&"As an old admirer of Cyril Smith, I'm delighted to learn that a collection of his essays on the arts will be published. They are a unique body of work which only he could have produced.&" &-Meyer Schapiro Science, art, and history all share common or analogous patterns of hierarchical order that are embedded into the structure of the material world as well. This is a central insight of these essays by a generalist who has also spent a lifetime working in his specialty, the nature of materials. To Cyril Stanley Smith, the transformation of metals from one state to another, or the contrasts at one level that merge through repetition into uniformity at a higher level, carries solid metaphorical implications for the human condition. Cyril Stanley Smith's own expansion of outlook to encompass successively technology, science, history, and art is loosely implicit in the chronological ordering of the fourteen essays included in this volume and explicitly developed in one of them that &"comes as close to an autobiography as I am ever likely to write&" and traces the evolution of Smith's ideas on science and art. Trained as an industrial metallurgist, Smith turned to the purely scientific study of the structure of metals and alloys after his experience at Los Alamos during World War II, drawn in part by his delight in the intrinsic beauty of these structural manifestations of symmetry and natural design. A growing interest in the history of the science and technology of materials led him to consult the artifactual evidence&-the art objects in museums that either greatly predate written historical records or provide, through scientific examination, more reliable information than do the surviving documents of their period. This direct contact with fine or formal art only reinforced Smith's intuition that the aesthetic impulse is at play over the full range of human activity, whether it leads to the making of a bronze sculpture, a scientific theory, or a social reorganization. A variety of investigations of art objects is cited in the text, and the author regards the accompanying illustrations to be as important as the text. In particular, the essays make the case that historically many advances and discoveries regarding metals and ceramics came about through aesthetic curiosity and the desire to improve works of fine and decorative art, rather than through scientific investigation or in response to the need for products having practical utility. Many techniques and even whole industries, Smith writes, began with the making and reproduction of art works. Other essays deal with the emerging understanding of the remarkable properties of steel, the positive uses of corrosion, ancient casting and molding techniques, and the connection between attempts to reproduce oriental porcelain in Europe and modern geological ideas. Still others are more philosophical in approach.

This book argues against the existence of complementation in colloquial Indonesian, and discusses the ramifications of these findings for a discourse-functional understanding of grammatical categories and linguistic structure. Based on a close analysis of a corpus of spontaneous conversational Indonesian data, the author examines four construction types which express what is often encoded by complements in other languages: juxtaposed clauses, material introduced by the discourse marker bahwa, serial verbs, and epistemic expressions with the suffix -nya. These four construction types offer no evidence to support complementation as a viable grammatical category in colloquial spoken Indonesian. Rather, they are best understood as emergent, discourse-level phenomena, arising from the interactive and communicative goals of language users. The lack of evidence for complementation in colloquial Indonesian reaffirms the need to understand linguistic structure as language-particular and diverse, and emphasizes the centrality of studying linguistic categories based on their actual occurrence in natural discourse.

Advances in Strategic Management is dedicated to communicating innovative, new research that advances theory and practice in Strategic Management. This volume focuses on organization design and collaborative ways of working.

This book argues against the existence of complementation in colloquial Indonesian, and discusses the ramifications of these findings for a discourse-functional understanding of grammatical categories and linguistic structure. Based on a close analysis of a corpus of spontaneous conversational Indonesian data, the author examines four construction types which express what is often encoded by complements in other languages: juxtaposed clauses, material introduced by the discourse marker bahwa, serial verbs, and epistemic expressions with the suffix -nya. These four construction types offer no evidence to support complementation as a viable grammatical category in colloquial spoken Indonesian. Rather, they are best understood as emergent, discourse-level phenomena, arising from the interactive and communicative goals of language users. The lack of evidence for complementation in colloquial Indonesian reaffirms the need to understand linguistic structure as language-particular and diverse, and emphasizes the centrality of studying linguistic categories based on their actual occurrence in natural discourse.

Searching for Structure in Pottery Analysis addresses the theoretical and methodological imperatives involved in (re)integrating descriptive, structural, and compositional analytical methods in a series of contributions from a diverse group of experts in archaeological pottery. Drawing on the life's work of materials scientist Cyril Stanley Smith (The Search For Structure, MIT Press, 1981), a pioneering materials scientist who brought an important focus on structure to studies of a variety of archaeological materials, the contributors focus on those forms of analysis which investigate structural characteristics of ceramics and the methodologies that link such structural characteristics with the typological and compositional data that compose the majority of evidence in contemporary ceramic analyses. The chapters include essays organized into two sections: the first focuses on how the practices of ceramic production and the structures they generate enable inferences about the social relations between producers and consumers of pottery; and the second focuses on the role structure plays in the refraction and maintenance of different forms of social grouping and identity. These two themes serve as orienting foci for a broad set of heuristic and technical tools that have the potential to alter how archaeologists extract and identify the social information captured in the multifarious properties of pottery and transform contemporary understandings of the different roles ceramics played in past societies.

"Francis Iannni . . . has drawn upon over 1500 hours of listening to 300 adolescents, studied over a period of ten years, to weave a mosaic of insights into the protean nature of adolescence".--Edmund W. Gordon, Yale University.

Smart leaders know that they would greatly increase productivity and innovation if only they could get everyone fully engaged. So do professors, facilitators and all changemakers. The challenge is how. Liberating Structures are novel, practical and no-nonsense methods to help you accomplish this goal with groups of any size. Prepare to be surprised by how simple and easy they are for anyone to use. This book shows you how with detailed descriptions for putting them into practice plus tips on how to get started and traps to avoid. It takes the design and facilitation methods experts use and puts them within reach of anyone in any organization or initiative, from the frontline to the C-suite. Part One: The Hidden Structure of Engagement will ground you with the conceptual framework and vocabulary of Liberating Structures. It contrasts Liberating Structures with conventional methods and shows the benefits of using them to transform the way people collaborate, learn, and discover solutions together. Part Two: Getting Started and Beyond offers guidelines for experimenting in a wide range of applications from small group interactions to system-wide initiatives: meetings, projects, problem solving, change initiatives, product launches, strategy development, etc. Part Three: Stories from the Field illustrates the endless possibilities Liberating Structures offer with stories from users around the world, in all types of organizations -- from healthcare to academic to military to global business enterprises, from judicial and legislative environments to R&D. Part Four: The Field Guide for Including, Engaging, and Unleashing Everyone describes how to use each of the 33 Liberating Structures with step-by-step explanations of what to do and what to expect. Discover today what Liberating Structures can do for you, without expensive investments, complicated training, or difficult restructuring. Liberate everyone's contributions -- all it takes is the determination to experiment.

WINNER of the 2017 Firecracker Award for Nonfiction from CLMP A collection of linked essays concerned with the life and mind of the writer by one of the most original voices in contemporary literature. Each essay takes a day as its point of inquiry, observing the body as it moves through time, architecture, and space, gradually demanding a new logic and level of consciousness from the narrator and reader.