The Bronze Age in Scandinavia is a period of significant societal changes where religious cult activity thrived. The rock carvings scattered throughout the landscape hold incredible cultural value and perhaps the key to unlocking the mystery of the religion of the time. However, the absence of written sources and the complexities of interpretation have left much of the meaning shrouded in enigma. The author, inspired by the local rock carvings in Askim and around western Sweden, aims to unravel their secrets, particularly their religious significance to the Bronze Age peoples. Although the interpretations of rock carvings vary, the author aims to identify religious elements and provide a complementary picture of their connections and parallels to later religious practices. The book explores the development of worldview from the Bronze Age to the Viking Age mythology and examines whether there are traces of cultural and religious exchanges with other parts of the world. By comparing the petroglyphs with symbolism worldwide, the author shows the intimate relationship between spirituality, religion, society, and humans. The book serves as a testament to the afterworld, attempting to shed light on the enigmatic Scandinavian petroglyphs and archaeologists' interpretations of them. Despite extensive studies of the petroglyphs, the mysterious and arcane nature of these ancient carvings often leaves more questions than answers.

Whether you want to explore Norway’s fjords and Denmark’s historic sites, shop for innovative Swedish design and eat Nordic cuisine, or soak in an authentic Finnish sauna or Iceland’s geothermal pools, the local Fodor’s travel experts in Scandinavia are here to help! Fodor’s Essential Scandinavia is part of the award-winning Fodor’s Essential series recognized by Booklist as the “Best Travel Guide in 2019.” This guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully-redesigned with an easy-to-read layout, fresh information, and beautiful color photos. Fodor’s Essential Scandinavia includes: AN ILLUSTRATED ULTIMATE EXPERIENCES GUIDE to the top things to see and do MULTIPLE ITINERARIES to effectively organize your days and maximize your time MORE THAN 30 DETAILED MAPS to help you navigate confidently COLOR PHOTOS throughout to spark your wanderlust! UP-TO-DATE and HONEST RECOMMENDATIONS for the best sights, restaurants, hotels, nightlife, shopping, performing arts, activities, side-trips, and more PHOTO-FILLED “BEST OF” FEATURES on “Norway’s Natural Wonders,” “Iceland’s Museums,” “Scandinavia’s Fairytale Castles,” “Picture-Perfect Towns Across Scandinavia,” and more TRIP-PLANNING TOOLS AND PRACTICAL TIPS including when to go, getting around, beating the crowds, and saving time and money SPECIAL FEATURES on “Aurora Borealis 101,” “What to Watch and Read Before You Visit,” and “What to Eat and Drink” HISTORICAL AND CULTURAL INSIGHTS providing rich context on the local people, politics, art, architecture, cuisine, music, geography and more LOCAL WRITERS to help you find the under-the-radar gems NORWEGIAN, SWEDISH, DANISH, FINNISH, AND ICELANDIC LANGUAGE PRIMERS with useful words and essential phrases COVERS: Norway, Sweden, Denmark, Finland, and Iceland Planning on visiting Germany or Great Britain? Check out Fodor’s Essential Germany and Fodor’s Essential Great Britain. ABOUT FODOR'S AUTHORS: Each Fodor's Travel Guide is researched and written by local experts. Fodor’s has been offering expert advice for all tastes and budgets for over 80 years. For more travel inspiration, you can sign up for our travel newsletter at fodors.com/newsletter/signup, or follow us @FodorsTravel on Facebook, Instagram, and Twitter. We invite you to join our friendly community of travel experts at fodors.com/community to ask any other questions and share your experience with us! *Important note for digital editions: The digital edition of this guide does not contain all the images or text included in the physical edition.

There have been many accounts of prehistoric 'art', but nearly all of them begin by assuming that the concept is a useful one. In this extensively illustrated study, Richard Bradley asks why ancient objects were created and when and how they were used. He considers how the first definitions of prehistoric artworks were made, and the ways in which they might be related to practices in the visual arts today. Extended case studies of two immensely popular and much-visited sites illustrate his argument: one considers the megalithic tombs of Western Europe, whilst the other investigates the decorated metalwork and rock carvings of Bronze Age Scandinavia.

"Passengers on the British railway and underground must 'mind the gap'because it's dangerous not to. In a state of embarking or disembarking, passengers must stay aware of the small but significant space separating the stationary from the moving. The contemporary practices of writing and reading are in constant motion, and the phrase 'mind the gap'captures an essential aspect of the way language and literature progress as they pass through any number of social, technical, and political exchanges. 'Minding the gap'also suggests an awareness of the always shifting distance between the expected and the unexpected, the ordinary and the impossible, the familiar and unimagined. This book includes chapters on writing non-fiction, media and genre, and also addresses elements of identity, culture and linguistics in fiction, poetry and creative non-fiction as contributors consider the gaps that exist between the self as writer, as reader and as editor or mentor. The volume adopts the following key themes: new gaps for creative writing in the academy; writing in new genres, media and forms; exploring the creative process and narrative strategies across disciplines. This book will be of international appeal to all readers interested in the changing landscape of creative writing"--EbscoHost.

Scandinavia is home to prolific and varied rock art images among which the ship motif is prominent. Because of this, the rock art of Scandinavia has often been interpreted in terms of social ritual, cosmology, and religion associated with the maritime sphere. This comprehensive review is based on the creation of a Scandinavia-wide GIS database for prehistoric rock art and reexamines theoretical approaches and interpretations, in particular with regard to the significance of the ship and its relationship to a maritime landscape Discussion focuses on material agency as a means to understanding the role of rock art within society. Two main theories are developed. The first is that the sea was fundamental to the purpose and meaning of rock art, especially in the Bronze Age and, therefore, that sea-level/shoreline changes would have inspired a renegotiation of the relationship between the rock art sites and their intended purpose. The fundamental question posed is: would such changes to the landscape have affected the purpose and meaning of rock art for the communities that made and used these sites? Various theories from within and outside of archaeology are drawn on to examine environmental change and analyze the rock art, led to second theory: that the purpose of rock art might have been altered to have an effect on the disappearing sea. The general theory that rock art would have been affected by environmental change was discussed in tandem with existing interpretations of the meaning and purpose of rock art. Imbuing rock art with agency means that it could be intertwined in an active web of relations involving maritime landscapes, shoreline displacement and communities. Though created in stone and fixed in time and place, rock art images have propagated belief systems that would have changed over time as they were re-carved, abandoned and used by different groups of inhabitants. In the thousands of years rock art was created, it is likely that shoreline displacement would have inspired a renegotiation of the purpose and meaning of the imagery situated alongside the Scandinavian seas. This journey through a prehistoric Scandinavian landscape will lead us into a world of ancient beliefs and traditions revolving around this extraordinary art form.

As a historical and religious term "diaspora" has existed for many years, but it only became an academic and analytical concept in the 1980s and ’90s. Within its various usages, two broad directions stand out: diaspora as a dispersion of people from an original homeland, and diaspora as a claim of identity that expresses a form of belonging and also keeps alive a sense of difference. Between Dispersion and Belonging critically assesses the meaning and practice of diaspora first by engaging with the theoretical life histories of the concept, and then by examining a range of historical case studies. Essays in this volume draw from diaspora formations in the pre-modern Indian Ocean region, read diaspora against the concept of indigeneity in the Americas, reassess the claim for a Swedish diaspora, interrogate the notion of an "invisible" English diaspora in the Atlantic world, calibrate the meaning of the Irish diaspora in North America, and consider the case for a global Indian indentured-labour diaspora. Through these studies the contributors demonstrate that an inherent appeal to globality is central to modern formulations of diaspora. They are not global in the sense that diasporas span the entire globe, rather they are global precisely because they are not bound by arbitrary geopolitical units. In examining the ways in which academic and larger society discuss diaspora, Between Dispersion and Belonging presents a critique of modern historiography and positions that critique in the shape of global history. Contributors include William Safran (University of Colorado Boulder), James T. Carson (Queen's University), Eivind H. Seland (University of Bergen), Don MacRaild (University of Ulster), and Rankin Sherling (Marion Military Institute: the Military College of Alabama).

Consisting of more than 70 papers written by scholars concerned with pre-Christian Norse religion, the articles discuss subjects such as archaeology, art history, historical archaeology, history, history of ideas, theological history, literature, onomastics, Scandinavian languages, and Scandinavian studies. The interdisciplinary aim of the book brings together text-based and material-based researchers to improve scholarly exchange and dialogue and provide a variety of contributions that elucidate topics such as worldview and cosmology, ritual and religious practice, myth and memory, as well as reception and present-day use of old Norse religion.