Romantic Egypt: Abyssal Ground of British Romanticism traces the historical, cultural and intellectual affiliations between Ancient Egypt and Romantic-period Britain and Germany, including the influences contributed by European thought, politics, and interventions such as Napoleon’s 1799 Egyptian Campaign. Until the contributions of Napoleon’s expedition to scientific knowledge of Ancient Egyptian monuments and ruins, Egypt had been largely swathed in mystical explanations of its past, its achievements, its beliefs, and its cultural importance; however, the increased knowledge about Ancient Egypt competed with the allure of a more mythically imbued antiquity in the Romantic imagination. Romantic Egypt argues that this balance between knowing and not-knowing, between deciphering and imagining a golden-age Egypt, between enlightened thought and mysticism, was essential to the development of the Romantic imaginary because, for the Romantics, western philosophy and art had their birth in the all-but-lost wisdom of Ancient Egypt.

Ashalon is a professor of Egyptology at Cairo University. He is none too happy to learn that another American is coming to his country to dig among the ruins of his ancestors. He vows to make it difficult things difficult for this foreigner, who has been given permission by the Council of Antiquities. . .at least until he meets the American upstart, Corina Camden. Professor Camden is searching for mummified remains from the Twenty-first and Twenty-second dynasties, and she quickly captivates Ashalon. Nights Over Egypt is a story of archeological digs, rich culture and buried passion.

From Antony and Cleopatra to Hepburn and Tracy, from the Taj Mahal to the Rainbow Room, "The 50 Most Romantic Things Ever Done" gathers the most extraordinary stories of what historical figures, celebrities, and ordinary people have done for love.

This volume presents a conceptual, historical, anthropological, and sociological review of how culture affects our experience and expression of romantic love. What is romantic love and how is it different from and similar to other kinds of love? How is romantic love related to sex and marriage in human history and across contemporary cultures? What cultural factors mediate attraction in love? These are some of the questions the volume explores through its interdisciplinary yet focused lens. Much of the current research evidence suggests that love is a universal emotion experienced by a majority of people, in various historical eras, and in all the world’s cultures. Yet, love displays in different ways because culture has an impact on people’s conceptions of love and the ways they feel, think, and behave in romantic relationships. This volume summarizes classical knowledge on love and culture while at the same time focusing sharply on recent studies and cutting-edge research that has advanced the field. Divided into three parts, the volume begins by defining and analyzing the concept of romantic love and interdisciplinary approach to its study in cultural context. Part II traces the origin and evolution of romantic love both in various places throughout the world and various time periods throughout history. Part III presents the revolutionary expansion of romantic love ideas and practices in the late 20th and early 21st centuries in various parts of the world, focusing particularly on the development of romantic love as a cultural ideal of the modern cultures. Finally, the book concludes by summarizing the major achievements in this field of study and predicts future development. A timely and thoughtful addition to the literature, Romantic Love in Cultural Contexts delivers thought-provoking insights to researchers in relationship scholarship, sociology, anthropology, and cultural studies, and all those interested in the universal human concept of love. Overall I find Dr. Victor Karandashev is an excellent and fine scholar who has a firm grasp of both the fundamental principles of cross-cultural research and of anthropology. In our increasingly connected world Romantic Love in Cultural Contexts updates and adds to the descriptions and explanations of similarities and differences in romantic love across generations and cultures. Romantic love encompasses the life span, rather than being a phenomenon largely confined to youthful years. The topic of this project concerns the deepest of our sentiments and pervades life from birth to death. This book contributes to better knowledge of this phenomenon across generations. Félix Neto (Professor of Psychology) Faculdade de Psicologia e de Ciências da Educação Universidade do Porto, Portugal

A murdered pharaoh. An evil sorceress. And three lion shifter kings. Sanura would do whatever it took to be the next queen of Egypt - even if it meant marrying her younger half-brother and waging war on all of Africa. But when the pharaoh is murdered and Sanura blamed for the crime, she barely escapes the city with her life. With nothing and no one to help her, Sanura finds herself at the mercy of a lion shifter African king. One of Egypt's sworn enemies. A man who would be better off with her dead. And he's not the only lion king she needs to worry about. THE LIONESS OF EGYPT is the first full-length reverse harem historical fantasy book in the SHIFTERS OF AFRICA trilogy.

Romantic Border Crossings participates in the important movement towards 'otherness' in Romanticism, by uncovering the intellectual and disciplinary anxieties that surround comparative studies of British, American, and European literature and culture. As this diverse group of essays demonstrates, we can now speak of a global Romanticism that encompasses emerging critical categories such as Romantic pedagogy, transatlantic studies, and transnationalism, with the result that 'new' works by writers marginalized by class, gender, race, or geography are invited into the canon at the same time that fresh readings of traditional texts emerge. Exemplifying these developments, the authors and topics examined include Elizabeth Inchbald, Lord Byron, Gérard de Nerval, English Jacobinism, Goethe, the Gothic, Orientalism, Emily Dickinson, Walt Whitman, Anglo-American conflicts, manifest destiny, and teaching romanticism. The collection constitutes a powerful rethinking of the divisions that continue to haunt Romantic studies.

Reproduction of the original.

“Illustrates the complex and contradictory impact of Muslim revivalism on the expectations and hopes of Egyptian youth . . . Recommended.” —Choice Against the backdrop of the revolutionary uprisings of 2011–2013, Samuli Schielke asks how ordinary Egyptians confront the great promises and grand schemes of religious commitment, middle class respectability, romantic love, and political ideologies in their daily lives, and how they make sense of the existential anxieties and stalled expectations that inevitably accompany such hopes. Drawing on many years of study in Egypt and the life stories of rural, lower-middle-class men before and after the revolution, Schielke views recent events in ways that are both historically deep and personal. Schielke challenges prevailing views of Muslim piety, showing that religious lives are part of a much more complex lived experience. “This wonderful book brings fresh insights into the anthropology of hope in general and Egypt in particular. It makes a rewarding read for scholars interested in how life and all its ambiguities and aspirations unfold under changing notions of religious commitment, new regimes of circulation, and emerging patterns of consumption.” —American Anthropologist “An altogether innovative, compelling, and sensitive perspective on what is perhaps the most important question facing young people in the Middle East today: how to make a life in rapidly shifting, complex times whose future is uncertain.” —Jessica Winegar, author of Creative Reckonings: The Politics of Art and Culture in Contemporary Egypt