personal and political, and its legacy on one person’s life. It meditates on the long shadow cast by personal trauma, showing the inter-generational imprint of violence and loss on people’s lives.