The Gitanos of el Rastro carry an ‘ontology of simultaneity’ as self-employed traders and Pentecostal practitioners in Madrid. This makes the Spanish Romani be considered as both a part of and apart from mainstream society. This book is an anthropological account of a group of middle and upper-class Gitanos and their ways of creating a ‘society within society’ based upon distinct cultural, moral and ideological values, notions and practices. The study renders a comprehensive perspective on social processes of classification, stratification, ‘othering’ and the role of ‘strangers’ in society and how these processes unfold in the interface between social, ritual and economic life on a local to global scale.

This book was awarded a Special Mention Citation in the 2010 competition for the 'de la Torre Bueno Prize' by The Society of Dance History Scholars. In the region of Salento in Southern Italy, the music and dance of the pizzica has been used in the ritual of tarantism for many centuries as a means to cure someone bitten by the taranta spider. This book, a historical and ethnographic study of tarantism and pizzica, draws upon seven hundred years of writings about the ritual contributed by medical practitioners, scientists, travel writers and others. It also investigates the contemporary revival of interest in pizzica music and dance as part of the 'neo-tarantism' movement, where pizzica and the history of tarantism form a complex web of place, culture and identity for Salentines today. This is one of the first books in English to explore this fascinating ritual practice and its contemporary resurgence. It uses an interdisciplinary framework based in performance studies to ask wider questions about the experience of the body in performance, and the potential of music and dance to create a sense of personal and collective transformation and efficacy.

“A highly personal, richly informed and culturally wide-ranging meditation on the loss of meaning in our times and on pathways to rediscovering it.” —Gabor Maté, MD, author of In The Realm of Hungry Ghosts: Close Encounters With Addiction A neuroanthropologist maps out a revolutionary new practice—Hedonic Engineering—that combines the best of neuroscience and optimal psychology. It’s an intensive program of breathing, movement, and sexuality that mends trauma, heightens inspiration and tightens connections—helping us wake up, grow up, and show up for a world that needs us all. This is a book about a big idea. And the idea is this: Slowly over the past few decades, and now suddenly, all at once, we’re suffering from a collapse in Meaning. Fundamentalism and nihilism are filling that vacuum, with consequences that affect us all. In a world that needs us at our best, diseases of despair, tribalism, and disaster fatigue are leaving us at our worst. It’s vital that we regain control of the stories we’re telling because they are shaping the future we’re creating. To do that, we have to remember our deepest inspiration, heal our pain and apathy, and connect to each other like never before. If we can do that, we’ve got a shot at solving the big problems we face. And if we can’t? Well, the dustbin of history has swallowed civilizations older and fancier than ours. This book is divided into three parts. The first, Choose Your Own Apocalypse, takes a look at our current Meaning Crisis--where we are today, why it’s so hard to make sense of the world, what might be coming next, and what to do about it. It also makes a case that many of our efforts to cope, whether anxiety and denial, or tribalism and identity politics, are likely making things worse. The middle section, The Alchemist Cookbook, applies the creative firm IDEO’s design thinking to the Meaning Crisis. This is where the book gets hands on--taking a look at the strongest evolutionary drivers that can bring about inspiration, healing, and connection. From breathing, to movement, sexuality, music, and substances--these are the everyday tools to help us wake up, grow up, and show up. AKA--how to blow yourself sky high with household materials. And the best part? They’re accessible, by anyone anywhere, no middleman required. Transcendence democratized. The final third of the book, Ethical Cult Building, focuses on the tricky nature of putting these kinds of experiences into gear and into culture—because, anytime in the past when we’ve figured out combinations of peak states and deep healing, we’ve almost always ended up with problematic culty communities. Playing with fire has left a lot of people burned. This section lays out a roadmap for sparking a thousand fires around the world--each one unique and tailored to the needs and values of its participants. Think of it as an open-source toolkit for building ethical culture. In Recapture the Rapture, we’re taking radical research out of the extremes and applying it to the mainstream--to the broader social problem of healing, believing, and belonging. It’s providing answers to the questions we face: how to replace blind faith with direct experience, how to move from broken to whole, and how to cure isolation with connection. Said even more plainly, it shows us how to revitalize our bodies, boost our creativity, rekindle our relationships, and answer once and for all the questions of why we are here and what do we do now? In a world that needs the best of us from the rest of us, this is a book that shows us how to get it done.

The 2008 economic collapse in Iceland sent its residents into a destabilising crisis with far-reaching, temporal and affective consequences. Haunting Futures explores how the complex relationships of this unstable past and the anticipatory modes of the ongoing present keep Icelanders and the Polish migrant community in their midst alert to looming futures in crisis. It offers insights into timely crisis-ridden impacts and imaginings, migration processes and social understandings and practices. Through its attention to how people engage with crisis temporally and affectively, the book presents the crisis not simply as an isolated and distressing event but as a spectre embodied in time through ongoing anticipation.

Their love is outlawed by both their Kinds… Tal-Telal, the legendary General who led the Pure Ones to freedom, paid the ultimate price for his people: breaking the heart of his one True Love. Her shattered heart continues to yearn… Ishtar Anshar, once royalty reigning over a vast, ancient empire, lost everything she held dear. Deceived by those she trusted the most, she blamed the one male who sacrificed all to protect her. No matter the distance and time, love is a renegade that cannot be ruled… Now Fate has reunited them in this modern time to combat a burgeoning threat. Can they put the darkness behind them and forge a brighter future together?

When political protest is read as epidemic madness, religious ecstasy as nervous disease, and angular dance moves as dark and uncouth, the 'disorder' being described is choreomania. At once a catchall term to denote spontaneous gestures and the unruly movements of crowds, 'choreomania' emerged in the nineteenth century at a time of heightened class conflict, nationalist policy, and colonial rule. In this book, author K lina Gotman examines these choreographies of unrest, rethinking the modern formation of the choreomania concept as it moved across scientific and social scientific disciplines. Reading archives describing dramatic misformations-of bodies and body politics-she shows how prejudices against expressivity unravel, in turn revealing widespread anxieties about demonstrative agitation. This history of the fitful body complements stories of nineteenth-century discipline and regimentation. As she notes, constraints on movement imply constraints on political power and agency. In each chapter, Gotman confronts the many ways choreomania works as an extension of discourses shaping colonialist orientalism, which alternately depict riotous bodies as dangerously infected others, and as curious bacchanalian remains. Through her research, Gotman also shows how beneath the radar of this colonial discourse, men and women gathered together to repossess on their terms the gestures of social revolt.

In 2016, Edith Turner passed away. She left behind an intellectual legacy that, together with her husband, Victor Turner, transformed modern anthropology. This edited collection focuses on Victor and Edith Turner’s significant theoretical contributions, including their work on communitas, liminality, pilgrimage, friendship, fieldwork, self-reflection, affective culture, religion, spirits, and faith. This collection includes retrospectives on the personal lives of Edith and Victor, as provided by their son; a close look at Edith’s work on last rites, for which she studied and contemplated her own demise; an examination of Edith’s faith and belief system in light of her personal research interests; and contemporary applications of the Turners’s theories in relation to modern social processes. Contributors touch on a variety of topics, including current political upheavals and inversions, the values of friendship and bonding, the importance of music as affective culture, jazz as a pilgrimage, and deeper theoretical issues surrounding the concept of liminality. This work illustrates the Turners’ enduring theoretical and affective contributions and emphasizes the great importance they placed on studying and understanding what it means to be human. We continue to learn from their example.

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