Arthur Kapewaokeao Waipa Parker, Sr. (1893-1965) was born in Honolulu, Hawaii and married Eva Margaret Vieira (1897- ) who was also born in Hawaii. They were the parents of seven children. Both Arthur and Eva descended from families which had been in the Hawaiian Islands for several generations, as well as from native Hawaiians. The Parker family arrived in Hawaii in the early 1800s with John Palmer Parker (1790-1868) who was born in Massachusetts but traveled to the islands and married a lady known as Kipikane. The Vieira family arrived from the Azores in the 1860s with Henry Vieira de Avila (1828-1909). Descendants live in Hawaii and California.

This groundbreaking anthology is the first to navigate the interconnections between the rhetorics and aesthetics of the Pacific. Like the bright and multifaceted constellation for which it is named, Huihui: Rhetorics and Aesthetics in the Pacific showcases a variety of genres and cross-genre forms—critical essays, poetry, short fiction, speeches, photography, and personal reflections—that explore a wide range of subjects, from Disney’s Aulani Resort to the Bishop Museum, from tiki souvenirs to the Dusky Maiden stereotype, from military recruitment to colonial silencing, from healing lands to healing words and music, from decolonization to sovereignty. These works go beyond conceiving of Pacific rhetorics and aesthetics as being always and only in response to a colonizing West and/or East. Instead, the authors emphasize the importance of situating their work within indigenous intellectual, political, and cultural traditions and innovations of the Pacific. Taken together, this anthology threads ancestral and contemporary discursive strategies, questions colonial and oppressive representations, and seeks to articulate an empowering decolonized future for all of Oceania. Representing several island and continental nations, the contributing authors include Albert Wendt, Haunani-Kay Trask, Mililani Trask, Chantal Spitz, Jonathan Kay Kamakawiwo‘ole Osorio, Flora Devatine, Kalena Silva, Steven Winduo, Alice Te Punga Somerville, Selina Tusitala Marsh, ku‘ualoha ho‘omanawanui, Craig Santos Perez, Gregory Clark, Chelle Pahinui, Dan Taulapapa McMullin, Michael Puleloa, Lisa King, and Steven Gin. Collectively, their words guide us over ocean routes like the great wa‘a, va‘a, waka, proa, and sakman once navigated by the ancestors of Oceania, now navigated again by their descendants.

Kalahele is a collection of poetry and art by a kanaka maoli poet, artist, and musician. Kalahele's work has been published in such seminal anthologies of native Hawaiian literature as Mälama: Hawaiian Land and Water, Hoomänoa, and Öiwi: A Native Hawaiian Journal.

The colorful history of the Hawaiian Islands, since their discovery in 1778 by the great British navigator Captain James Cook, falls naturally into three periods. During the first, Hawaii was a monarchy ruled by native kings and queens. Then came the perilous transition period when new leaders, after failing to secure annexation to the United States, set up a miniature republic. The third period began in 1898 when Hawaii by annexation became American territory. The Hawaiian Kingdom, by Ralph S. Kuykendall, is the detailed story of the island monarchy. In the first volume, "Foundation and Transformation," the author gives a brief sketch of old Hawaii before the coming of the Europeans, based on the known and accepted accounts of this early period. He then shows how the arrival of sea rovers, traders, soldiers of forture, whalers, scoundrels, missionaries, and statesmen transformed the native kingdom, and how the foundations of modern Hawaii were laid. In the second volume, "Twenty Critical Years," the author deals with the middle period of the kingdom's history, when Hawaii was trying to insure her independence while world powers maneuvered for dominance in the Pacific. It was an important period with distinct and well-marked characteristics, but the noteworthy changes and advances which occurred have received less attention from students of history than they deserve. Much of the material is taken from manuscript sources and appears in print for the first time in the second volume. The third and final volume of this distinguished trilogy, "The Kalakaua Dynasty," covers the colorful reign of King Kalakaua, the Merry Monarch, and the brief and tragic rule of his successor, Queen Liliuokalani. This volume is enlivened by such controversial personages as Claus Spreckels, Walter Murray Gibson, and Celso Caesar Moreno. Through it runs the thread of the reciprocity treaty with the United States, its stimulating effect upon the island economy, and the far-reaching consequences of immigration from the Orient to supply plantation labor. The trilogy closes with the events leading to the downfall of the Hawaiian monarchy and the establishment of the Provisional Government in 1893.