Melonville. Smokey Hollow. Bannock Town. Fort Tuyau. Little Chicago. Mud Flats. Pumpville. Tintown. La Coule. These were some of the names given to Métis communities at the edges of urban areas in Manitoba. Rooster Town, which was on the outskirts of southwest Winnipeg endured from 1901 to 1961. Those years in Winnipeg were characterized by the twin pressures of depression, and inflation, chronic housing shortages, and a spotty social support network. At the city’s edge, Rooster Town grew without city services as rural Métis arrived to participate in the urban economy and build their own houses while keeping Métis culture and community as a central part of their lives. In other growing settler cities, the Indigenous experience was largely characterized by removal and confinement. But the continuing presence of Métis living and working in the city, and the establishment of Rooster Town itself, made the Winnipeg experience unique. Rooster Town documents the story of a community rooted in kinship, culture, and historical circumstance, whose residents existed unofficially in the cracks of municipal bureaucracy, while navigating the legacy of settler colonialism and the demands of modernity and urbanization.

Off to Bremen Town go Donkey, Cat, Dog, and Rooster. But music is not on their minds. They're tired of their cruel masters and set out in search of a better life. Is fate kind to the gang?

#1 NEW YORK TIMES BESTSELLER • John Grisham’s newest legal thriller takes you inside a law firm that’s on shaky ground. Mark, Todd, and Zola came to law school to change the world, to make it a better place. But now, as third-year students, these close friends realize they have been duped. They all borrowed heavily to attend a third-tier, for-profit law school so mediocre that its graduates rarely pass the bar exam, let alone get good jobs. And when they learn that their school is one of a chain owned by a shady New York hedge-fund operator who also happens to own a bank specializing in student loans, the three know they have been caught up in The Great Law School Scam. But maybe there's a way out. Maybe there’s a way to escape their crushing debt, expose the bank and the scam, and make a few bucks in the process. But to do so, they would first have to quit school. And leaving law school a few short months before graduation would be completely crazy, right? Well, yes and no ... Pull up a stool, grab a cold one, and get ready to spend some time at The Rooster Bar. Don’t miss John Grisham’s new book, THE EXCHANGE: AFTER THE FIRM!

"The mayor of the noisy city of La Paz institutes new laws forbidding all singing, but a brave little rooster decides he must sing, despite the progressively severe punishments he receives for continuing to crow"--

The acclaimed travel writer chronicles a year of train travel across China in a revealing travelogue that “gives the reader much to relish and think about” (Publishers Weekly). The author of the train travel classics The Great Railway Bazaar and The Old Patagonian Express, takes to the rails once again in this account of his epic journey through China. The always irascible, infectiously curious author “is in top form as he describes the barren deserts of Mongolia and Xinjiang, the ice forests of Manchuria and the dry hills of Tibet. He captures their otherworldly, haunting appearances perfectly. He is also right on target when he talks about the ugliness of China's poorly planned, hastily built cities” (Mark Salzman, The New York Times). Theroux hops aboard a train as part of a tour group in London and sets out for China's border. He then spends a year traversing the country, where he pieces together a fascinating snapshot of a unique moment in history. From sweeping and desolate natural landscapes to the dense metropolises of Shanghai, Beijing, and Canton, Theroux offers an unforgettable portrait of a magnificent land and an extraordinary people.

Award-winning journalist Brian McGrory goes head to beak in a battle royale with another male for a top-spot in his home, vying for dominance with the family’s pet rooster. Brian McGrory's life changed drastically after the death of his beloved dog, Harry: he fell in love with Pam, Harry's veterinarian. Though Brian’s only responsibility used to be his adored Harry, Pam came with accessories that could not have been more exotic to the city-loving bachelor: a home in suburbia, two young daughters, two dogs, two cats, two rabbits, and a portly, snow white, red-crowned-and-wattled step-rooster named Buddy. While Buddy loves the women of the house, he takes Brian's presence as an affront, doing everything he can to drive out his rival. Initially resistant to elements of his new life and to the loud, aggressive rooster (who stares menacingly, pecks threateningly, and is constantly poised to attack), Brian eventually sees that Buddy shares the kind of extraordinary relationship with Pam and her two girls that he wants for himself. The rooster is what Brian needs to be – strong and content, devoted to what he has rather than what might be missing. As he learns how to live by living with animals, Buddy, Brian’s nemesis, becomes Buddy, Brian’s inspiration, in this inherently human story of love, acceptance, and change. In the tradition of bestsellers like Marley and Me, Dewey, and The Tender Bar comes a heartwarming and wise tale of finding love in life’s second chapter - and how it means all the more when you have to fight for it.

The True Story Behind True Grit Immortalized in the classic novel and films, the real "Rooster" Cogburn was as bold, brash, and bigger-than-life as the American West itself. Now, in this page-turning account, Cogburn's great-great-grandson reveals the truth behind the fiction--and the man behind the myth. . . He was born in 1866 in Fancy Hill, Arkansas, the descendant of pioneers and moonshiners. Six foot three, dark eyed, and a dead shot with a rifle, Franklin "Rooster" Cogburn was as hard as the rocky mountain ground his family settled. The only authority the Cogburn clan recognized was God and a gun. And though he never packed a badge, Rooster meted out his own brand of justice--taking on a posse of U.S. deputy marshals in a blazing showdown of gunfire and blood. Now a wanted man, with a $500 reward on his head, Rooster would ultimately have to defend himself before a hanging judge. Proud, stubborn, fearless, and ornery to the bitter end. A fascinating portrait of a true American icon, Rooster shows us the making of a legend--fashioned by Arkansas newspaperman Charles Portis with bits and pieces of historical figures, including Deputy Reuben M. Fry, one-eyed Deputy Marshal Cal Whitson, Joseph Peppers (Lucky Ned), Joseph Spurling (Mattie Ross's grandfather) and bank robber Frank Chaney (scar-faced Tom Chaney.) Behind it all stood a man named "Rooster," with two good eyes and a tale all his own. With never-before-seen photos Some folks are just born to tell tall tales. Brett Cogburn was reared in Texas and the mountains of Southeastern Oklahoma. He was fortunate enough for many years to make his living from the back of a horse, where on cold mornings cowboys still straddled frisky broncs and dragged calves to the branding fire on the end of a rope from their saddlehorns. Growing up around ranches, livestock auctions, and backwoods hunting camps filled Brett's head with stories, and he never forgot a one. In his own words: "My grandfather taught me to ride a bucking horse, my mother gave me a love of reading, and my father taught me how to hunt my own meat and shoot straight. Cowboys are just as wild as they ever were, and I've been damn lucky to have known more than a few." The West is still teaching him how to write. His first novel, Panhandle, will be published in November 2012. Brett Cogburn lives in Oklahoma with his family.

In this splendid book, one of America's masters of nonfiction takes us home--into Hometown, U.S.A., the town of Northampton, Massachusetts, and into the extraordinary, and the ordinary, lives that people live there. As Tracy Kidder reveals how, beneath its amiable surface, a small town is a place of startling complexity, he also explores what it takes to make a modern small city a success story. Weaving together compelling stories of individual lives, delving into a rich and varied past, moving among all the levels of Northampton's social hierarchy, Kidder reveals the sheer abundance of life contained within a town's narrow boundaries. Does the kind of small town that many Americans came from, and long for, still exist? Kidder says yes, although not quite in the form we may imagine. A book about civilization in microcosm, Home Town makes us marvel afresh at the wonder of individuality, creativity, and civic order--how a disparate group of individuals can find common cause and a code of values that transforms a place into a home. And this book makes you feel you live there.

A clever donkey, a fat cat, an old dog, and a kooky rooster band together in search of musical fame and fortune.

While cities like Winnipeg, Minneapolis, Saskatoon, Rapid City, Edmonton, Missoula, Regina, and Tulsa are places where Indigenous marginalization has been most acute, they have also long been sites of Indigenous placemaking and resistance to settler colonialism. Although such cities have been denigrated as “ordinary” or banal in the broader urban literature, they are exceptional sites to study Indigenous resurgence. T​he urban centres of the continental plains have featured Indigenous housing and food co-operatives, social service agencies, and schools. The American Indian Movement initially developed in Minneapolis in 1968, and Idle No More emerged in Saskatoon in 2013. The editors and authors of Settler City Limits , both Indigenous and settler, address urban struggles involving Anishinaabek, Cree, Creek, Dakota, Flathead, Lakota, and Métis peoples. Collectively, these studies showcase how Indigenous people in the city resist ongoing processes of colonial dispossession and create spaces for themselves and their families. Working at intersections of Indigenous studies, settler colonial studies, urban studies, geography, and sociology, this book examines how the historical and political conditions of settler colonialism have shaped urban development in the Canadian Prairies and American Plains. Settler City Limits frames cities as Indigenous spaces and places, both in terms of the historical geographies of the regions in which they are embedded, and with respect to ongoing struggles for land, life, and self-determination.