Robert Williams: The Father of Exponential Imagination is a comprehensive career spanning, comprehensive collection of the iconic painter’s fine art, including every one of his remarkable oil paintings along with a presentation of his drawings, sculptures, and works in other media. Simply put, this is the art book of the decade, and the book that Williams has been working toward his entire career. In the late 20th and early 21st century, diverse forms of commonplace and popular art appeared to be coalescing into a formidable faction of new painted realism. The new school of imagery was a product of art that didn’t fit comfortably into the accepted definition of fine art. It embraced some of the figurative graphics that formal art academia tended to reject: comic books, movie posters, trading cards, surfer art, hot rod illustration, to mention a few. This alternative art movement found its most apt participant in one of America’s most controversial underground artists, the painter, Robert Williams. It was this artist who brought the term “lowbrow” into the fine arts lexicon, with his groundbreaking 1979 book, The Lowbrow Art of Robt. Williams. Williams pursued a career as a fine arts painter years before joining the art studio of Ed “Big Daddy” Roth in the mid-1960s. From this position he moved into the rebellious, anti-war circles of early underground comix, as one of the celebrated ZAP cartoonists. Featuring an introductory essay by Coagula Art Journal founder Mat Gleason along with a new art manifesto and foreword by Williams himself, as well as tons of rare photos and ephemera.

This book, the first one featuring the amazing artwork of Robert Williams, has been unavailable for many years. The book contains an overview of Williams's early work until 1979. It features images from t-shirt designs, comics, posters and oil paintings.

Exploring the history of contemporary legal thought on the rights and status of the West's colonized indigenous tribal peoples, Williams here traces the development of the themes that justified and impelled Spanish, English, and American conquests of the New World.

This book tells the remarkable story of Robert F. Williams--one of the most influential black activists of the generation that toppled Jim Crow and forever altered the arc of American history. In the late 1950s, as president of the Monroe, North Carolina, branch of the NAACP, Williams and his followers used machine guns, dynamite, and Molotov cocktails to confront Klan terrorists. Advocating "armed self-reliance" by blacks, Williams challenged not only white supremacists but also Martin Luther King Jr. and the civil rights establishment. Forced to flee during the 1960s to Cuba--where he broadcast "Radio Free Dixie," a program of black politics and music that could be heard as far away as Los Angeles and New York City--and then China, Williams remained a controversial figure for the rest of his life. Historians have customarily portrayed the civil rights movement as a nonviolent call on America's conscience--and the subsequent rise of Black Power as a violent repudiation of the civil rights dream. But Radio Free Dixie reveals that both movements grew out of the same soil, confronted the same predicaments, and reflected the same quest for African American freedom. As Robert Williams's story demonstrates, independent black political action, black cultural pride, and armed self-reliance operated in the South in tension and in tandem with legal efforts and nonviolent protest.

A southern black community's struggle to defend itself against racist groups.

Robert Williams Irish Street Preacher and Methodist Circuit Rider Lay Preacher in Ireland and Circuit Rider in America First Methodist to preach in Virginia and North Carolina First Methodist Printer and Publisher in America Founder of the Norfolk and Petersburg Societies 1772 Founder of the Brunswick Circuit 1773-1774 Founder or Jerusalem United Methodist Church 1773 In 1772 news spread along the south side of the Roanoke River that a Methodist circuit rider was going to preach under the big willow oak on Ebenezer Coleman's plantation. Robert Williams preached with power. The oak tree became a regular preaching place on his Brunswick Circuit and the place where Jerusalem United Methodist Church was born. Robert William's birth, baptism, and conversion are not documented. Neither is his call to preach. His travel journals, if there were any kept, have never been found. Dr. Bergland, researching his life and legends, employs church records, colonial history and imagination to tell the story (history) and stories (historical fiction) of an indefatigable (stubborn) Irish lay preacher. Dr. John K Bergland is a retired United Methodist Minister who was the professor of preaching and associate dean at Duke Divinity School. His interest in Methodist history (he authored "Strangely Warm") and convictional preaching are reflected in this book. When he came to Jerusalem UMC as an interim pastor in 2005 he learned about Robert Williams great awakening ministry in the Roanoke Valley. He bought a home on the shores of Lake Gaston (formerly the Roanoke River) and, by the pretty ways of providence, found himself living on the old ferry road used by the circuit rider on his way to the Jerusalem Methodist class in 1773. The Stories of Robert Williams are now heard wherever Dr. Bergland happens to be.

Presents an intellectual history of the West's bias against tribalism that explains how acts of war and dispossession have been justified in the name of civilization and have typically victimized tribal groups.

Robert A. Williams Jr. boldly exposes the ongoing legal force of the racist language directed at Indians in American society. Fueled by well-known negative racial stereotypes of Indian savagery and cultural inferiority, this language, Williams contends, has functioned “like a loaded weapon” in the Supreme Court’s Indian law decisions. Beginning with Chief Justice John Marshall’s foundational opinions in the early nineteenth century and continuing today in the judgments of the Rehnquist Court, Williams shows how undeniably racist language and precedent are still used in Indian law to justify the denial of important rights of property, self-government, and cultural survival to Indians. Building on the insights of Malcolm X, Thurgood Marshall, and Frantz Fanon, Williams argues that racist language has been employed by the courts to legalize a uniquely American form of racial dictatorship over Indian tribes by the U.S. government. Williams concludes with a revolutionary proposal for reimagining the rights of American Indians in international law, as well as strategies for compelling the current Supreme Court to confront the racist origins of Indian law and for challenging bigoted ways of talking, thinking, and writing about American Indians. Robert A. Williams Jr. is professor of law and American Indian studies at the James E. Rogers College of Law, University of Arizona. A member of the Lumbee Indian Tribe, he is author of The American Indian in Western Legal Thought: The Discourses of Conquest and coauthor of Federal Indian Law.

Harriet Norton won't stop crying. Her parents, Ann and Thomas, are being driven close to insanity and only one thing will help. Mysteriously, their infant daughter will only calm when she's under the ancient trees of Bleasdale forest.The Nortons sell their town-house and set up home in an isolated barn. Secluded deep in the forest, they are finally approaching peace - until one night a group of men comes through the trees, ready to upend their lives and threaten everything they've built. Into the Trees is the story of four dispossessed people, drawn to the forest in search of something they lack and finding their lives intertwining in ways they could never have imagined. In hugely evocative and lyrical writing, Robert Williams lays bare their emotional lives, set against the intense and mysterious backdrop of the forest. Compelling and haunting, Into the Trees is a magisterial novel.

This readable yet sophisticated survey of treaty-making between Native and European Americans before 1800, recovers a deeper understanding of how Indians tried to forge a new society with whites on the multicultural frontiers of North America-an understanding that may enlighten our own task of protecting Native American rights and imagining racial justice.