A sparkling and eye-opening history of the Broadway musical that changed the world In the half-century since its premiere, Fiddler on the Roof has had an astonishing global impact. Beloved by audiences the world over, performed from rural high schools to grand state theaters, Fiddler is a supremely potent cultural landmark. In a history as captivating as its subject, award-winning drama critic Alisa Solomon traces how and why the story of Tevye the milkman, the creation of the great Yiddish writer Sholem-Aleichem, was reborn as blockbuster entertainment and a cultural touchstone, not only for Jews and not only in America. It is a story of the theater, following Tevye from his humble appearance on the New York Yiddish stage, through his adoption by leftist dramatists as a symbol of oppression, to his Broadway debut in one of the last big book musicals, and his ultimate destination—a major Hollywood picture. Solomon reveals how the show spoke to the deepest conflicts and desires of its time: the fraying of tradition, generational tension, the loss of roots. Audiences everywhere found in Fiddler immediate resonance and a usable past, whether in Warsaw, where it unlocked the taboo subject of Jewish history, or in Tokyo, where the producer asked how Americans could understand a story that is "so Japanese." Rich, entertaining, and original, Wonder of Wonders reveals the surprising and enduring legacy of a show about tradition that itself became a tradition. Wonder of wonders, miracle of miracles.

Provides the music and lyrics for the long-running Broadway musical

A sweeping historical novel in the grand tradition of Russian literature that imagines what happens to the characters of Fiddler on the Roof after the curtain falls. The world knows well the tale of Tevye, the beloved Jewish dairyman from the shtetl Anatevka of Tsarist Russia. In stories originally written by Sholem Aleichem and then made world-famous in the celebrated musical Fiddler on the Roof, Tevye, his wife Golde, and their five daughters dealt with the outside influences that were encroaching upon their humble lives. But what happened to those remarkable characters after the curtain fell? In After Anatevka, Alexandra Silber picks up where Fiddler left off. Second-eldest daughter Hodel takes center stage as she attempts to join her Socialist-leaning fiancé Perchik to the outer reaches of a Siberian work camp. But before Hodel and Perchik can finally be together, they both face extraordinary hurdles and adversaries—both personal and political—attempting to keep them apart at all costs. A love story set against a backdrop of some of the greatest violence in European history, After Anatevaka is a stunning conclusion to a tale that has gripped audiences around the globe for decades.

A look inside Off-Broadway's Fiddler on the Roof in Yiddish, the ground-breaking, award-winning musical. Samantha Hahn, the youngest member of the cast, tells the story of how "Yiddish Fiddler" came to be. Samantha has interviewed the cast, crew, and creative team - each with a unique take on the show and the impact it has had on their lives - for a behind-the-scenes look at what makes "Yiddish Fiddler" so special. On the Roof takes the reader on a never before seen journey - from rehearsals that end in tears and screaming in elevators, to the beautiful bonds between company members as strangers turn into family. "When we opened, something sort of miraculous happened. There we were - a hit. Our youngest member has written this altogether delightful recounting of the experience. Samantha Hahn is not only a gifted performer but a delightful documentarian; she takes you through our auditions, rehearsals, backstage life, mishaps, and relationships, and shares stories and intimate thoughts from the entire team. Come, sit in on a rehearsal or two..." Joel Grey

Since it first opened on Broadway in September, 1964, Fiddler on the Roof has constantly been onstage somewhere, including four Broadway revivals, four productions on London's West End and thousands of schools, army bases and countries from Argentina to Japan. Barbara Isenberg interviewed the men and women behind the original production, the film and significant revivals--Harold Prince, Sheldon Harnick, Joseph Stein, Austin Pendleton, Joanna Merlin, Norman Jewison, Topol, Harvey Fierstein and more--to produce a lively, popular chronicle of the making of Fiddler. Published in celebration of Fiddler's 50th anniversary, Tradition! is the book for everyone who loves Fiddler and can sing along with the original cast album.

One of Hollywood's most celebrated directors captures the excitement and success of his four decades in filmmaking in this funny, absorbing memoir.

From acclaimed poet and New Yorker writer Cynthia Zarin comes a deeply personal meditation on two cities, Venice and Rome—each a work of art, both a monument to the past—and on how love and loss shape places and spaces. Here we encounter a writer deeply engaged with narrative in situ—a traveler moving through beloved streets, sometimes accompanied, sometimes solo. With her, we see, anew, the Venice Biennale, the Lagoon, and San Michele, the island of the dead; the Piazza di Spagna, the Tiber, the view from the Gianicolo; the pigeons at San Marco and the parrots in the Doria Pamphili. As a poet first and foremost, Zarin’s attention to the smallest details, the loveliest gesture, brings Venice and Rome vividly to life for the reader. The sixteenth book in the expanding, renowned ekphrasis series, Two Cities creates space for these two historic cities to become characters themselves, their relationship to the writer as real as any love affair.

Tevye's Daughters is the book that was made into the blockbuster play and movie, "Fiddler on the Roof." This movie brought us such famous and universally recognizable songs as "If I were a Rich Man," "Matchmaker, Matchmaker Make me a Match," "Tradition" and "Sunrise, Sunset." Trvye the dairyman is one of the most delightful and amusing characters in all of fiction, and this chronicle of Tevye and his daughters is, beyond question, the great Jewish humorist's masterpiece. Tevye was baffled by his daughters. That he had seven daughters and no sons-well, that was God's will, and Tevye loved them all dearly. And the girls-ah, their world revolved around papa and they gave him all their devotion. But as they grew up, they saw that the world was big and changing, that there were other ideas and other people. What made it so difficult for Tevye was not that they were such fine and lovely girls - dark-eyed Beilke, laughing Sprintze, brave Hodel - but that they had minds and wills of their own. Tevye couldn't quite understand that - it wasn't supposed to be that way. His gay heart was heavy at times, and the girls mixed tears with their laughter. When you have read this book, you will know why many Jews refer to Sholom Aleichem not as "the great Jewish humorist," but rather as one of "the greatest writers of our time." There are short stories in this book too: "If I Were Rothschild," "The Littlest of Kings," and a dozen others that display Sholom Aleichem's wonderful storytelling gift at its best.