For half a millennium, throughout almost the entire medieval period, the Catholic church sanctioned military campaigns against what it perceived as its enemies. The rise of Islam and its spread across large parts of the Middle East, Asia, North Africa and even the peripheries of Europe, saw Muslim warriors seize the Holy Land, occupy Jerusalem and threaten Constantinople. In response, Pope Urban II advocated a crusade to retake the Holy Land – the first of nine military campaigns that stretched over the succeeding 200 years. Other, lesser-known crusades were subsequently mounted with the aim of Christianising the more remote regions of northern and north-eastern Europe, as well as against the Cathars in southern France. The advance of the Ottomans into the Balkans saw further crusades to halt the Muslims in Bosnia and Serbia, and the re-conquest of Spain from the Muslim Moors. Such diverse theatres of conflict have resulted in an equally diverse number of relics still to be found in a score of countries. From magnificent castles, swords, artillery and coats of arms, to Crusader-struck coins and even the brass pen box used by Muslim writers to spread the word of Islam, this remarkable collection of artefacts and structures tells the story, much of it largely forgotten, of the conflicts which shaped the nature of the Western World known today, both in spiritual and geographical terms. Beautifully illustrated and written by acknowledged period expert James Waterson, The Crusades in 100 Objects opens a window into the past as never seen before.

Winner of two Catholic Press Association Awards: Design and Production (Second Place) and History (Honorable Mention). The star of Bethlehem exemplifies the birth of Jesus, the Wittenberg Door is synonymous with the Protestant Reformation, and “the pill” symbolizes the sexual revolution. It’s “stuff” that helps tell the story of Christianity. In this unique, rich, and eye-catching book, popular Catholic author and EWTN host Mike Aquilina tells the Christian story through the examination of 100 objects and places. Some, like Michelangelo's Pietà, are priceless works of art. Others, like a union membership pen, don’t hold much monetary value. But through each of them, Aquilina offers a memorable and rewarding look at the history of the Church. When Catholics tell their story, they don’t just write it in books. They preserve it in memorials, monuments, artifacts, and museums. They build grand basilicas to house tiny relics. In this stunning book, Aquilina, together with his writer-daughter Grace, show how the history of the Church didn’t take place shrouded in the mists of time. It actually happened and continues to happen through things that we can see and sometimes hold in our hand. The Christian answer to Neil MacGregor's New York Times bestseller A History of the World in 100 Objects, Aquilina’s A History of the Church in 100 Objects introduces you to: The Cave of the Nativity (the importance of history, memory, and all things tangible) Catacomb niches (the importance of Rome, bones, and relics of the faith) Ancient Map of the World (the undoing of myths about medieval science) Stained Glass (representative of Gothic cathedrals) The Holy Grail (Romance literature and the emergence of writing for the laity) Loaves and fish (a link from Jesus to the sacrament of the Eucharist) The Wittenberg Door (Martin Luther and the onset of the Reformation) Each of these and the 93 other items and places in the book tell part of the Christian story. Each is an essential piece of the story of our salvation. God makes himself known and accessible through material things, always accommodating himself to our condition. It is, after all, the condition he created for us—spiritual and material—and the form he assumed for our salvation.

"An enthralling and profoundly humane book that every civilized person should read." --The Wall Street Journal The blockbuster New York Times bestseller and the companion volume to the wildly popular radio series When did people first start to wear jewelry or play music? When were cows domesticated, and why do we feed their milk to our children? Where were the first cities, and what made them succeed? Who developed math--or invented money? The history of humanity is one of invention and innovation, as we have continually created new things to use, to admire, or leave our mark on the world. In this groundbreaking book, Neil MacGregor turns to objects that previous civilizations have left behind to paint a portrait of mankind's evolution, focusing on unexpected turning points. Beginning with a chopping tool from the Olduvai Gorge in Africa and ending with a recent innovation that is transforming the way we power our world, he urges us to see history as a kaleidoscope--shifting, interconnected, constantly surprising. A landmark bestseller, A History of the World in 100 Objects is one f the most unusual and engrossing history books to be published in years. “None could have imagined quite how the radio series would permeate the national consciousness. Well over 12.5 million podcasts have been downloaded since the first programme and more than 550 museums around Britain have launched similar series featuring local history. . . . MacGregor’s voice comes through as distinctively as it did on radio and his arguments about the interconnectedness of disparate societies through the ages are all the stronger for the detail afforded by extra space. A book to savour and start over.” —The Economist

For half a millennium, throughout almost the entire medieval period, the Catholic church sanctioned military campaigns against what it perceived as its enemies. The rise of Islam and its spread across large parts of the Middle East, Asia, North Africa, and even the peripheries of Europe, saw Muslim warriors seize the Holy Land, occupy Jerusalem, and threaten Constantinople. In response, Pope Urban II advocated a crusade to retake the Holy Land - the first of nine military campaigns that stretched over the succeeding 200 years. Other, lesser-known crusades were subsequently mounted with the aim of Christianizing the more remote regions of northern and north-eastern Europe, as well as against the Cathars in southern France. The advance of the Ottomans into the Balkans saw further crusades to halt the Muslims in Bosnia and Serbia, and the re-conquest of Spain from the Muslim Moors. Such diverse theaters of conflict have resulted in an equally diverse number of relics still to be found in a score of countries. From magnificent castles, swords, artillery and coats of arms, to Crusader-struck coins and even the brass pen box used by Muslim writers to spread the word of Islam, this remarkable collection of artifacts and structures tells the story, much of it largely forgotten, of the conflicts which shaped the nature of the Western World known today, both in spiritual and geographical terms. Beautifully illustrated and written by acknowledged period expert James Waterson, The Crusades in 100 Objects opens a window into the past as never seen before.

Published in collaboration with the National Churches Trust, this fascinating book is a sumptuous and authoritative photographic history of churches in England, as told through the objects inside them. Arranged chronologically from the Roman era to the present day, it covers a huge range of church objects including ornate fonts, beautiful stained glass windows, carved bench ends and rood screens, precious silverware and even church organs, and each piece has a fascinating story to tell. Within these pages, you'll discover: • The Hinton St Mary mosaic in Dorset, created in the early 4th century AD and showing the first depiction of Jesus Christ in Britain. • The full Norman repertoire of abstract geometrical forms displayed in the Tower Arch, St John's Church, Northampton. • The Becket pilgrims represented in glowing medieval stained glass in Canterbury Cathedral. • Exquisitely carved misericords showing scenes from spiritual life through the year in Ripple church, Worcestershire. • Destruction and survival through the Dissolution of the Monasteries at Croyland, Lincolnshire. • Works of art in glass by William Morris and Edward Burne-Jones in Brampton, Cumbria. • Dame Elizabeth Frink's intimate 'Walking Madonna' statue outside Salisbury Cathedral. With all of this and many other glorious treasures of England's Christian history, it's the perfect book for architecture enthusiasts, countryside explorers, dedicated churchgoers and anyone interested in the ongoing story of English churches.

A History of the First World War in 100 Objects narrates the causes, progress and outcome of the First World War by telling the stories behind 100 items of material evidence of that cataclysmic and shattering conflict. From weapons that created carnage to affectionate letters home and from unexpected items of trench decoration to the paintings of official war artists, the objects are as extraordinary in their diversity and story-telling power as they are devastating in their poignancy. Each object is depicted on a full page and is the subject of a short chapter that 'fans out' from the item itself to describe the context, the people and the events associated with it. Distinctive and original, A History of the First World War in 100 Objects is a unique commemoration of 'the war to end all wars'.

The extraordinary array of images included in this volume reveals the full and rich history of the Middle Ages. Exploring material objects from the European, Byzantine and Islamic worlds, the book casts a new light on the cultures that formed them, each culture illuminated by its treasures. The objects are divided among four topics: The Holy and the Faithful; The Sinful and the Spectral; Daily Life and Its Fictions, and Death and Its Aftermath. Each section is organized chronologically, and every object is accompanied by a penetrating essay that focuses on its visual and cultural significance within the wider context in which the object was made and used. Spot maps add yet another way to visualize and consider the significance of the objects and the history that they reveal. Lavishly illustrated, this is an appealing and original guide to the cultural history of the Middle Ages.

While visual cultures mingled comfortably along the silk roads and on the shores of the Mediterranean, medieval England has sometimes been viewed – by both medieval and more recent writers – as isolated. In this Element the author introduces new evidence to show that this understanding of medieval England's visual relationship to the rest of the world demands revision. An international team led by the author has completed a digital reconstruction of the so-called Chertsey combat tiles (sophisticated pictorial floor tiles made c. 1250, England), including both images and lost Latin texts. Grounded in the discoveries made while completing this reconstruction, the author proposes new conclusions regarding the historical circumstances within which the Chertsey tiles were commissioned and their significant connections with global textile traditions.

A lively reimagining of how the distant medieval world of war functioned, drawing on the objects used and made by crusaders Throughout the Middle Ages crusading was justified by religious ideology, but the resulting military campaigns were fueled by concrete objectives: land, resources, power, reputation. Crusaders amassed possessions of all sorts, from castles to reliquaries. Campaigns required material funds and equipment, while conquests produced bureaucracies, taxation, economic exploitation, and commercial regulation. Wealth sustained the Crusades while material objects, from weaponry and military technology to carpentry and shipping, conditioned them. This lavishly illustrated volume considers the material trappings of crusading wars and the objects that memorialized them, in architecture, sculpture, jewelry, painting, and manuscripts. Christopher Tyerman’s incorporation of the physical and visual remains of crusading enriches our understanding of how the crusaders themselves articulated their mission, how they viewed their place in the world, and how they related to the cultures they derived from and preyed upon.

From Algeria and Libya to Egypt and Syria, the Arab world commands Western headlines, even as its complex politics and cultures elude the grasp of most Western readers and commentators. Perhaps no other region is so closely linked to contemporary U.S. foreign policy, and nowhere else does the unfolding of events have such significant consequences for America. A Concise History of the Arabs argues that the key to understanding the Arab world today—and in the years ahead—is unlocking its past. John McHugo takes the reader on a journey through the political, social, and intellectual history of the Arabs from the Roman Empire right up to the present day. His sweeping and fluent account describes in vivid detail the mission of the Prophet Muhammad, the expansion of Islam, the origins of Shiism, medieval and modern conflicts, the fall of the Ottoman Empire, the interaction with Western ideas, the struggle to escape foreign domination, the rise of Islamism, and the end of the era of dictators. McHugo reveals how the Arab world came to have its present form, why change was inevitable, and what choices lie ahead following the Arab Spring. This deeply informed and accessible account is the perfect entry point for anyone seeking to comprehend this vital part of the world.