Ashalon is a professor of Egyptology at Cairo University. He is none too happy to learn that another American is coming to his country to dig among the ruins of his ancestors. He vows to make it difficult things difficult for this foreigner, who has been given permission by the Council of Antiquities. . .at least until he meets the American upstart, Corina Camden. Professor Camden is searching for mummified remains from the Twenty-first and Twenty-second dynasties, and she quickly captivates Ashalon. Nights Over Egypt is a story of archeological digs, rich culture and buried passion.

A charming collection of poetry by a romantic-who has been a teacher, a friend, a lover of all things beautiful and not necessarily in that order. Water is the defining theme and the multi lingual poet delves into the various moods that agua creates in all seasons as this 2nd edition revisits this. He currently lives and works in NYC, NY.

In Lovers Should Never Quarrel, his seventh collection of poetry, author George E. Samuels shares his heart and seeks to help others share theirs. His poetry of love expresses those thoughts we want to communicate to our mates and family. He explains that the universe is full of love and that it is a waste of time for everyone to quarrel when what they really want to do is love each other. Love is a pure emotion that exists like a single thread among all of us and beyond that knows no bounds; we must simply embrace love and nurture it. Tell your loved ones that you love them, and try to never quarrel. This poetry collection offers a path directly to the heart. The Loving Song Being of one is the being of another Leaving one Only to be with another Only smiles and laughter make you feel You have what you have been after. A very special Love A touch of your lips warm waves, vibrations of breath Kisses when you came Kisses when you left playing that Song forming a place of Love A place of care, Loving can't be wrong For loving is a Song. ...

From the late nineteenth century onward, Black Americans looked to ancient Egypt as evidence of a preeminent ancient culture from the African continent. Flight into Egypt traces ancient Egypt’s influence on artists, from Edmonia Lewis’s sculpture The Death of Cleopatra (1876) to the efflorescence of Afrocentric visual art during the Harlem Renaissance, the Black Arts Movement of the 1960s and 1970s, and artistic tendencies of the ensuing decades. This volume explores how Black artists, writers, and musicians—and modern and contemporary Egyptian artists—have employed ancient Egyptian imagery to craft a unifying identity. Authors bring to light the overlooked contributions of Black scholars to the study of ancient Egypt, while statements by contemporary Black and Egyptian artists illuminate ancient Egypt’s continued hold on the creative imagination.

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