Sea-Brothers offers the most extensive analysis to date of the sea and its meaning in American literature. On the basis of his study of Melville, Crane, London, Hemingway, Matthiessen, and ten lesser-known sea-writers, Bert Bender argues that the tradition of American sea fiction did not end with the opening of the western frontier and the replacement of sailing ships by steamers. Rather, he demonstrates its continuity and vitality, identifying a central vision within the tradition and showing how particular authors draw from, transform, and contribute to it. What is most distinctive about American sea fiction, Bender contends, is its visionary, often mystical, response to the biological world and to man's perceived place in the larger universe. When Melville envisioned the sea as the essential element of life, indeed as life itself, he changed the course of American sea fiction by introducing the relevance of biological thought. But his meditations on the whale and "the ungraspable phantom of life" project a different reality from that envisioned by his successors. In American sea fiction after Melville, the influence of Origin of Species is as powerful as that of Moby Dick or the theme of sailing ships being displaced by steam. The ideal of brotherhood so central to American sea fiction was severely compromised by the biological reality of a competitive, warring nature. Twentieth-century sea fiction has continued to center on the biological world and address the possibility of democratic brotherhood, but the issues were fundamentally changed by Darwin's theories. This book will be a valuable source for students and scholars of American literature and will interest readers of sea fiction.

"A passionate quest for the historical James refigures Christian origins, … can be enjoyed as a thrilling essay in historical detection." —The Guardian James was a vegetarian, wore only linen clothing, bathed daily at dawn in cold water, and was a life-long Nazirite. In this profound and provocative work of scholarly detection, eminent biblical scholar Robert Eisenman introduces a startling theory about the identity of James—the brother of Jesus, who was almost entirely marginalized in the New Testament.Drawing on long-overlooked early Church texts and the Dead Sea Scrolls, Eisenman reveals in this groundbreaking exploration that James, not Peter, was the real successor to the movement we now call "Christianity." In an argument with enormous implications, Eisenman identifies Paul as deeply compromised by Roman contacts. James is presented as not simply the leader of Christianity of his day, but the popular Jewish leader of his time, whose death triggered the Uprising against Rome—a fact that creative rewriting of early Church documents has obscured. Eisenman reveals that characters such as "Judas Iscariot" and "the Apostle James" did not exist as such. In delineating the deliberate falsifications in New Testament dcouments, Eisenman shows how—as James was written out—anti-Semitism was written in. By rescuing James from the oblivion into which he was cast, the final conclusion of James the Brother of Jesus is, in the words of The Jerusalem Post, "apocalyptic" —who and whatever James was, so was Jesus.

Examines dissident conceptions of space in the British Romantic eraRadical Romantics is about utopias and failed utopias, about cities that are palimpsests, and about the unwieldy span of the ocean. From William Blake's visionary poetry to Lord Byron's Eastern romances, from prophetic pamphlets to travel narratives, texts of the Romantic era make use of imaginative spaces to reveal the contours and limits of territorial sovereignty. In doing so, they raise fundamental questions about our understanding of both territorial and imagined space. What are the means by which people can conceive of geographical space without resorting to the terms of nationalism? Is it possible to imagine a space beyond territory, as movement itself? How can we articulate the overlap between mapped and lived space? Key Features Engages with the critical frameworks of cultural geography, cartography, and the burgeoning field of oceanic studiesReformulates theories of colonization and empire in the Romantic periodPuts canonical poetry in dialogue with travel tales and prophetic tracts

Five brothers who look just alike outwit the executioner by using their extraordinary individual talents.

Transported to a mysterious island, an Elven princess encounters the mystical Dargonesti and their wondrous castle beneath the sea During a vicious Elven war, a princess of Qualinost and an elite band of warriors sail forth to rescue their countrymen from the collapsing Ergoth Empire. Their journey goes awry when a strange mist engulfs Princess Vixa's ship and transports them to a phantom island. When the mist clears, Princess Vixa meets her captors: the fabled Dargonesti. No soul has encountered the Dargonesti or visited their city of pearl marble that rises from the sea floor—and lived to tell the tale. Princess Vixa and her companions meet this race of sea elves, experience a fantastical underwater world, face a foe counted among the legends of Krynn, and accept an impossible mission that will bring them back to the land they call home.

During the years 1933 to 1939, a pro-Nazi movement developed in Canada. With the support of the German National Socialist Party, Canadian pro-Nazi institutions were formed: clubs, rallies, schools, and newspapers. The movement ended in failure. The author analyzes the reasons for the formation and decline of the National Socialist Party in Canada, describing in the process the general characteristics of the German community in Canada, the extent of Nazi activity in this country, and the influence of the Canadian environment on the movement. The book, well researched and carefully documented, is an original contribution to Canadian history of the 1930s.

Committee meets to hear initial testimony dealing with attempts of militian revolutionaries to subvert the military.

“Easily shareable with sibs of different ages, and they’ll be delighted to join in on the goofy brotherly song.” —Bulletin Center Children’s Books (starred review) “Poetic, unusual vocabulary…make the text fun to read aloud.” —Booklist “Johnston writes in a quirky, sweet voice that keeps the narrative moving along…watercolors by Dove have a cheery vintage feel.” —Publishers Weekly When two jellyfish brothers are separated at sea it takes all of the ocean’s creatures to help them reunite in this heartwarming tale of brotherly love. Spencer and Vincent are jellyfish brothers who live together in the sea, their wet and shining home. They invented a little song which went like this: My brother, my brother, he’s sweet, not smelly. I love him from down in my jelly belly. One day a wave of superior magnitude separates them! The brothers know they have to do whatever it takes to find each other again. And they’ll need some help along the way… Sometimes friends can really make a the difference. Spencer and Vincent is a story of adventures and the bond of family.