The compelling story of leading physicists in Germany—including Peter Debye, Max Planck, and Werner Heisenberg—and how they accommodated themselves to working within the Nazi state in the 1930s and ’40s. After World War II, most scientists in Germany maintained that they had been apolitical or actively resisted the Nazi regime, but the true story is much more complicated. In Serving the Reich, Philip Ball takes a fresh look at that controversial history, contrasting the career of Peter Debye, director of the Kaiser Wilhelm Institute for Physics in Berlin, with those of two other leading physicists in Germany during the Third Reich: Max Planck, the elder statesman of physics after whom Germany’s premier scientific society is now named, and Werner Heisenberg, who succeeded Debye as director of the institute when it became focused on the development of nuclear power and weapons. Mixing history, science, and biography, Ball’s gripping exploration of the lives of scientists under Nazism offers a powerful portrait of moral choice and personal responsibility, as scientists navigated “the grey zone between complicity and resistance.” Ball’s account of the different choices these three men and their colleagues made shows how there can be no clear-cut answers or judgment of their conduct. Yet, despite these ambiguities, Ball makes it undeniable that the German scientific establishment as a whole mounted no serious resistance to the Nazis, and in many ways acted as a willing instrument of the state. Serving the Reich considers what this problematic history can tell us about the relationship between science and politics today. Ultimately, Ball argues, a determination to present science as an abstract inquiry into nature that is “above politics” can leave science and scientists dangerously compromised and vulnerable to political manipulation.

'INSIDE THE THIRD REICH is not only the most significant personal German account to come out of the war but the most revealing document on the Hitler phenomenon yet written. It takes the reader inside Nazi Germany on four different levels: Hitler's inner circle, National Socialism as a whole, the area of wartime production and the inner struggle of Albert Speer. The author does not try to make excuses, even by implication, and is unrelenting toward himself and his associates... Speer's full-length portrait of Hitler has unnerving reality. The Fuhrer emerges as neither an incompetent nor a carpet-gnawing madman but as an evil genius of warped conceits endowed with an ineffable personal magic' NEW YORK TIMES

When Hitler invaded Warsaw in the fall of 1939, hundreds of thousands of civilians—many of them Jewish—were trapped in the besieged city. The Rebbe Joseph Schneersohn, the leader of the ultra-orthodox Lubavitcher Jews, was among them. Followers throughout the world were filled with anguish, unable to confirm whether he was alive or dead. Working with officials in the United States government, a group of American Jews initiated what would ultimately become one of the strangest—and most miraculous—rescues of World War II. The escape of Rebbe Schneersohn from Warsaw has been the subject of speculation for decades. Historian Bryan Mark Rigg has now uncovered the true story of the rescue, which was propelled by a secret collaboration between American officials and leaders of German military intelligence. Amid the fog of war, a small group of dedicated German soldiers located the Rebbe and protected him from suspicious Nazis as they fled the city together. During the course of the mission, the Rebbe learned the shocking truth about the leader of the rescue operation, the decorated Wehrmacht soldier Ernst Bloch: he was himself half-Jewish, and a victim of the rising tide of German antisemitism. A harrowing story about identity and moral responsibility, Rescued from the Reich is also a riveting narrative history of one of the most extraordinary rescue missions of World War II.

Personal accounts of life under the Hitler regime.

What madness meant was a fiercely contested question in Soviet society. State of Madness examines the politically fraught collision between psychiatric and literary discourses in the years after Joseph Stalin's death. State psychiatrists deployed set narratives of mental illness to pathologize dissenting politics and art. Dissidents such as Aleksandr Vol'pin, Vladimir Bukovskii, and Semen Gluzman responded by highlighting a pernicious overlap between those narratives and their life stories. The state, they suggested in their own psychiatrically themed texts, had crafted an idealized view of reality that itself resembled a pathological work of art. In their unsanctioned poetry and prose, the writers Joseph Brodsky, Andrei Siniavskii, and Venedikt Erofeev similarly engaged with psychiatric discourse to probe where creativity ended and insanity began. Together, these dissenters cast themselves as psychiatrists to a sick society. By challenging psychiatry's right to declare them or what they wrote insane, dissenters exposed as a self-serving fiction the state's renewed claims to rationality and modernity in the post-Stalin years. They were, as they observed, like the child who breaks the spell of collective delusion in Hans Christian Andersen's story "The Emperor's New Clothes." In a society where normality means insisting that the naked monarch is clothed, it is the truth-teller who is pathologized. Situating literature's encounter with psychiatry at the center of a wider struggle over authority and power, this bold interdisciplinary study will appeal to literary specialists; historians of culture, science, and medicine; and scholars and students of the Soviet Union and its legacy for Russia today.

A dramatic new account of the Reichstag fire and the origins of the Nazi rise to power

Brown interweaves the voices and writings of Planck, his family, and his contemporaries--with many passages appearing in English for the first time--to create a portrait of a groundbreaking physicist working in the midst of war. Planck spent much of his adult life grappling with the identity crisis of being an influential German with ideas that ran counter to his government. During the later part of his life, he survived bombings and battlefields, surgeries and blood transfusions, all the while performing his influential work amidst a violent and crumbling Nazi bureaucracy. When his son was accused of treason related to a bombing, Planck tried to use his standing as a German 'national treasure,' and wrote direct letters to Hitler to spare his son's life. Brown tells the story of Planck's friendship with the far more outspoken Albert Einstein, and shows how his work fits within the explosion of technology and science that occurred during his life.

• Four months pregnant, Vera Wohlauf, wife of a serving SS officer, took sadistic pleasure in rounding up victims for Treblinka. • Like creatures from a Grimms' fairytale, female members of a Nazi 'welfare' organization scoured the towns and villages of Poland and Slovenia, luring blond children out of hiding with bread and sweets. They were abducted to be raised as Germans by 'Aryan' families who told them their parents were dead. • Test pilot Hanna Reitsch flew on a suicide mission to rescue Hitler from his bunker. • Not even Hitler could resist the charms of Princess Stephanie, a femme fatale and Nazi agent who smoked cigars which she lit by striking a match on the heel of her shoes. The Nazis had no doubts about a woman's place in the Third Reich. Hermann Goering urged every woman to 'take a pot, a dustpan and brush, and marry a man.' Many women welcomed the arrival of Hitler's regime with childlike enthusiasm believing that the dictatorship would make Germany master of Europe, but as the war dragged on, their blind faith in Hitler was betrayed.

'Artists Under Hitler' closely examines cases of artists who failed in their attempts to find accommodation in the Nazi regime as well as others whose desire for official acceptance was realised. They illuminate the complex cultural history of this period and provide haunting portraits of people facing excruciating choices and grave moral questions.