Story of adultery and a clergyman who destroys his sister's art. The first plot contained in this novel is that of Rachael West an heiress and her love for a man trapped in an illicit affair who is doomed to die by is own hand. The second plot is about a gifted female writer who is unable to break away and start her own life free of her family.

Excerpt from Red Pottage In tragic life, God wot, No villain need be! Passions spin the plot: We are betrayed by what is false within. - George Meredith. "I Can't get out," said Swift's starling, looking through the bars of his cage. "I will get out," said Hugh Scarlett to himself, seeing no bars, but half conscious of a cage. "I will get out," he repeated, as his hansom took him swiftly from the house in Portman Square, where he had been dining, towards that other house in Carlton House Terrace, whither his thoughts had travelled on before him, out-distancing the trip-clip-clop, trip-clip-clop of the horse. It was a hot night in June. Hugh had thrown back his overcoat, and the throng of passers-by in the street could see, if they cared to see, "the glass of fashion" in the shape of white waistcoat and shirt front, surmounted by the handsome, irritated face of their owner, leaning back with his hat tilted over his eyes. Trip-clip-clop went the horse. A great deal of thinking may be compressed into a quarter of an hour, especially if it has been long eluded. "I will get out," he said again to himself with an impatient movement. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

V. 1-3 include "Bibliographies of modern authors by Henry Danielson."

Cover -- Half Title -- Title Page -- Copyright Page -- Contents -- Acknowledgements -- Introduction: Creating the Reader and Writing the Writer -- 1 Reciprocal Readers and the 1830s-40s -- 2 The Hero of His Life -- 3 First-Person-Narrators and Editorial 'Conducting': Limited Intimacy and the Shared Imaginary -- 4 Decoding the Text -- 5 Afterlives -- Bibliography -- Index