‘Walker is my name and I am the same. Riddley Walker. Walking my riddels where ever theyve took me and walking them now on this paper the same. There aint that many sir prizes in life if you take noatis of every thing. Every time will have its happenings out and every place the same. Thats why I finely come to writing all this down. Thinking on what the idear of us myt be. Thinking on that thing whats in us lorn and loan and oansome.’ Composed in an English which has never been spoken and laced with a storytelling tradition that predates the written word, RIDDLEY WALKER is the world waiting for us at the bitter end of the nuclear road. It is desolate, dangerous and harrowing, and a modern masterpiece.

"A hero with Huck Finn's heart and charm, lighting by El Greco and jokes by Punch and Judy. . . . Riddley Walker is haunting and fiercely imagined and—this matters most—intensely ponderable." —Benjamin DeMott, The New York Times Book Review "This is what literature is meant to be." —Anthony Burgess "Russell Hoban has brought off an extraordinary feat of imagination and style. . . . The conviction and consistency are total. Funny, terrible, haunting and unsettling, this book is a masterpiece." —Anthony Thwaite, Observer "Extraordinary . . . Suffused with melancholy and wonder, beautifully written, Riddley Walker is a novel that people will be reading for a long, long time." —Michael Dirda, Washington Post Book World "Stunning, delicious, designed to prevent the modern reader from becoming stupid." —John Leonard, The New York Times "Highly enjoyable . . . An intriguing plot . . . Ferociously inventive." —Walter Clemons, Newsweek "Astounding . . . Hoban's soaring flight of imagination is that golden rarity, a dazzlingly realized work of genius." —Jane Clapperton, Cosmopolitan "An imaginative intensity that is rare in contemporary fiction.' —Paul Gray, Time Riddley Walker is a brilliant, unique, completely realized work of fiction. One reads it again and again, discovering new wonders every time through. Set in a remote future in a post-nuclear holocaust England (Inland), Hoban has imagined a humanity regressed to an iron-age, semi-literate state—and invented a language to represent it. Riddley is at once the Huck Finn and the Stephen Dedalus of his culture—rebel, change agent, and artist. Read again or for the first time this masterpiece of 20th-century literature with new material by the author.

Two lonely Londoners bond over a plan to free the sea turtles at the city zoo in this touching novel from a cult-favorite author who has drawn comparisons to J.D. Salinger and Kurt Vonnegut. A wise and touching classic that “crackles with witty detail, mordant intelligence and self-deprecating irony,” from the author of Riddley Walker (Time) Life in a city can be atomizing, isolating. And it certainly is for William G. and Neaera H., the strangers at the center of Russell Hoban’s surprisingly heartwarming novel Turtle Diary. William, a clerk at a used bookstore, lives in a rooming house after a divorce that has left him without home or family. Neaera is a successful writer of children’s books, who, in her own estimation, “looks like the sort of spinster who doesn’t keep cats and is not a vegetarian. Looks…like a man’s woman who hasn’t got a man.” Entirely unknown to each other, they are both drawn to the turtle tank at the London Zoo with “minds full of turtle thoughts,” wondering how the turtles might be freed. And then comes the day when Neaera walks into William’s bookstore, and together they form an unlikely partnership to make what seemed a crazy dream become a reality.

Falling head over heels for the spirited Lola, who shares his musical tastes and complements him on every level, Max nevertheless pursues a secret second relationship when the unattainable high-school homecoming queen he loved years earlier reenters his life.

Sweeping from New Mexico's desert to Auckland's wild west coast beaches, from the bloodied jungles of Vietnam to the dry valleys of Antarctica, Ocean Roads warms us with desert sun, fills our lungs with salt air, drenches us with jungle rain and chills us with glacial ice. This novell tells the powerful, unnerving story of three generations of a family that has been scarred by war, the horror of the first nuclear detonations, of Nagasaki, of Vietnam. When the formal hostilities end, war carries on in the bodies and hearts and minds of the former combatants, and it provides a bitter legacy. But love grows out of the detritus of conflict, and with love comes and understanding of human limitations, frailty, and the possibilities of trust. Shortlisted for the 2007 Commonwealth Writers' Prize for Best Book in the South East Asia and South Pacific region

In The Medieval Presence in the Modernist Aesthetic: Unattended Moments, editors Simone Celine Marshall and Carole M. Cusack have brought together essays on literary Modernism that uncover medieval themes and tropes that have previously been “unattended”, that is, neglected or ignored. A historical span of a century is covered, from musical modernist Richard Wagner’s final opera Parsifal (1882) to Russell Hoban’s speculative fiction Riddley Walker (1980), and themes of Arthurian literature, scholastic philosophy, Irish legends, classical philology, dream theory, Orthodox theology and textual exegesis are brought into conversation with key Modernist writers, including T. S. Eliot, Ezra Pound, Samuel Beckett, Marcel Proust, W. B. Yeats, Evelyn Waugh and Eugene Ionesco. These scholarly investigations are original, illuminating, and often delightful.

In a "feudal Europe seven centuries into post-Hitlerian society, Burdekin's novel explores the connection between gender and political power and anticipates modern feminist science fiction."--Cover.

The six hundred passengers and crew members aboard a jumbo jetliner are left without a destination and a country when nuclear war breaks out and spreads devastation around the world. A collapsed economy and an increasingly savage society were causing thousands to abandon America. Captain Jonah Scott was a pilot, hired to fly some lucky refugees to London. But once in the air, nuclear war broke out, and Scott became responsible for the entire human race!

On a day like any other, Kleinzeit gets fired. Hours later he finds himself in hospital with a pair of adventurous pyjamas and a recurring geometrical pain. Here he falls instantly in love with a beautiful night nurse called Sister. And together they are pitched headlong into a wild and flickering world of mystery ... Kleinzeit. In German that means 'hero'. Or 'smalltime'. It depends on whom you ask. 'Russell Hoban is our Ur-novelist, a maverick voice that is like no other' SUNDAY TELEGRAPH

Identity crises, consumerism, and star-crossed teenage love in a futuristic society where people connect to the Internet via feeds implanted in their brains. Winner of the LA Times Book Prize. For Titus and his friends, it started out like any ordinary trip to the moon - a chance to party during spring break and play around with some stupid low-grav at the Ricochet Lounge. But that was before the crazy hacker caused all their feeds to malfunction, sending them to the hospital to lie around with nothing inside their heads for days. And it was before Titus met Violet, a beautiful, brainy teenage girl who knows something about what it’s like to live without the feed-and about resisting its omnipresent ability to categorize human thoughts and desires. Following in the footsteps of George Orwell, Anthony Burgess, and Kurt Vonnegut, Jr., M. T. Anderson has created a brave new world - and a hilarious new lingo - sure to appeal to anyone who appreciates smart satire, futuristic fiction laced with humor, or any story featuring skin lesions as a fashion statement.