What is most striking about Samantha Louise Michelle Fiddler is not how much attention she has received to date, but how little. Fiddler, a Canadian wrestler and model, was last officially seen in Central Florida on November 19, 2016. Before her last documented sighting, she frequently spoke to her three young children in Alberta.Samantha (b. 1987) was the girlfriend of Canadian wrestler Edward Ellsworth Annis, also known as Teddy Hart. He is a member of the multi-generation Hart wrestling family via his mother Georgia. Fiddler began her training under him in Alberta, and he eventually brought her to Florida to continue her instruction. In Orlando, she trained at Chasyn Rance's gym, Team Vision Dojo, and Alex "The Pug" Pourteau's gym, Pro Wrestling 2.0. Due to the secrecy in some portions of that city's wrestling industry and the altered names used daily by some persons in it, it is unclear if Fiddler was aware of past accusations regarding her trainers and peers. Notwithstanding the active social media and public presences of her Florida-based coaches and fellow athletes, it appears that none publicly showed concern or remarked on Fiddler's disappearance. Their collective silence is puzzling, as it seems that the wrestler was well-liked. It is rumored that Chasyn Rance uses his Team Vision gym located in Orlando's BMZ Partnership/Nar-Vista Commerce Center, and his Waterford Trails neighborhood home, for the unlicensed production of sadistic chloroform-themed adult videos for private customers using the aliases Chase Sinn and John Michaels. Annis (b. 1980) appears in the videos as Teddy Trouble. Considering Rance's and Hart's asserted "womanizing" images, it is notable that they perform in some shoots with gay themes. A church is a close neighbor in the complex.In addition to the private recordings sold to individual customers, Team Vision's space, located a mere half-hour from Walt Disney World, is reportedly used to produce hundreds of unlicensed specialty videos that are readily available on several pay websites. Among categories available are Ball Bashing, Chain, 3-way, College Guy, Armpit, Dog Collar, Bald, Hair Pulling, Feet, Forced 2 Flex, Gut Bash, Military, Headscissors, Knocked Out, Black, Mat Rats, Rope, Smooth, Spanking, Tickle, Vampire and Unleashed. Also available for paying customers are "1-on-1 Wrestling Sessions" and "Meet-and-Greets" with the titillating performers. Used gear worn by the sweaty actors is available for purchase. Conceivably, the "Happiest Place on Earth" has many meanings in Orange County. Fiddler is of Cree ethnicity. According to the US Department of Justice, Native American women are up to 10 times more likely than other demographics to be murdered. They are also drastically more likely to be victims of sex trafficking, abduction, sexual assault and domestic violence. Statistics regarding indigenous women in Canada reveal that they are also at significantly higher risks to be victims of these crimes. This book is inappropriate for children due to descriptions of homicide, sexual assault, domestic violence, adult videos and other sensitive issues.The author, editors, publisher and distributor do not allege or imply that any of the persons or businesses named or in supplementary photos or graphics were linked to Samantha Fiddler's disappearance or current criminal activity. The author and associated parties have retained legal counsel and are prepared to aggressively defend the right to publish this material.Net profits from the sales of the Kindle e-book will be donated to Rape, Abuse & Incest National Network (RAINN). For more information about RAINN, please visit www.rainn.org.If you have a tip regarding Samantha Fiddler's disappearance, please call your local or Federal law enforcement department, Central Florida Crime Stoppers at 800-423-TIPS or Bartow Police Department Detective Cody Vaughn at 863-534-5034. You can ask to remain anonymous.

Artist Raphael Soyer (1899-1987), whose Russian Jewish family settled in Manhattan in 1912, was devoted to painting people in their everyday urban lives. He came to be known especially for his representations of city workers and the down-and-out, and for his portraits of himself and his friends. Although Soyer never identified himself as a "Jewish artist," Samantha Baskind, in the first full-length critical study of the artist, argues that his work was greatly influenced by his ethnicity and by the Jewish American immigrant experience. Baskind examines the painter's art and life in the rich context of religious, cultural, political, and social conditions in the twentieth-century United States. By promoting an understanding of Soyer as a Jewish American artist, she addresses larger questions about the definition and study of modern Jewish art. Whereas previous scholars have defined Jewish art simply as art produced by people who were born Jewish, Baskind stresses the importance of an artist's cultural identity when defining ethnic art. As Baskind explains how Soyer negotiated his Jewish identity in changing ways over his lifetime, she offers new strategies for identifying and interpreting Jewish art in general. Her analysis of Soyer's work places the artist in a necessary context and provides a valuable new approach to the study of modern Jewish art.

A look inside Off-Broadway's Fiddler on the Roof in Yiddish, the ground-breaking, award-winning musical. Samantha Hahn, the youngest member of the cast, tells the story of how "Yiddish Fiddler" came to be. Samantha has interviewed the cast, crew, and creative team - each with a unique take on the show and the impact it has had on their lives - for a behind-the-scenes look at what makes "Yiddish Fiddler" so special. On the Roof takes the reader on a never before seen journey - from rehearsals that end in tears and screaming in elevators, to the beautiful bonds between company members as strangers turn into family. "When we opened, something sort of miraculous happened. There we were - a hit. Our youngest member has written this altogether delightful recounting of the experience. Samantha Hahn is not only a gifted performer but a delightful documentarian; she takes you through our auditions, rehearsals, backstage life, mishaps, and relationships, and shares stories and intimate thoughts from the entire team. Come, sit in on a rehearsal or two..." Joel Grey

A sweeping historical novel in the grand tradition of Russian literature that imagines what happens to the characters of Fiddler on the Roof after the curtain falls. The world knows well the tale of Tevye, the beloved Jewish dairyman from the shtetl Anatevka of Tsarist Russia. In stories originally written by Sholem Aleichem and then made world-famous in the celebrated musical Fiddler on the Roof, Tevye, his wife Golde, and their five daughters dealt with the outside influences that were encroaching upon their humble lives. But what happened to those remarkable characters after the curtain fell? In After Anatevka, Alexandra Silber picks up where Fiddler left off. Second-eldest daughter Hodel takes center stage as she attempts to join her Socialist-leaning fiancé Perchik to the outer reaches of a Siberian work camp. But before Hodel and Perchik can finally be together, they both face extraordinary hurdles and adversaries—both personal and political—attempting to keep them apart at all costs. A love story set against a backdrop of some of the greatest violence in European history, After Anatevaka is a stunning conclusion to a tale that has gripped audiences around the globe for decades.

A leading cultural historian explores the complex interactions of Jewish and American cultures.

"Gregory Spatz's novel tells the story of Jesse Alison, a prodigiously talented young bluegrass musician, who moves to Nashville from Vermont following his dream of becoming a Bluegrass Boy in Bill Monroe's band. He hopes to find his long-estranged father, himself a musician, who Jesse has heard now lives in Nashville. Juxtaposing flashbacks of Jesse's past and his earliest connections to music, the novel tracks his progress in Nashville, his edgy relationship with Genny Freed, a violin maker with whom he's staying, and concludes with his confrontation with his father."--BOOK JACKET.

Provides the music and lyrics for the long-running Broadway musical

(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."

War in the Ring presents a riveting nonfiction book for kids about a boxing match that represented the growing tensions between the United States and Nazi Germany in the lead up to World War II. Joe Louis was born on an Alabama cotton patch and raised in a Detroit ghetto. Max Schmeling grew up in poverty in Hamburg, Germany. For both boys, boxing was a path out and a ladder up. Little did they know that they would one day face each other in a pair of matches that would capture the world's attention. Joe grew into a symbol of inspiration to a nation of Black Americans hoping to carve a slice of the 'American Dream' in a racially fractured country. Max, on the other hand, became a Nazi symbol for the superiority of the Aryan race. The battles waged between Joe and Max still resonate, and the cultural implications of the international sensation continue to reverberate far past the ring.