A moving personal memoir of Mississippi in the 1920s and the bitter harvest of racial repression. As the story opens, six-year-old Buster Briggs boards a Pullman car headed south over the Louisville and Nashville Railroad, and we embark with him on what will become his journey from childhood into adolescence. Bus Briggs is a white boy from Indiana who spends his summers and Christmases at his grandparents' Mississippi homeplace—Riverside. Travel with him on this journey of discovery. Join Bus and his cousins as they string popcorn and chinaberries for the yule tree, savor ice cream made from rare Mississippi snow, eat cornbread crumbled in buttermilk, enjoy all-day suckers and dill pickles at the general store. Meet the extended family that lives at Riverside—Buster's grandparents Mammy and Pappy, his aunt Allie and uncle Cally, and his cousins—as well as their black neighbor Mattie Riley and her son Leroy. At the heart of this story lies Buster's strong and sustaining friendship with Leroy. From his Pullman window, Buster first sees Leroy sitting on a stile near Riverside waving at the passing train. Leroy soon becomes Buster's fellow explorer, fishing instructor, and best friend. Before Leroy waves goodbye to Buster's departing train for the last time, an unbreakable bond is formed with the gift of a pocketknife—and what happens because of that gift. Even so, the racial prejudices of the time dictate that the paths of their lives diverge. Wallace Briggs set out to write a memoir of his family and of his own youth, but he has shaped a story that is far more than a personal recollection. Its themes are among the most powerful in literature—love and death, family dynamics, the innocence and selfishness of childhood, the struggle with cultural mores. What Briggs has produced is a work of great power and many pleasures, as finely constructed as a novel or stage play. His prose is crisp, cool, and sweet, like a slice of the watermelon chilling in the artesian well-water at Riverside.

Volume 2 of 8, pages 505-1212. A genealogical compilation of the descendants of John Jacob Rector and his wife, Anna Elizabeth Fischbach. Married in 1711 in Trupbach, Germany, the couple immigrated to the Germanna Colony in Virginia in 1714. Eight volumes document the lives of over 45,000 individuals.

A moving personal memoir of Mississippi in the 1920s and the bitter harvest of racial repression. As the story opens, six-year-old Buster Briggs boards a Pullman car headed south over the Louisville and Nashville Railroad, and we embark with him on what will become his journey from childhood into adolescence. Bus Briggs is a white boy from Indiana who spends his summers and Christmases at his grandparents' Mississippi homeplace—Riverside. Travel with him on this journey of discovery. Join Bus and his cousins as they string popcorn and chinaberries for the yule tree, savor ice cream made from rare Mississippi snow, eat cornbread crumbled in buttermilk, enjoy all-day suckers and dill pickles at the general store. Meet the extended family that lives at Riverside—Buster's grandparents Mammy and Pappy, his aunt Allie and uncle Cally, and his cousins—as well as their black neighbor Mattie Riley and her son Leroy. At the heart of this story lies Buster's strong and sustaining friendship with Leroy. From his Pullman window, Buster first sees Leroy sitting on a stile near Riverside waving at the passing train. Leroy soon becomes Buster's fellow explorer, fishing instructor, and best friend. Before Leroy waves goodbye to Buster's departing train for the last time, an unbreakable bond is formed with the gift of a pocketknife—and what happens because of that gift. Even so, the racial prejudices of the time dictate that the paths of their lives diverge. Wallace Briggs set out to write a memoir of his family and of his own youth, but he has shaped a story that is far more than a personal recollection. Its themes are among the most powerful in literature—love and death, family dynamics, the innocence and selfishness of childhood, the struggle with cultural mores. What Briggs has produced is a work of great power and many pleasures, as finely constructed as a novel or stage play. His prose is crisp, cool, and sweet, like a slice of the watermelon chilling in the artesian well-water at Riverside.

A major figure in American religious and cultural history, Fosdick was famous as a preacher, a pacifist and a champion of civil rights. He was also the author of forty-seven books.

Planting Empire, Cultivating Subjects examines the stories of ordinary people to explore the internal workings of colonial rule. Chinese, Indians, and Malays learned about being British through the plantations, towns, schools, and newspapers of a modernizing colony. Yet they got mixed messages from the harsh, racial hierarchies of sugar and rubber estates, and cosmopolitan urban societies. Empire meant mobility, fluidity, and hybridity, as well as the enactment of racial privilege and rigid ethnic differences. Using sources ranging from administrative files, court transcripts and oral interviews to periodicals and material culture, Professor Lees explores the nature and development of colonial governance, and the ways in which Malayan residents experienced British rule in towns and plantations. This is an innovative study demonstrating how empire brought with it both oppression and economic opportunity, shedding new light on the shifting nature of colonial subjecthood and identity, as well as the memory and afterlife of empire.

Vols. for 1971- include annual reports and statistical summaries.

In only two playsThe Comedy of Errors and The Tempest--does Shakespeare observe the unities of time, action, and place. While these apparent constraints seem to restrict the playwright, they also demonstrate an artistry that transcends the apparent restrictions, especially in The Tempest. The added themes of justice satisfied and of young love realized make for a satisfying blend of artistry and stagecraft.

In words and photographs, the story of visionary architect Addison Mizner * Introduced the Mediterranean Revival and Spanish Colonial Revival styles to southern Florida * Designed and developed the resort town of Boca Raton * Designed the exquisite Everglades Club in Palm Beach Addison Mizner transformed Palm Beach and South Florida with his visionary architecture. He designed, among many others, the landmark Everglades Club in Palm Beach and the Boca Raton Resort and Club in Boca Raton. In this detailed biography, Stephen Perkins and James Caughman examine Mizner's life and origins, and explore how the events of his life influenced his marvelous architectural legacy.

In her large body of work that spanned more than half a century, Alice Marriott gave a wide audience fresh and lively accounts of the complex cultures of the Southwestern American Indian. Trained as an anthropologist/ethnologist, the first woman to graduate with a degree in that field from the University of Oklahoma, she coupled her scientific and creative writing skills to produce books that have become classics. Maria: The Potter of San Ildefonso, a definitive study of Pueblo Indian pottery making, has remained in print for sixty years. The memoirs that comprise this volume were written by Alice Marriott four years before her death in 1992, at the age of 82. They were her response to a request from Still Point Press for a full autobiography. Her frail health at the time—she was ill with Bell’s Palsy, blind in one eye, recovering from multiple fractures from falls—prevented her from writing more. Nevertheless, the pieces she did complete are delightful personal stories, told in that unique Marriott style, still engaging and humorous today.

Once every fifty-two years Arcadia's six erratic moons come together in a constellation that plays havoc with the ecological balance of the planet. As a marine biologist at Riverside Research Centre, Mark Swindon is chiefly concerned about the effect of catastrophic tides on his precious fish pens. Then, without warning, a wave of seemingly motiveless violence sweeps through the normally sleepy colony - and Mark too feels himself drawn against his will into a mysterious cycle of death and rebirth.