A journey through the world and culture of these elite Japanese warriors, filled with facts and photos. From lowly attendants (samurai literally means “those who serve”) to members one of the world’s most powerful military organizations, the samurai underwent a progression of changes to reach a preeminent position in Japanese society and culture. Even their eventual eclipse did not diminish their image as elite warriors, and they would live on in stories and films. This proud and enduring tradition is exemplified and explored by the carefully selected objects gathered here from Japanese locations and from museums around the world. These objects tell the story of the samurai, from acting as the frontier guards for the early emperors to being the inspiration for the kamikaze pilots. The artifacts, many of which are seen here for the first time, include castles, memorial statues, and paintings and prints associated with the rise of the samurai, along with their famous armor and weapons. The latter include the Japanese longbow, a thirteenth-century bomb, and the famous samurai sword—but not every artifact here is from the past. You’ll also discover a cute little blue duck—found in a Japanese souvenir shop—complete with helmet, spear, and surcoat, dressed authentically as the brutal samurai Kat Kiyomasa, who was responsible for a massacre at Hondo castle in 1589.

Traditional Japanese design imbues objects with a sense of history and artistry that easily reaches across cultural boundaries. In Things Japanese: Everyday Objects of Extraordinary Beauty and Significance, author Nicholas Bornoff and photographer Michael Freeman examine over 60 traditional objects that are uniquely Japanese, deftly illustrating their beauty and significance. Beautifully crafted samurai swords Elegant wooden tansu chests Elaborate tea ceremony implements Exquisitely carved netsuke toggles Fabulous silk-and-gold embroidered kimonos Each item is described in loving detail alongside lovely full-color photographs that highlight the great artistry and craftsmanship in everyday items used by real people in traditional Japan. Things Japanese is the perfect book for Japanese antique collectors or anyone interested in Japanese art and the culture and history of Japan.

"This extensively illustrated catalogue is published in conjunction with the first comprehensive exhibition devoted to the arts of the samurai, including the finest examples of swords - the spirit of the samurai - as well as sword mountings and fittings, armor and helmets, saddles, textiles, and paintings. The works in the catalogue, drawn from public and private collections in Japan, include 34 officially designated National Treasures and 64 Important Cultural Properties, the largest number ever to be shown together at one time. Dating from the 5th to the early 20th century, these majestic objects offer a complete picture of samurai culture and its unique blend of the martial and the refined." "Many of the greatest Japanese swordsmiths are represented in this volume, from early masters such as Yasuie (12th century) and Tomomitsu (14th century) to the Edo-period smiths Nagasone Kotetsu and Kiyomaro. The blades by these and other masters, cherished as much for their beauty as for their cutting efficiency, were equipped with elaborate hilts and scabbards prized for their exquisite craftsmanship and fine materials such as silk, rayskin, gold, lacquer, and certain alloys unique to Japan. Japanese armor is also fully surveyed, from the rarest iron armor of the Kofun period (5th century) to the inventive ceremonial helmets made toward the end of the age of the samurai." --Book Jacket.

As the "soul of the samurai," the sword is famously both the symbol and instrument of Japanese military prowess. Less known, at least in the west, is its role as a fashion accessory or status symbol. More than the weapon itself, it was the sword's metal fittings--from the hand guard to the small decorative plates on the hilt--that reflected the complexities of samurai life. Some fittings were meant to convey the honor and self-control expected of a samurai, while other, more flamboyant fittings reflected the samurai's leisure-time persona as "man about town." Later, when the wearing of swords spread beyond the samurai class, both the decorative function of the fittings and the variety of their designs increased, leading to some of the most accomplished metalwork ever created. Now in paperback for the first time, Lethal Elegance presents 150 of these remarkable sword fittings, and is one of the few books to focus on their styles and techniques. It discusses the visual effects achieved with different alloys, the evolution of fittings following changes in warfare, symbolism and standards for connoisseurship. Though these objects were created for violent ends, their variety and beauty also reveal them as wonders of self-expression.

Samurai: An Illustrated History brings the violent, tumultuous, and, at the same time, elegant world of the medieval Japanese samurai to life. This book of Japanese history traces the story of a unique historical phenomenon: a period of 700 years--equivalent to the entire stretch of Western history between the reigns of the Crusader king Richard the Lionhearted and of Queen Victoria at the height of the British Empire--during which an enclosed civilization was dominated by a single warrior caste. The historical narrative of samurai history is supported by explanations of samurai armor, weapons, fortifications, tactics, and customs, and illustrated with nearly 800 fascinating color photographs, maps, and sketches, including ancient scroll paintings and surviving suits of armor preserved for centuries in Japanese shrines. From the 12th to the 19th centuries the history of Japan was effectively the history of the samurai--the class of professional fighting men. At first, they were no more than lowly soldiery employed by the court aristocracy of Kyoto, but the growing power of the provincial warrior clans soon enabled them to brush aside the executive power of the imperial court and to form their own parallel military government. Though individual dynasties came and went in cycles of vigor and decadence, the dominance of the samurai as a class proved uniquely resilient.

It was the events of the Crimean War that changed everything. Until that time, those serving in Britain’s army or navy had been expected to do their duty without thought of recognition or reward, particularly the men in the lower ranks. Fueled by reports from the first ever war correspondents, which were read by an increasingly literate public, the mumblings of discontent over how the gallantry and valor of the ordinary man was recognized rapidly grew into a national outcry. Questions were asked in Parliament, answers were demanded by the press – why were the heroes of the Alma, Inkerman and the Charge of the Light Brigade not being officially acknowledged? Something had to be done. That something was the introduction of an award that would be of such prestige it would be sought by all men from the most junior private to a Field Marshal. It would be the highest possible award for valor in the face of the enemy and it bore the name of the Queen for whom the men fought – The Victoria Cross. Since the VC was instituted in January 1856, it has been awarded 1,358 times to 1,355 individual recipients. Those men were thrown into wars and campaigns around the globe, from the seas and skies around the UK to the deserts of Africa and the sweltering jungles of the Far East. The two world wars saw the most VCs awarded – 628 in the First and 182 in the Second. Only fifteen medals, eleven to members of the British Army, and four to the Australian Army, have been awarded since the Second World War. In this highly-illustrated work, the renowned Victoria Cross historian and author Brian Best examines the introduction and evolution of the VC, along with some of the fascinating individuals and remarkable acts of valor associated with it, through an intriguing collection of 100 objects.

“An inherently fascinating, impressively well written, exceptionally informative, and meticulously detailed history” of Japanese overseas mercenaries (Midwest Book Review). The Lost Samurai reveals the greatest untold story of Japan’s legendary warrior class, which is that for almost a hundred years Japanese samurai were employed as mercenaries in the service of the kings of Siam, Cambodia, Burma, Spain and Portugal, as well as by the directors of the Dutch East India Company. The Japanese samurai were used in dramatic assault parties, as royal bodyguards, as staunch garrisons and as willing executioners. As a result, a stereotypical image of the fierce Japanese warrior developed that had a profound influence on the way they were regarded by their employers. While the Southeast Asian kings tended to employ samurai on a long-term basis as palace guards, their European employers usually hired them on a temporary basis for specific campaigns. Also, whereas the Southeast Asian monarchs tended to trust their well-established units of Japanese mercenaries, the Europeans, while admiring them, also feared them. In every European example a progressive shift in attitude may be discerned from initial enthusiasm to great suspicion that the Japanese might one day turn against them, as illustrated by the long-standing Spanish fear of an invasion of the Philippines by Japan accompanied by a local uprising. During the 1630s, when Japan chose isolation rather than engagement with Southeast Asia, it left these fierce mercenaries stranded in distant countries never to return: lost samurai indeed!

A History of the First World War in 100 Objects narrates the causes, progress and outcome of the First World War by telling the stories behind 100 items of material evidence of that cataclysmic and shattering conflict. From weapons that created carnage to affectionate letters home and from unexpected items of trench decoration to the paintings of official war artists, the objects are as extraordinary in their diversity and story-telling power as they are devastating in their poignancy. Each object is depicted on a full page and is the subject of a short chapter that 'fans out' from the item itself to describe the context, the people and the events associated with it. Distinctive and original, A History of the First World War in 100 Objects is a unique commemoration of 'the war to end all wars'.

For half a millennium, throughout almost the entire medieval period, the Catholic church sanctioned military campaigns against what it perceived as its enemies. The rise of Islam and its spread across large parts of the Middle East, Asia, North Africa and even the peripheries of Europe, saw Muslim warriors seize the Holy Land, occupy Jerusalem and threaten Constantinople. In response, Pope Urban II advocated a crusade to retake the Holy Land – the first of nine military campaigns that stretched over the succeeding 200 years. Other, lesser-known crusades were subsequently mounted with the aim of Christianising the more remote regions of northern and north-eastern Europe, as well as against the Cathars in southern France. The advance of the Ottomans into the Balkans saw further crusades to halt the Muslims in Bosnia and Serbia, and the re-conquest of Spain from the Muslim Moors. Such diverse theatres of conflict have resulted in an equally diverse number of relics still to be found in a score of countries. From magnificent castles, swords, artillery and coats of arms, to Crusader-struck coins and even the brass pen box used by Muslim writers to spread the word of Islam, this remarkable collection of artefacts and structures tells the story, much of it largely forgotten, of the conflicts which shaped the nature of the Western World known today, both in spiritual and geographical terms. Beautifully illustrated and written by acknowledged period expert James Waterson, The Crusades in 100 Objects opens a window into the past as never seen before.

Japan's samurai were professional soldiers, but they could also be cultivated artists, writers and philosophers. "Samurai" means "he who serves," and these fierce warriors acted in the service of powerful feudal lords known as daimyo ("great name"). Among the most important daimyo families were members of the Hosokawa clan, whose lineage dates back some six hundred years. Lords of the Samurai brings to life the code of the samurai and the private and public lives of the daimyo by focusing on approximately 160 works from the Hosokawa family collection housed in the Eisei-Bunko Museum in Tokyo, the Kumamoto Castle and the Kumamoto Municipal Museum in Kyushu. Japanese historical objects discussed include suits of armor, armaments (including swords and guns), formal attire, calligraphy, paintings, tea ware, lacquer ware, masks, and musical instruments. To the daimyo, martial arts were not just a physical or military activity—they were part of a spiritual and ethical program that governed every aspect of their existence. Featuring an extended essay by Thomas Cleary, Lords of the Samurai lays bare the principles that governed the spirit of the samurai, enabling it to endure for hundreds of years and continue to resonate today.