This book presents both a historical overview of the absorption of Heidegger’s thought into English-language philosophical schools as well as a philosophical discussion of his thought provided by contemporary scholars. The text describes the ways in which a philosophical methodology and worldview seemingly so inhospitable to Anglophone academia has managed to find an unlikely home. This volume is roughly divided into two types of contributions: discussions of Heidegger’s reception in the English-speaking world, and outstanding examples of English-language Heidegger scholarship. The first type includes both historiographical accounts of the encounters between Heidegger’s thought and the Anglo-American world, as well as their philosophical expositions and critiques. The second group of chapters reveal the latest contemporary scholarship by contemporary Heideggerians writing in English. It is moreover the first volume to bring together thinkers from both genealogies of Anglo-American Heideggerianism appealing to students and researchers working in both of these camps.

"This is a fine, bilingual edition of the works of one of the great French Surrealists. . . . The translations, by several hands, serve Char well--full of insinuating rhythms and unusual verbal couplings, they come close to the piercing beauty of the originals." --Pat Monaghan, Booklist

As recent events indicate, Iranian, Middle Eastern, and Islamic politics more broadly have been deeply influential in world affairs. Hamid Dabashi has been a highly visible and prominent commentator on these affairs, explaining, interpreting, and providing a critical perspective. This volume gathers together his most influential and insightful writings. As one of the foremost contemporary public intellectuals and scholars of our time, Dabashi's interests and writings span subjects ranging from Islamic philosophy and political ideology to Iranian art and Persian literature, from Sufism and Orientalism to Iranian and world cinema and contemporary Arab and Muslim visual arts; and from postcolonial theory and globalization to imperialism and public affairs. There is a direct connection between his theoretical innovations and the angle of his public interventions on the urgent global issues of the day. This book brings together some of his most important writings, especially those that offer new ways of understanding Islam, Iran, Islamist ideology, global art, and the condition of global modernity. The book shows the underlying conceptual themes that unify Dabashi's wide-ranging and brilliantly insightful corpus. Dabashi combines deep knowledge of the subject matter about which he writes, and highly refined sociological, hermeneutical, and cultural interpretive skills, moving far beyond the limiting, distorted, and intellectually stifling character of reigning absolutist conventions. He places existing authoritative frameworks under close scrutiny in order to produce novel and penetrating insights. These essays reflect historical and geographical worlds that are best viewed when Hamid Dabashi's work is read as a whole, which this one- volume work makes possible for the first time.

One of the temptations of the preacher is to make all conversations about grace too “nice”. But a true preacher of grace, like Carlos, knows that this does not help people grow in faith at all. In this book, Carlos continues his ambitious, multi-volume quest to make it possible to live the Christian faith authentically without either dumbing down our intelligence or forcing us into a Stockholm syndrome of speaking “well” while tamping down the realities through which we are really living. Hence, Carlos has put his nets deep into the life experiences of different groups of those who have lost, of those for whom the outrage of death is a constant reality, and who have had to learn a new language in order to speak at all. All this is in service of giving us a sense of how much of a shake-up truly theological faith in the resurrection is when it is discovered on the inside by those who have found themselves caught up in an an-archic uprising of hope. I learned much from this book. –James Alison, priest and theologian. Feast of St Dominic, 2024. The Resurrection as a Messianic Anticipation signals the road ahead for political and liberation theologies. We can and must place our hope in the resurrection even as the world around us continues to collapse, as the specter of global violence escalates, and as the body counts mount. This prescient, scholarly work faces directly the horrors of our time and uncovers a credible theological response among the survivors. It is a must-read. – Nancy Pineda-Madrid, Loyola Marymount University This powerful book calls us to rise up against death and senseless violence. It reclaims resurrection as a communal praxis of indomitable life. It cries out with the victims of history and remembers their radiant hopes of ecstatic transformation. It is revolutionary in the best sense of the word. – Andrew Prevot, author of The Mysticism of Ordinary Life: Theology, Philosophy and Feminism The first part of a trilogy on the idea of tradition, The Resurrection as a Messianic Anticipation, proposes a theology of new life from a postmodern and decolonial perspective. This investigation of the resurrection’s foundational event starts from the analysis of intersubjectivity in our times of extreme violence, based on the creative imagination deployed by the systemic victims. From this existential background, the author offers a creative reading of the Christian faith in the full life of the "Crucified One Awoke" dialoguing with the reason that arises from the social, cultural, and spiritual resistances that dismantle the violence produced by patriarchy, colonialism, and capitalism colluded with sacrificial religion. It will be followed by two volumes on the theology of tradition thought as a symbolic resistance and as a political sacramentality of the new world born from the reverse side of hegemonic history where it is possible to listen to the murmur of God thanks to the persons and communities that live the messianic times as a living tradition in constant transformation containing an ethical, political and spiritual task for all humanity. Carlos Mendoza-Álvarez OP is a Mexican theologian. He holds a doctorate in Fundamental Theology from the University of Fribourg in Switzerland, where he also obtained his habilitation. His work proposes a Fundamental Theology where the Phenomenology of Subjectivity, Mimetic Theory, and Decolonial Thought converge in dialogue with Social Movements from the Global South. He is a full professor in the Theology Department at Boston College. He has published eight monographs, thirty chapters in collective works, and sixty articles in scientific journals. His books include a trilogy on the idea of revelation: Deus Liberans (Fribourg, 1996), Deus absconditus (Paris, 2011), and Deus ineffabilis (Barcelona, 2015).

Abbas Kiarostami planted Iran firmly on the map of world cinema when he won the Palme d'Or at the Cannes film festival for his film A Taste of Cherry in 1997. In this book Hamid Dabashi examines the growing reputation of Iranian cinema from its origins in the films of Kimiyai and Mehrjui, through the work of established directors such as Kiarostami, Beyzai and Bani-Etemad, to young filmmakers like Samira Makhmalbaf and Bahman Qobadi, who triumphed at the Cannes 2000 festival. Dabashi combines exclusive interviews with directors, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustration to provide an indispensable guide to a globally celebrated but little-studied cinematic genre. Book jacket.

From the theory-practice couple, there are various ways to approach educational and training issues. Intervention research, reflexive situated action and innovation are some of them. Through the analysis of the author's various experiences - professional and initial training, support for change, organizational assessment, experiential learning, project management - this book explores questions about social or professional contexts and the subjective training of actors. One of the challenges is to understand and challenge phenomena such as the development of autonomy and subsidiarity in changing academic or academic contexts. The book promotes the emergence of an ethical and resilient subjectivity. It will show that storytelling is methodological resources for research-intervention paradigms, support the development of actors and stimulate mobility. The book introduces the hypothesis of an operational principle of the feminine as fluid gender, added value to the collective intelligences of the processes of transformation of education and teaching, in terms of intergenerational transmission and in terms of transferability and Strategic activation of skills between business sectors and intellectual fields. This praxeology reconsiders organizations, temporalities, frames of reference, relaunches a reflection in action at the heart of structuration-transformation projects in governance of public action, as well as in terms of personal and collective encapacitation. The reflection opens to questions of management of conflictualities and management of the subjective, epistemological and professional economies.

"A deep contribution to literary theory that champions the virtues of thinking in common--that is, cultural imagination--and the ethical power of art"--