A few years before his death, Gustave Flaubert finally returned to the adaptation of a legend that had fascinated him since adolescence. The result was The Legend of Saint Julian the Hospitaler, one of his celebrated Three Tales. According to tradition, Julian was a nobleman who turned to a life of self-denial after unwittingly fulfilling a prophecy that he would kill his parents. In Flaubert's hands the legend takes on astonishing complexity and depth. He portrays Julian as a man bound, like Oedipus, by an inexorable fate; a man capable of great cruelty and great piety who both dreads and desires that fate. In Saint/Oedipus, three practitioners of psychocriticism take a close look at Flaubert's powerful and problematic story. Focusing on recurrent patterns of the text, their essays not only shed light on the work itself but constitute an expert introduction to the methods of psychoanalytic criticism. Each contributor approaches The Legend of Saint Julian from a different perspective, drawing on the systems of Freud, Jung, Sartre, and the Chicago school of psychoanalysis. The book includes William Berg's translation of an essay on Saint Julian by Sartre—drawn from his biography of Flaubert, L'Idiot de la famille—which offers compelling insights into the psychological makeup of Flaubert. Two noteworthy features of the book are a fluent and faithful new translation of Saint Julian by Michel Grimaud, and a comprehensive reader's guide to the literature treating psychoanalytic theory and its application to literary texts.

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In Liberating Oedipus?: Psychoanalysis as Critical Theory, Dr. Filip Kovacevic demonstrates how psychoanalytic theory can join political theory in designing alternative political norms and values. Detailing the thoughts of major psychologists including Sigmund Freud, Jacques Lacan, and Alain Badiou, this book offers a new approach to traditional Lacanian theory. Kovacevic's emphasis on Lacanian psychoanalysis is especially relevant due to the modern challenges of failed globalization and the subsequent terrorist reactions. Kovacevic proves that political practice without an emancipatory psychology to guide it is potentially dangerous. Liberating Oedipus? is a critical text for scholars of political theory and those interested in the history of ideas.

Israel Pelletier argues that "Trois contes" demands a different kind of reading which distinguishes it from "Madame Bovary" and other Flaubert texts. By the time he wrote this late work, Flaubert's attitude toward his characters and the role of fiction had changed to accommodate different social, political, and literary pressures. He constructed two opposing levels of meaning for each of the stories, straight and ironic, which produced a more fruitful way of addressing some of his concerns and assumptions about langauge and illusion. Included in this study are a provocative feminist reading of "Un Coeur," an assessment of "Saint Julien" as Flaubert's attempt to come to terms with his originality as a writer, and an interpretation of "Herodias" as an autobiography of the writing process.

Set in Boofer County, Missouri, his mental stability was put into question after he was arrested. The presiding judge asked that a full psychiatric evaluation be performed on Mr. Aubrey. His sentence suspended pending this evaluation, his psychiatrist asked Thom to keep a daily journal of the happenings in his daily life. The results are what you will find in the pages of this book. Join Thom as he tells about his adventures as a traveling staple salesman, his time with his Lady, handles the business side of a local celebrity (his feline companion), offers fatherly advice to his friend Suelo and her one-legged-talent-pageant-hopeful daughter Erma, his multiple visits to see his cannibalistic incarcerated father, on-going feuding with his arch-nemesis (local gynecologist Oedipus Prime)and a slew of other characters and tales.

Queneau's tragicomic masterpiece which retells in an array of styles the primal Freudian myth of sons killing the father. Queneau satirizes anthropology, folklore, philosophy, and epistemology while spinning a story as appealing as a fairy tale about a land where it never rains and a bizarre festival is held every Saint Glinglin's Day.

"Why do queer bachelors and homosexual desire haunt the works of the German writer W. G. Sebald (1944-2001)? In a series of readings of Sebald's major texts, from 'After Nature' to 'Austerlitz', Helen Finch's pioneering study shows that alternative masculinities subvert catastrophe in Sebald's works. From the schizophrenic poet Ernst Herbeck to the alluring shade of Kafka in Venice, the figure of the bachelor offers a form of resistance to the destructive course of history throughout Sebald's critical and literary writing. Sebald's poetics of homosexual desire trace a 'line of flight' away from the patriarchal and repressive order of German society, which, in Sebald's view, led to the disasters of Nazism. This study shows that the potential for subversion personified by Sebald's solitary males is essential for understanding his celebrated work, while also demonstrating the contribution that Sebald made to the German tradition of queer writing. Helen Finch is Academic Fellow in German at the University of Leeds."

The most important poetry reference for more than four decades—now fully updated for the twenty-first century Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition—the first new edition in almost twenty years—reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes. At well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment—including expert synthesis and indispensable bibliographies—than conventional handbooks or dictionaries. This is a book that no reader or writer of poetry will want to be without. Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poets More than 250 new entries cover recent terms, movements, and related topics Broader international coverage includes articles on the poetries of more than 110 nations, regions, and languages Expanded coverage of poetries of the non-Western and developing worlds Updated bibliographies and cross-references New, easier-to-use page design Fully indexed for the first time

The Narrative Reader provides a comprehensive survey of theories of narrative from Plato to Post-Structuralism. The broad selection of texts demonstrate the extent to which narrative permeates the entire field of literature & culture