Fans of nineteenth-century novels should flock to Mary Cholmondeley's Red Pottage. This novel takes an unflinching look at the social conventions and strictures that dictated so many women's life trajectories in the era -- often with less-than-ideal outcomes for everyone involved. Following the lives of several female friends, Red Pottage is a rare gem: an insightful social critique that is a page-turning pleasure to read.

Fans of nineteenth-century novels should flock to Mary Cholmondeley's Red Pottage. This novel takes an unflinching look at the social conventions and strictures that dictated so many women's life trajectories in the era -- often with less-than-ideal outcomes for everyone involved.

Why do writers so often write about writers? This book offers the first comprehensive account of the phenomenon of the fictional novelist as a character in literature, arguing that our notions of literary genius – and what it means to be an author – are implicitly shaped by and explicitly challenged in novels about novelists, a genre that has been critically underexamined. Employing both close and distant reading techniques to analyse a large corpus of author-stories, The Novelist in the Novel explores the forms and functions of author-stories and the characters within them, offering a new theory that frames these works as textual sites at which questions of literary value and the cultural conceptions around authorship are constantly being negotiated and revised in a form of covert criticism aimed directly at readers. While nineteenth-century novels about novelists reveal a pervasive frustration with the market – a starving artist vs. commercial sell-out dichotomy – modernist examples of the genre focus on the development of the individual author-as-artist, entirely aloof from the marketplace and from the literary sphere at large. Yet, each of these dynamics is gendered, with women denigrated to commercial producers and men elevated to artists, and while the canon has largely supported the male view of authorship, a closer look at the work of women writers from this period reveals concerted attempts to counteract it. "Silly Lady Novelists" are pitted against serious male modernists in a battle to define what it means to be a literary genius.

Giving a comprehensive critique of Cholmondeley's writings, Oulton analyzes the inspiration and influences behind some of her greatest work and provides an appealing biography on a writer whose work is of increasing interest to modern scholars.

Here it is. The whole entire story of the Book of Genesis as told to you by the world's oldest storyteller, Uncle Bob. (Note: if you have ALREADY read Uncle Bob's Red Flannel Bible Camp: From Eden to the Ark, you have ALREADY read part of this novel) If you think you KNOW the truth behind the Bible Stories you REALLY ought to pick up a copy of this book. If you are one of those folks who thinks that it is bad manners to giggle a little in church - well, you might want to take a good look at the sample that the Kindle folks let you peek at before you go throwing down any of your hard-earned money. This isn't exactly a solemn retelling of the Bible. In fact, I guarantee a giggle or two along the way. The fact is this is the story of the Book of Genesis as retold by a country gentleman who read the Bible a couple of times and is doing his level best to retell it in his own words. Means he takes some liberties with the Gospel. Or - in the words of Uncle Bob - this here is mostly the truth with only a few lies stirred into the broth for pepper. Don't say I did not warn you! "Armed with a bizarre sense of humor, a huge amount of originality, a flair for taking risks and a strong grasp of characterization - Steve's got the chops for sure." - Dark Discoveries