This text investigates how Syon Abbey responded to the religious turbulence of the 1520s and 1530s. It examines the 11 books 3 brothers had printed during this period and argues that the Bridgettines used vernacular printing to engage with religious and political developments that threatened their understanding of orthodox faith.

Scholarship on religious printed images during the English Reformation (1535-1603) has generally focused on a few illustrated works and has portrayed this period in England as a predominantly non-visual religious culture. The combination of iconoclasm and Calvinist doctrine have led to a misunderstanding as to the unique ways that English Protestants used religious printed images. Building on recent work in the history of the book and print studies, this book analyzes the widespread body of religious illustration, such as images of God the Father and Christ, in Reformation England, assessing what religious beliefs they communicated and how their use evolved during the period. The result is a unique analysis of how the Reformation in England both destroyed certain aspects of traditional imagery as well as embraced and reformulated others into expressions of its own character and identity.

Reforming French Culture is a ground-breaking work on the literary genre of Reformation satire—colloquial, obscene, scatological—designed to mock the excesses as well as the essence of the Roman Catholic rite and hierarchy. Enticingly, Hoffmann proposes that while romance, with its episodic, heroic narrative, is the literary genre of Counter-Reformation, satire is the genre of Reformation. This minor category of Renaissance French literature is an unstudied continent that plays a key role, not only in French literature, but also in French history, and in the evolution of French culture more generally. From this deceptively small focus, the volume opens up huge vistas: on the Reformation, on French history, and on the symbiosis of spirituality and estrangement to which it views modern French culture as heir. Rather than using literature to illustrate history, or contextualizing literature through historical background, this book brings literary understanding (what satire is and what it does) to bear on historical understanding. Situated at the crossroads of religion, literature, and cultural history, it explores how France, in this period, became a culturally Protestant country while remaining confessionally Catholic.

The Reformation led those who embraced Martin Luther's teachings to revise virtually every aspect of their faith and to reorder their daily lives in view of their new beliefs. Nowhere was this more true than with death. By the beginning of the sixteenth century the Medieval Church had established a sophisticated mechanism for dealing with death and its consequences. The Protestant reformers rejected this new mechanism. To fill the resulting gap and to offer comfort to the dying, they produced new liturgies, new church orders, and new handbooks on dying. This study focuses on the earliest of the Protestant handbooks, beginning with Luther's Sermon on Preparing to Die in 1519 and ending with Jakob Otter's Christlich leben vnd sterben in 1528. It explores how Luther and his colleagues adopted traditional themes and motifs even as they transformed them to accord with their conviction that Christians could be certain of their salvation. It further shows how Luther's colleagues drew not only on his teaching on dying, but also on other writings including his sermons on the sacraments. The study concludes that the assurance of salvation offered in the Protestant handbooks represented a significant departure from traditional teaching on death. By examining the ways in which the themes and teachings of the reformers differed from the late medieval ars moriendi, the book highlights both breaks with tradition and continuities that marked the early Reformation.

This book rescues three little-known bestsellers of the English Reformation and employs them in an examination of intellectual and religious revolution. How did sixteenth-century English Protestant manuals of private devotion - often to be read aloud - stream continental theology into the domestic contexts of parish, school, and home? Patterson elucidates ideological programs presented in key texts in light of evolving patterns of public and private worship; she also considers the processes of transmission by which complex doctrinal debates were packaged for cultivating an everyday piety in a confusing age of inflammatory, politicized religion. It is in the most prosaic challenges of daily realities, that the deepest opportunities lie for experiencing the divine. Intersecting issues of piety, rhetoric, and the devotional life of the home, this book brings to life reformists' endeavors to guide popular responses to the Protestant revolution itself.

Reforming the World considers the intricate relationship between social reform and spiritual elevation and the development of fiction in the antebellum United States. Arguing that novels of the era engaged with questions about the proper role of fiction taking place at the time, Maria Carla Sánchez illuminates the politically and socially motivated involvement of men and women in shaping ideas about the role of literature in debates about abolition, moral reform, temperance, and protest work. She concludes that, whereas American Puritans had viewed novels as risqué and grotesque, antebellum reformers elevated them to the level of literature—functioning on a much higher intellectual and moral plane. In her informed and innovative work, Sánchez considers those authors both familiar (Lydia Maria Child, Harriet Jacobs, and Harriet Beecher Stowe) and those all but lost to history (Timothy Shay Arthur). Along the way, she refers to some of the most notable American writers in the period (Emerson, Thoreau, and Poe). Illuminating the intersection of reform and fiction, Reforming the World visits important questions about the very purpose of literature, telling the story of “a revolution that never quite took place," one that had no grandiose or even catchy name. But it did have numerous settings and participants: from the slums of New York, where prostitutes and the intemperate made their homes, to the offices of lawyers who charted the downward paths of broken men, to the tents for revival meetings, where land and souls alike were “burned over” by the grace of God.

Five hundred years ago a monk nailed his theses to a church gate in Wittenberg. The sound of Luther’s mythical hammer, however, was by no means the only aural manifestation of the religious Reformations. This book describes the birth of Lutheran Chorales and Calvinist Psalmody; of how music was practised by Catholic nuns, Lutheran schoolchildren, battling Huguenots, missionaries and martyrs, cardinals at Trent and heretics in hiding, at a time when Palestrina, Lasso and Tallis were composing their masterpieces, and forbidden songs were concealed, smuggled and sung in taverns and princely courts alike. Music expressed faith in the Evangelicals’ emerging worships and in the Catholics’ ancient rites; through it new beliefs were spread and heresy countered; analysed by humanist theorists, it comforted and consoled miners, housewives and persecuted preachers; it was both the symbol of new, conflicting identities and the only surviving trace of a lost unity of faith. The music of the Reformations, thus, was music reformed, music reforming and the reform of music: this book shows what the Reformations sounded like, and how music became one of the protagonists in the religious conflicts of the sixteenth century.

The Reformation used to be singular: a unique event that happened within a tidily circumscribed period of time, in a tightly constrained area and largely because of a single individual. Few students of early modern Europe would now accept this view. Offering a broad overview of current scholarly thinking, this collection undertakes a fundamental rethinking of the many and varied meanings of the term concept and label 'reformation', particularly with regard to the Catholic Church. Accepting the idea of the Reformation as a process or set of processes that cropped up just about anywhere Europeans might be found, the volume explores the consequences of this through an interdisciplinary approach, with contributions from literature, art history, theology and history. By examining a single topic from multiple interdisciplinary perspectives, the volume avoids inadvertently reinforcing disciplinary logic, a common result of the way knowledge has been institutionalized and compartmentalized in research universities over the last century. The result of this is a much more nuanced view of Catholic Reformation, and once that extends consideration much further - both chronologically, geographically and politically - than is often accepted. As such the volume will prove essential reading to anyone interested in early modern religious history.

The "new community" movement of the 1960s and 1970s attempted a grand experiment in housing. It inspired the construction of innovative communities that were designed to counter suburbia's cultural conformity, social isolation, ugliness, and environmental problems. This richly documented book examines the results of those experiments in three of the most successful new communities: Irvine Ranch in Southern California, Columbia in Maryland, and The Woodlands in the suburbs of Houston, Texas. Based on new research and interviews with developers, designers, and residents, Ann Forsyth traces the evolution, the successes, and the shortcomings of these experiments in urban innovation. Where they succeeded, in areas such as community identity and open space preservation, they provide support for current "smart growth" proposals. Where they did not, in areas such as housing affordability and transportation choices, they offer important insights for today's planners, designers, developers, civic leaders, and others interested in incorporating new forms of development into their designs.

This book seeks to explain the political and religious factors leading to the economic reversal of fortunes between Europe and the Middle East.