In her large body of work that spanned more than half a century, Alice Marriott gave a wide audience fresh and lively accounts of the complex cultures of the Southwestern American Indian. Trained as an anthropologist/ethnologist, the first woman to graduate with a degree in that field from the University of Oklahoma, she coupled her scientific and creative writing skills to produce books that have become classics. Maria: The Potter of San Ildefonso, a definitive study of Pueblo Indian pottery making, has remained in print for sixty years. The memoirs that comprise this volume were written by Alice Marriott four years before her death in 1992, at the age of 82. They were her response to a request from Still Point Press for a full autobiography. Her frail health at the time—she was ill with Bell’s Palsy, blind in one eye, recovering from multiple fractures from falls—prevented her from writing more. Nevertheless, the pieces she did complete are delightful personal stories, told in that unique Marriott style, still engaging and humorous today.

This literary history focuses on five women writers--Mary Austin, Willa Cather, Laura Adams Armer, Peggy Pond Church and Alice Marriott--whose work appeared from around 1900 through the 1980s. All came from or lived and worked in California, Arizona, New Mexico or Oklahoma. The book situates them in their time and place and examines their interactions with landscapes, people, art and history. Their interest in fine arts and native arts and crafts is stressed, as well as their concern for the environment.

In the American Southwest, no two events shaped modern Spanish heritage more profoundly than the San Diego Expositions of 1915-16 and 1935-36. Both San Diego fairs displayed a portrait of the Southwest and its peoples for the American public. The Panama-California Exposition of 1915-16 celebrated Southwestern pluralism and gave rise to future promotional events including the Long Beach Pacific Southwest Exposition of 1928, the Santa Fe Fiesta of the 1920s, and John Steven McGroarty's The Mission Play. The California-Pacific International Exposition of 1935-36 promoted the Pacific Slope and the consumer-oriented society in the making during the 1930s. These San Diego fairs distributed national images of southern California and the Southwest unsurpassed in the early twentieth century. By examining architecture and landscape, American Indian shows, civic pageants, tourist imagery, and the production of history for celebration and exhibition at each fair, Matthew Bokovoy peels back the rhetoric of romance and reveals the legacies of the San Diego World's Fairs to reimagine the Indian and Hispanic Southwest. In tracing how the two fairs reflected civic conflict over an invented San Diego culture, Bokovoy explains the emergence of a myth in which the city embraced and incorporated native peoples, Hispanics, and Anglo settlers to benefit its modern development.

Over the course of their history, the Navajo (Diné) have constructed many types of architecture, but during the 20th century, one building emerged to become a powerful and inspiring symbol of tribal culture. This book describes the rise of the octagonal stacked-log hogan as the most important architectural form among the Diné. The Navajo Nation is the largest Indian reservation in the United States and encompasses territory from within Arizona, New Mexico, and Utah, where thousands of Native American homes, called hogans, dot the landscape. Almost all of these buildings are octagonal. Whether built from plywood nailed onto a wood frame or with other kinds of timber construction, octagonal hogans derive from the stacked-log hogan, a form which came to prominence around the middle of the last century. The stacked-log hogan has also influenced public architecture, and virtually every Diné community on the reservation has a school, senior center, office building, or community center that intentionally evokes it. Although the octagon recurs as a theme across the Navajo reservation, the inventiveness of vernacular builders and professional architects alike has produced a wide range of octagonally inspired architecture. Previous publications about Navajo material culture have emphasized weaving and metalwork, overlooking the importance of the tribe’s built environment. But, populated by an array of octagonal public buildings and by the hogan – one of the few Indigenous dwellings still in use during the 21st century – the Navajo Nation maintains a deep connection with tradition. This book describes how the hogan has remained at the center of Diné society and become the basis for the most distinctive Native American landscape in the United States. The Diné Hogan: A Modern History will appeal to scholarly and educated readers interested in Native American history and American architecture. It is also well suited to a broad selection of college courses in American studies, cultural geography, Native American art, and Native American architecture.

The stories of two women historians and one anthropologist of the 1930s and '40s and their work in Oklahoma and the Southwest.

A study of actresses playing the role of Hamlet on stage and screen.

Includes Part 1, Number 1 & 2: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - December)

A biography and a complete bibliography of New Mexico's leading independent historian.