Rebelling against his father, who insists he get married to a sensible woman, quiet and reserved Lord Rivers Fitzroy instead meets his match in the loud and flamboyant Miss Dolly Goldthwaite, a beautiful foreign dancer who aspires to learn to read and become a famous actress.

Third in the Reckless series. Blush sensuality level: This is a suggestive romance (love scenes are not graphic). "You say you love my daughter. I forbid it! You have no right to interfere in her life as long as she is bound to another." So spoke the great Cheyenne warrior, Two Hawks Flying, and Cloud Walker knew his harsh words were only too true. Serenely beautiful, sweetly tempting, Mary was tied to a man who despised her for her Indian heritage, but that gave Cloud Walker no right to claim her soft lips, to brand her yearning body with his savage love. Yet try as he might, he found it impossible to deny their passion, impossible to escape the scandal, the sorrow, the soaring ecstasy of their reckless desire.

Desire, in all of its complexity and excess, defined the American millennial moment. On the surface, to listen to the present political cacophony, things have changed, but not in the way people actually think and behave in private life. Though terror and trauma are said to have gained the upper hand, desire continues to provide the propulsive force of the culture. But how do you paint desire? How do you capture its richness, power, and meaning? This monograph addresses those questions in the process of considering more than fifty major oil paintings made by the American realist Terry Rodgers between 1990 and 2005. Because most of these spectacular paintings are in the hands of private collectors, the best way to get to know them is www.terryrodgers.com, where all of the images reproduced here in black and white are available in color. Rodgers, with upcoming shows scheduled in Amsterdam and Atlanta, is in the midst of a prodigiously productive period and is on the verge of attracting the international critical notice he deserves, and will certainly soon command, owing to his irresistible subject matter, his remarkable technical accomplishment, and his brilliant overall vision of painting and culture.

AN UNWILLING BRIDE Proud, passionate Lady Gillian MacGuire is known as the Spitfire of the Isles. She can take care of herself and hasn't yet met a man who could impress her . . . especially not Donell MacDonnell, the odious older man she was promised to five years ago. She's been dreading his return, but when her intended comes back to claim her, she's stunned at how different he seems. The man she swore she would spurn forever now invades her thoughts, her dreams, and her heart. AN UNEXPECTED DESIRE When Roag agrees to assume the identity of the recently deceased MacDonnell chieftain, no one warns him that the man was betrothed. As a member of the King's Fenris Guard, he is oath-bound to embark on whatever mission the crown gives him. Of course, he was expecting a battle-not a bride. Yet after sharing one kiss with Lady Gillian, the powerful Highlander becomes the one seduced and captivated. Now giving in to temptation could ruin them both . . .

Melinda Michaels and her daughter, Kara, are on a courageous journey across the frontier wilderness of America when they both fall in love with the rugged cattle baron, Tanner Royce

Through the prism of the life of her father--lawyer and well-known political activist Bartley Crum--Patricia Bosworth sheds light on an important era in modern American history--from the heady, hope-filled days of Roosevelt's New Deal to the dawn of the Cold War. of photos.

The Test Drive deals with the war perpetrated by highly determined reactionary forces on science and research. How does the government at once promote and prohibit scientific testing and undercut the importance of experimentation? To what extent is testing at the forefront of theoretical and practical concerns today? Addressed to those who are left stranded by speculative thinking and unhinged by cognitive discourse, The Test Drive points to a toxic residue of uninterrogated questions raised by Nietzsche, Husserl and Derrida. Ranging from the scientific probe to modalities of testing that include the limits of friendship or love, this work explores the crucial operations of an uncontestable legitimating machine. Avital Ronell offers a tour-de-force reading of legal, pharmaceutical, artistic, scientific, Zen, and historical grids that depend upon different types of testability, involving among other issues what it means to put oneself to the test.

Kalida Ryland is convinced that Deuce Cavender, her haughty neighbor, has asked her father for her hand in marriage just to acquire the Ryland farm