Bertrand Russell (1872–1970) was a logician, a philosopher, and one of the twentieth century’s most visible public intellectuals. Science and Apocalypse in Bertrand Russell: A Cultural Sociology brings those three aspects together to trace Russell’s changing views on the role of science and technology in society throughout his long intellectual career. Drawing from cultural sociology, history of science, and philosophy, Javier Pérez-Jara and Lino Camprubí provide a fresh multidimensional analysis of the general themes of science, technology, utopia, and apocalypse. The book critically examines Russell’s influential interpretations of the turn-of-the-century mathematical logic, World War I, the metaphysics and epistemology of mind and matter, World War II, nuclear holocaust, and the Vietnam War. In Russell’s compelling narratives, humanity was a powder keg and the match was represented by different and successive meta-adversaries, such as religion, communism, and American imperialism. And the only way to avoid a coming global Holocaust was to follow his own salvific recipes. In working around Russell’s role in the cultural perception of the final destiny of humanity, Science and Apocalypse in Bertrand Russell invites the reader to think about the place of the techno-scientific sphere in human progress and decadence in both our current epoch and the distant future.

'A compulsive read...' Exclusive Magazine Avoiding Apocalypse: How Science and Scientists Ended the Cold War tells the little-known story of the worldwide scientists’ boycott of the Soviet Union that set in motion an astonishing sequence of events. Starting simultaneously with the rise to power of an obscure Soviet bureaucrat named Mikhail Gorbachev, the scientists’ boycott led to the end not only of the Cold War but also of the Soviet Union itself.

Edition of D. H. Lawrence's last book, Apocalypse, along with other writings on the Revolution.

Apocalypse, it seems, is everywhere. Preachers with vast followings proclaim the world's end. Apocalyptic fears grip even the nonreligious amid climate change, pandemics, and threats of nuclear war. As these ideas pervade popular discourse, grasping their logic remains elusive. Ben Jones argues that we can gain insight into apocalyptic thought through secular thinkers. He starts with a puzzle: Why would secular thinkers draw on Christian apocalyptic beliefs – often dismissed as bizarre – to interpret politics? The apocalyptic tradition proves appealing in part because it theorizes a relation between crisis and utopia. Apocalyptic thought points to crisis as the vehicle to bring the previously impossible within reach, offering resources for navigating challenges in ideal theory, which involves imagining the best, most just society. By examining apocalyptic thought's appeal and risks, this study arrives at new insights on the limits of utopian hope. This title is available as open access on Cambridge Core.

This book provides an up-to-date revision of materialism’s central tenets, its main varieties, and the place of materialistic philosophy vis a vis scientific knowledge. Materialism has been the subject of extensive and rich controversies since Robert Boyle introduced the term for the first time in the 17th century. But what is materialism and what can it offer today? The term is usually defined as the worldview according to which everything real is material. Nevertheless, there is no philosophical consensus about whether the meaning of matter can be enlarged beyond the physical. As a consequence, materialism is often defined in stark exclusive and reductionist terms: whatever exists is either physical or ontologically reducible to it. This conception, if consistent, mutilates reality, excluding the ontological significance of political, economic, sociocultural, anthropological and psychological realities. Starting from a new history of materialism, the present book focuses on the central ontological and epistemological debates aroused by today’s leading materialist approaches, including some little known to an anglophone readership. The key concepts of matter, system, emergence, space and time, life, mind, and software are checked over and updated. Controversial issues such as the nature of mathematics and the place of reductionism are also discussed from different materialist approaches. As a result, materialism emerges as a powerful, indispensable scientifically-supported worldview with a surprising wealth of nuances and possibilities.

Linking literature from the sociological study of the apocalyptic with the sociology and philosophy of science, Apocalyptic Narratives explores how the apocalyptic narrative frames and provides meaning to contemporary, secular and scientific crises focussing on nuclear war, general environmental crisis and climate change in both English- and German-speaking cultural contexts. In particular, the book will use social identity and representation theories, the sociologies of risk and Lakatos’ philosophy of science to trace how our cultural background and apocalyptic tradition shape our wider interpretation, communication and response to contemporary global crisis. The set of environmental and other challenges that the world is facing is often framed in terms of apocalyptic or existential crisis. Yet apocalyptic fears about the near future are nothing new. This book looks at the narrative connections between our current sense of crisis and the apocalyptic. The book will be of interest to readers interested in environmental crisis and communication, the sociology and philosophy of science, and existential risk, but also to readers interested in the apocalyptic and its contemporary relevance.

The compelling story of leading physicists in Germany—including Peter Debye, Max Planck, and Werner Heisenberg—and how they accommodated themselves to working within the Nazi state in the 1930s and ’40s. After World War II, most scientists in Germany maintained that they had been apolitical or actively resisted the Nazi regime, but the true story is much more complicated. In Serving the Reich, Philip Ball takes a fresh look at that controversial history, contrasting the career of Peter Debye, director of the Kaiser Wilhelm Institute for Physics in Berlin, with those of two other leading physicists in Germany during the Third Reich: Max Planck, the elder statesman of physics after whom Germany’s premier scientific society is now named, and Werner Heisenberg, who succeeded Debye as director of the institute when it became focused on the development of nuclear power and weapons. Mixing history, science, and biography, Ball’s gripping exploration of the lives of scientists under Nazism offers a powerful portrait of moral choice and personal responsibility, as scientists navigated “the grey zone between complicity and resistance.” Ball’s account of the different choices these three men and their colleagues made shows how there can be no clear-cut answers or judgment of their conduct. Yet, despite these ambiguities, Ball makes it undeniable that the German scientific establishment as a whole mounted no serious resistance to the Nazis, and in many ways acted as a willing instrument of the state. Serving the Reich considers what this problematic history can tell us about the relationship between science and politics today. Ultimately, Ball argues, a determination to present science as an abstract inquiry into nature that is “above politics” can leave science and scientists dangerously compromised and vulnerable to political manipulation.

British Science Fiction Cinema is the first substantial study of a genre which, despite a sometimes troubled history, has produced some of the best British films, from the prewar classic Things to Come to Alien made in Britain by a British director. The contributors to this rich and provocative collection explore the diverse strangeness of British science fiction, from literary adaptions like Nineteen Eighty-Four and A Clockwork Orange to pulp fantasies and 'creature features' far removed from the acceptable face of British cinema. Through case studies of key films like The Day the Earth Caught Fire, contributors explore the unique themes and concerns of British science fiction, from the postwar boom years to more recent productions like Hardware, and examine how science fiction cinema drew on a variety of sources, from TV adaptions like Doctor Who and the Daleks, to the horror/sf crossovers produced from John Wyndham's cult novels The Day of the Triffids and The Midwich Cuckoos (filmed as Village of the Damned). How did budget restrictions encourage the use of the 'invasion narrative' in the 1950s films? And how did films such as Unearthly Stranger and Invasion reflect fears about the decline of Britain's economic and colonial power and the 'threat' of female sexuality? British Science Fiction Cinema celebrates the breadth and continuing vitality of British sf film-making, in both big-budget productions such as Brazil and Event Horizon and cult exploitation movies like Inseminoid and Lifeforce.