Sea-Brothers offers the most extensive analysis to date of the sea and its meaning in American literature. On the basis of his study of Melville, Crane, London, Hemingway, Matthiessen, and ten lesser-known sea-writers, Bert Bender argues that the tradition of American sea fiction did not end with the opening of the western frontier and the replacement of sailing ships by steamers. Rather, he demonstrates its continuity and vitality, identifying a central vision within the tradition and showing how particular authors draw from, transform, and contribute to it. What is most distinctive about American sea fiction, Bender contends, is its visionary, often mystical, response to the biological world and to man's perceived place in the larger universe. When Melville envisioned the sea as the essential element of life, indeed as life itself, he changed the course of American sea fiction by introducing the relevance of biological thought. But his meditations on the whale and "the ungraspable phantom of life" project a different reality from that envisioned by his successors. In American sea fiction after Melville, the influence of Origin of Species is as powerful as that of Moby Dick or the theme of sailing ships being displaced by steam. The ideal of brotherhood so central to American sea fiction was severely compromised by the biological reality of a competitive, warring nature. Twentieth-century sea fiction has continued to center on the biological world and address the possibility of democratic brotherhood, but the issues were fundamentally changed by Darwin's theories. This book will be a valuable source for students and scholars of American literature and will interest readers of sea fiction.

In the spring of 1943, during a stint in the Merchant Marine, twenty-one-year old Jack Kerouac set out to write his first novel. Working diligently day and night to complete it by hand, he titled it The Sea Is My Brother. Now, nearly seventy years later, its long-awaited publication provides fascinating details and insight into the early life and development of an American literary icon. Written seven years before The Town and The City officially launched his writing career, The Sea Is My Brother marks a pivotal point in which Kerouac began laying the foundations for his pioneering method and signature style. A clear precursor to such landmark works as On the Road, The Dharma Bums, and Visions of Cody, it is an important formative work that bears all the hallmarks of classic Kerouac: the search for spiritual meaning in a materialistic world, spontaneous travel as the true road to freedom, late nights in bars and apartments engaged in intense conversation, the desperate urge to escape from society, and the strange, terrible beauty of loneliness.

This is the FoxTales edition of the book previously published by Samhain Publishing. Other than the cover art and description, the book is the same.Hundreds of years ago, on a wild sea coast, two bold-hearted men met in combat and love...This is the story of Caius, a Christian monk struggling to reconcile his sensual nature with his newfound faith, and of Fenrir, a ferocious Viking raider abandoned by his comrades and left for dead. When Caius takes pity on the wounded man, his brethren are horrified: what kind of wolf has Cai brought into the fold?But only when Cai and Fen join forces can the monastery of Fara be saved from the raiders from the east. And Fara holds a secret worth guarding, a legendary amulet with the power to bind even the might of the Vikings. Fen, his heart divided between old loyalties and a new love, must make a decision which could shatter his own heart and Cai's into the bargain.Will there ever be peace and a future for these brothers of the wild North Sea?

During the years 1933 to 1939, a pro-Nazi movement developed in Canada. With the support of the German National Socialist Party, Canadian pro-Nazi institutions were formed: clubs, rallies, schools, and newspapers. The movement ended in failure. The author analyzes the reasons for the formation and decline of the National Socialist Party in Canada, describing in the process the general characteristics of the German community in Canada, the extent of Nazi activity in this country, and the influence of the Canadian environment on the movement. The book, well researched and carefully documented, is an original contribution to Canadian history of the 1930s.

Discover amazing and fascinating sea creatures in the hole in the bottom of the sea! Based on the traditional cumulative song, each verse introduces a new creature and its place in the food chain, with the shark chasing the eel, who chases the squid, who chases the snail. Enhanced CD includes videso animation and audio singalong.

From the creators of The Night Gardener, comes a stunning new picture book about a young boy who sets sail to find a place his grandfather told him about... the spot where the ocean meets the sky.

Five brothers who look just alike outwit the executioner by using their extraordinary individual talents.

"A passionate quest for the historical James refigures Christian origins, … can be enjoyed as a thrilling essay in historical detection." —The Guardian James was a vegetarian, wore only linen clothing, bathed daily at dawn in cold water, and was a life-long Nazirite. In this profound and provocative work of scholarly detection, eminent biblical scholar Robert Eisenman introduces a startling theory about the identity of James—the brother of Jesus, who was almost entirely marginalized in the New Testament.Drawing on long-overlooked early Church texts and the Dead Sea Scrolls, Eisenman reveals in this groundbreaking exploration that James, not Peter, was the real successor to the movement we now call "Christianity." In an argument with enormous implications, Eisenman identifies Paul as deeply compromised by Roman contacts. James is presented as not simply the leader of Christianity of his day, but the popular Jewish leader of his time, whose death triggered the Uprising against Rome—a fact that creative rewriting of early Church documents has obscured. Eisenman reveals that characters such as "Judas Iscariot" and "the Apostle James" did not exist as such. In delineating the deliberate falsifications in New Testament dcouments, Eisenman shows how—as James was written out—anti-Semitism was written in. By rescuing James from the oblivion into which he was cast, the final conclusion of James the Brother of Jesus is, in the words of The Jerusalem Post, "apocalyptic" —who and whatever James was, so was Jesus.

Still mourning the death of their mother, three brothers go with their father on an extended sailing trip off the Florida Keys and have a harrowing adventure at sea.