The Reformation led those who embraced Martin Luther's teachings to revise virtually every aspect of their faith and to reorder their daily lives in view of their new beliefs. Nowhere was this more true than with death. By the beginning of the sixteenth century the Medieval Church had established a sophisticated mechanism for dealing with death and its consequences. The Protestant reformers rejected this new mechanism. To fill the resulting gap and to offer comfort to the dying, they produced new liturgies, new church orders, and new handbooks on dying. This study focuses on the earliest of the Protestant handbooks, beginning with Luther's Sermon on Preparing to Die in 1519 and ending with Jakob Otter's Christlich leben vnd sterben in 1528. It explores how Luther and his colleagues adopted traditional themes and motifs even as they transformed them to accord with their conviction that Christians could be certain of their salvation. It further shows how Luther's colleagues drew not only on his teaching on dying, but also on other writings including his sermons on the sacraments. The study concludes that the assurance of salvation offered in the Protestant handbooks represented a significant departure from traditional teaching on death. By examining the ways in which the themes and teachings of the reformers differed from the late medieval ars moriendi, the book highlights both breaks with tradition and continuities that marked the early Reformation.

In recent years, the rituals and beliefs associated with the end of life and the commemoration of the dead have increasingly been identified as of critical importance in understanding the social and cultural impact of the Reformation. The associated processes of dying, death and burial inevitably generated heightened emotion and a strong concern for religious propriety: the ways in which funerary customs were accepted, rejected, modified and contested can therefore grant us a powerful insight into the religious and social mindset of individuals, communities, Churches and even nation states in the post-reformation period. This collection provides an historiographical overview of recent work on dying, death and burial in Reformation and Counter-Reformation Europe and draws together ten essays from historians, literary scholars, musicologists and others working at the cutting edge of research in this area. As well as an interdisciplinary perspective, it also offers a broad geographical and confessional context, ranging across Catholic and Protestant Europe, from Scotland, England and the Holy Roman Empire to France, Spain and Ireland. The essays update and augment the body of literature on dying, death and disposal with recent case studies, pointing to future directions in the field. The volume is organised so that its contents move dynamically across the rites of passage, from dying to death, burial and the afterlife. The importance of spiritual care and preparation of the dying is one theme that emerges from this work, extending our knowledge of Catholic ars moriendi into Protestant Britain. Mourning and commemoration; the fate of the soul and its post-mortem management; the political uses of the dead and their resting places, emerge as further prominent themes in this new research. Providing contrasts and comparisons across different European regions and across Catholic and Protestant regions, the collection contributes to and extends the existing literature on this important historiographical theme.

Between Luther’s Ninety-Five Theses in 1517 and his excommunication from the church in 1520, he issued twenty-five sermons and treatises on Christian piety, most of them in German. These pastoral writings extended his criticisms of the church beyond indulgences to the practices of confession, prayer, clerical celibacy, the sacraments, suffering, and death. These were the issues that mattered most to Luther because they affected the faith of believers and the health of society. Luther’s conflict with Rome forced him to address the issue of papal authority, but on his own time, he focused on encouraging lay Christians to embrace a simpler, self-sacrificing faith. In these pastoral writings, he criticized theologians and church officials for leading people astray with a reliance on religious works, and he began to lay the foundation for a reformed Christian piety.

Lutheran preacher and theologian Andreas Osiander (1498–1552) played a critical role in spreading the Lutheran Reformation in sixteenth-century Nuremberg. Besides being the most influential ecclesiastical leader in a prominent German city, Osiander was also a well-known scholar of Hebrew. He composed what is considered to be the first printed treatise by a Christian defending Jews against blood libel. Despite Osiander’s importance, however, he remains surprisingly understudied. The Apocalypse in Reformation Nuremberg: Jews and Turks in Andreas Osiander’s World is the first book in any language to concentrate on his attitudes toward both Jews and Turks, and it does so within the dynamic interplay between his apocalyptic thought and lived reality in shaping Lutheran identity. Likewise, it presents the first published English translation of Osiander’s famous treatise on blood libel. Osiander’s writings on Jews and Turks that shaped Lutherans’ identity from cradle to grave in Nuremberg also provide a valuable mirror to reflect on the historical antecedents to modern antisemitism and Islamophobia and thus elucidate how the related stereotypes and prejudices are both perpetuated and overcome.

How did people of the past prepare for death, and how were their preparations affected by religious beliefs or social and economic responsibilities? Dying Prepared in Medieval and Early Modern Northern Europe analyses the various ways in which people made preparations for death in medieval and early modern Northern Europe, adapting religious teachings to local circumstances. The articles span the period from the Middle Ages to Early Modernity allowing an analysis over centuries of religious change that are too often artificially separated in historical study. Contributors are Dominika Burdzy, Otfried Czaika, Kirsi Kanerva, Mia Korpiola, Anu Lahtinen, Riikka Miettinen, Bertil Nilsson, and Cindy Wood.

This anthology discusses different aspects of Protestantism, past and present. Professor Tarald Rasmussen has written both on medieval and modern theologians, but his primary interest has remained the reformation and 16th century church history. In stead of a traditional «Festschrift» honouring the different fields of research he has contributed to, this will be a focused anthology treating a specific theme related to Rasmussen’s research profile. One of Professor Rasmussen's most recent publications, a little popularized book in Norwegian titled «What is Protestantism?», reveals a central aspect research interest, namely the Weberian interest for Protestantism’s cultural significance. Despite difficulties, he finds the concept useful as a Weberian «Idealtypus» enabling research on a phenomenon combining theological, historical and sociological dimensions. Thus he employs the Protestantism as an integrative concept to trace the makeup of today’s secular societies. This profiled approach is a point of departure for this anthology discussing important aspects of historiography in reformation history: Continuity and breaks surrounding the reformation, contemporary significance of reformation history research, traces of the reformation in today’s society. The book relates to current discussions on Protestantism and is relevant to everyone who want to keep up to date with the latest research in the field.

Pre-Conquest attitudes towards the dying and the dead have major implications for every aspect of culture, society and religion of the Anglo-Saxon period; but death-bed and funerary practices have been comparatively and unjustly neglected by historical scholarship. In her wide-ranging analysis, Dr Thompson examines such practices in the context of confessional and penitential literature, wills, poetry, chronicles and homilies, to show that complex and ambiguous ideas about death were current at all levels of Anglo-Saxon society. Her study also takes in grave monuments, showing in particular how the Anglo-Scandinavian sculpture of the ninth to the eleventh centuries may indicate not only the status, but also the religious and cultural alignment of those who commissioned and made them. Victoria Thompson is Lecturer in the Centre for Nordic Studies at the University of the Highlands and Islands. .

Biographies of a Reformation: Religious Change and Confessional Coexistence in Upper Lusatia, c. 1520-1635 investigates how religious coexistence functioned in six towns in the multiconfessional region of Upper Lusatia in Western Bohemia. Lutherans and Catholics found a feasible modus vivendi through written agreements and regular negotiations. This meant that the Habsburg kings of Bohemia ruled over a Lutheran region. Lutherans and Catholics in Upper Lusatia shared spaces, objects, and rituals. Catholics adopted elements previously seen as a firm part of a Lutheran confessional culture. Lutherans, too, were willing to incorporate Catholic elements into their religiosity. Some of these overlaps were subconscious, while others were a conscious choice. This book provides a new narrative of the Reformation and shows that the concept of the 'urban Reformation', where towns are seen as centres of Lutheranism has to be reassessed, particularly in towns in former East Germany, where much work remains to be done. It shows that in a region like Upper Lusatia, which did not have a political centre and underwent a complex Reformation with many different actors, there was no clear confessionalization. By approaching the Upper Lusatian Reformation through important individuals, Martin Christ shows how they had to negotiate their religiosity, resulting in cross-confessional exchange and syncretism.

Volume 4 of The Annotated Luther series presents an array of Luther’s writings related to pastoral work. Luther’s famous Invocavit Sermons and other selected sermons show a forthright and lively preacher. Hymn texts reveal Luther’s grasp of hymnody as a tool for conveying and expressing faith. His Small Catechism as well as several pieces on prayer, including his Personal Prayer Book and A Simple Way to Pray, show his engagement in the basic task of teaching the faith. Luther’s prefaces to his own writings contain personal reflections on his reforming work. Also in this volume are his commentary on The Magnificat, selected letters, and shorter pieces that display his pastoral responses to particular situations: Sermon on Preparing to Die, Whether One May Flee from a Deadly Plague, and Comfort for Women Who Have Had a Miscarriage. Each volume in The Annotated Luther series contains new introductions, annotations, illustrations, and notes to help shed light on Luther’s context and interpret his writings for today. The translations of Luther’s writings include updates of Luther’s Works, American Edition or entirely new translations of Luther’s German or Latin writings.

Taking as her focus a body of writings in poetic, didactic, and legal modes that circulated in England's capital between the 1380s—just a generation after the Black Death—and the first decade of the English reformation in the 1530s, Amy Appleford offers the first full-length study of the Middle English "art of dying" (ars moriendi). An educated awareness of death and mortality was a vital aspect of medieval civic culture, she contends, critical not only to the shaping of single lives and the management of families and households but also to the practices of cultural memory, the building of institutions, and the good government of the city itself. In fifteenth-century London in particular, where an increasingly laicized reformist religiosity coexisted with an ambitious program of urban renewal, cultivating a sophisticated attitude toward death was understood as essential to good living in the widest sense. The virtuous ordering of self, household, and city rested on a proper attitude toward mortality on the part both of the ruled and of their secular and religious rulers. The intricacies of keeping death constantly in mind informed not only the religious prose of the period, but also literary and visual arts. In London's version of the famous image-text known as the Dance of Death, Thomas Hoccleve's poetic collection The Series, and the early sixteenth-century prose treatises of Tudor writers Richard Whitford, Thomas Lupset, and Thomas More, death is understood as an explicitly generative force, one capable (if properly managed) of providing vital personal, social, and literary opportunities.