In a "feudal Europe seven centuries into post-Hitlerian society, Burdekin's novel explores the connection between gender and political power and anticipates modern feminist science fiction."--Cover.

Published in 1937, twelve years before Orwell's 1984, this novel projects a totally male-controlled fascist world that has eliminated women as we know them. They are breeders, kept as cattle, while men in this post-Hitlerian world are embittered automatons, fearful of all feelings, having abolished all history, education, creativity, books, and art. Not even the memory of culture remains. The plot centers on a "misfit" who asks, as readers must, "How could this have happenned?" Ann J. Lane calls the novel a "brilliant, chilling dystopia." "This is a powerful, haunting vision of the inner and outer worlds of male violence."-Blanche Wiesen Cook, author of Eleanor Roosevelt: Volume One, 1884-1933

Originally published in England in 1934, this searing, still timely novel offers and incisive critique of the sexual politics and militarism of England, and the West as a whole. Proud Man is told from the perspective of a "Genuine Person" who has been thrown back in time thousands of years from a peaceful future society. The Genuine Person comes from a people that are androgynous, self-fertilizing, and vegetarian; they live without a national government and artificial social divisions of gender and class. Taking on first female, then male form, the "Genuine Person" confronts the deeply troubled reality of England in the 1930s, still battered after one World War and on the road to another.

A A A Written in 1935 but never published until now, this novel depicts a world ruled by women some 4,000 years into the future. Men live alone and rear boys in a cheerful atmosphere of sports, physical labor, and healthy sexuality, but without the consciousness of anxiety or knowledge of history claimed by women. The plot of the novel described by Choice as "a forgotten masterpiece", turns on the desire of one woman to teach her son about the past. Risking their lives, she tells the story of the rise of fascism and the subsequent world transformation as life-loving women took over from death-lovign men. "Burdekin's novel is one of the few serious role-reversal utopias we have. I read it in one sitting." - Joanna Russ , author of The Female Man

An Iranian woman forges her own path through life in this “stylishly original contribution to modern feminist literature” (Publishers Weekly). After her father’s death, fourteen-year-old Touba takes her family’s financial security into her own hands by proposing to a fifty-two-year-old relative. But, intimidated by her outspoken nature, Touba’s husband soon divorces her. When she marries again, it is to a prince with whom she experiences tenderness and physical passion and bears four children—but their relationship sours when he proves unfaithful. Touba is granted a divorce, and as her unconventional life continues, she becomes the matriarch of an ever-changing household of family members and refugees . . . Hailed as “one of the unsurpassed masterpieces of modern Persian literature” (Iranian.com), Touba and the Meaning of Night explores the ongoing tensions between rationalism and mysticism, tradition and modernity, male dominance and female will—all from a distinctly Iranian viewpoint. Defying both Western stereotypes of Iranian women and expectations of literary form, this beautiful novel reflects the unique voice of its author as well as an important tradition in Persian women’s writing. “Parsipur’s novel carries the reader on a mystical and emotional odyssey spanning eight decades of Iranian cultural, political, and religious history . . . rewarding and enlightening.” —Booklist “A sweeping chronicle of modern Iranian history and a study of the plight of twentieth-century Iranian women . . . [displaying] deft utilization of magic realism and Persian myths . . . rich and well-crafted.” —Library Journal

"I'd grown up in the land of TRANSYLVANIA, homeland to Dracula, Vlad the Impaler, and, worse, the Communist dictator, Nicolae Ceausescu--who turned Romania into a land of gray-clad zombies who never dared to show their individuality, and where neighbors became informants, and the Securitate made people disappear," writes the author. "Daylight empowered the regime to encircle us like starved wolves, and so night had always been the time to steal a bit of freedom. As if bred into our Transylvanian blood, we were like vampires who came to life after sundown. I buried the family jewels and left my outpost to join the action . . . tonight Ceausescu would die!"Known for using stand-ins to pose for him, Aura doubts if it was even Ceausescu himself who was killed that night. Nevertheless, when her countrymen topple one of the most draconian regimes in the Soviet bloc, Aura Imbarus tells herself that life post-revolution will be different. But little in the country changes. With two pieces of luggage and a powerful dream, Aura and her new husband flee to America. Through sacrifice and hard work, the couple acquire the "American Dream"--but discover that straddling two cultures is much more complicated than they expect.

Jews celebrate the story of sweet Esther and evil Haman every Purim.

   Originally published in England in 1934, this searing, timely novel offers and incisive critique of the sexual politics and militarism of England, and the West as a whole, in the post-World War I years. The novel is told from the perspective of a "Genuine Person" who has been hurtled thousands of years back in time from a future society whose citizens are peaceful, androgynous, self-fertilizing, vegetarian, and without national government and artificial social divisions of gender and class. Taking on first female, then male form, the Genuine Person confronts the reality of England in the 1930s: a society deeply troubled by fascism, the aftermath of war, gender and class divisions, religious hypocrisy, national chauvinism, and the breakdown of families and other social institutions. The protagonist is drawn into relationships with a priest who teachers her/him the English language, a woman struggling with sexual politics and sexual identity, and a man haunted by a murder he committed, driven by his deeply ingrained hatred and fear of women. This powerful novel by a master of dystopian fiction raises disturbing questions about war and peace and the nature of human relationships in an oppressive culture.

An unforgettable novel from the New York Times bestseller Gordon Korman Link, Michael, and Dana live in a quiet town. But it's woken up very quickly when someone sneaks into school and vandalizes it with a swastika. Nobody can believe it. How could such a symbol of hate end up in the middle of their school? Who would do such a thing? Because Michael was the first person to see it, he's the first suspect. Because Link is one of the most popular guys in school, everyone's looking to him to figure it out. And because Dana's the only Jewish girl in the whole town, everyone's treating her more like an outsider than ever. The mystery deepens as more swastikas begin to appear. Some students decide to fight back and start a project to bring people together instead of dividing them further. The closer Link, Michael, and Dana get to the truth, the more there is to face-not just the crimes of the present, but the crimes of the past. With Linked, Gordon Korman, the author of the acclaimed novel Restart, poses a mystery for all readers where the who did it? isn't nearly as important as the why?